Stephen Trimble conveys the beauty and fine craftsmanship of Pueblo Indian pottery and shows how pottery making is closely connected to the Pueblos' beliefs, their ties to the land, their role in the modern economic world, and their feelings of identity. With over 75 photographs, Talking with the Clay illustrates all the major pottery types, from the glittering micaceous of Taos and Picuris to the red and gold polychromes of Hopi. Stephen Trimble has become a primary narrator of the story of the Southwestern Indians through his books Our Voices, Our Land; The People: Indians of the American Southwest; The Village of Blue Stone; and an annual calendar based on The People. He has lived in the Four Corners states all his life and makes his home in Salt Lake City with his wife and two children.

Talking with the Clay: Art of Pueblo Pottery

Arts & Photography

Stephen Trimble

Sculpture

School of American Research

<p>Art historian Jernigan graphically delineates formal, cultural, and chronological relationships of the jewelry of the three great cultural traditions of the prehistoric Southwest: Hohokam, Mogollon, and Anasazi. In addition to color and b&amp;w photographs and maps, this book is illustrated with more than 100 detailed drawings prepared by the author. 10.5x8", xii+260 pp.</p>

Jewelry of the prehistoric Southwest (Southwest Indian arts series)

JERNIGAN, E. Wesley

This comprehensive view of carvings and paintings on stone by Native Americans from 200 B.C. through the nineteenth century surveys the rock art of Utah, Arizona, New Mexico, northern Mexico, and west Texas, providing an incomparable visual record of Southwest Indian culture, religion, and society.Rock carvings and paintings are important sources in the archaeological and historical interpretation of Southwest Indians. Rock art reflects the cosmic and mythic orientation of the culture that produced it, and understanding of prehistoric peoples, both hunters and gatherers and the Hohokam, Anasazi, Mogollon, and Fremont cultures, and the Pueblo, Navajo, and Apache Indians. Culturally significant events such as the shift in prehistoric times from spear and atlatl to the bow, or, in the historic period, the introduction of the horse into the Southwest, are recorded in rock art.The illustrations--thirty-two color plates, nearly 250 photographs, and numerous line drawings--bring together in one volume petroglyphs and rock paintings that are scattered over thousands of miles of desert and mesa, giving the reader an overview of Indian rock art that would be nearly impossible to achieve in the field.Indian Rock Art of the Southwest examines from an archaeological perspective the rich legacy of stone drawings and carvings preserved throughout the Southwest. Professional and amateur archaeologists and historians, as well as the general reader with an interest in Indian art, will find this volume a valuable resource.

Indian rock art of the Southwest (Southwest Indian arts series)

Polly Schaafsma

History & Criticism

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