The Chinese city of Chongquing is little known in the West. Yet with its 32 million inhabitants, the city is twice as big as the Netherlands Located on the Yangtze river in southwestern China, it is one of China's most rapidly growing cities. Ferit Kuyas stayed in Chongqing on dozens of occasions for long periods and became totally fascinated by the megalomaniacal construction fervor he witnessed there, as well as its beauty. The almost ubiquitous haze -- naturally present in this region but intensified by large-scale pollution -- gave his work almost automatically an added layer of mystery. Kuyas focussed predominantly on the periphery of the city, where the enormity of it cannot be directly seen, but rather felt. The result is a stifling and exceptional book that displays all the superlatives that describe China: huge unstoppable, terrifying, incomprehensible, fascinating, beautiful....

Chongqing: City of Ambition

Arts & Photography

Edkins, Diana

Kouwenhoven, Bill

Photography & Video

Schilt Pub

A portrait of his late cat, put up on a wall in his house by his wife, started to intrigue American artist Elliot Ross. The cat seemed to stare right at him. Ross wondered if the cat had consciously looked into the camera when the photo was taken. What the cat was thinking at that time. In what way the consciousness of an animal differentiated from that of a human being. In a quest to try and find the answers, Ross turned his thoughts and wonderings into a project: Animal. Around the world he portrayed animals and discarded the surroundings afterwards to make the portraits more isolated and powerful.

Animal

Ross, Elliot

After a lone trip to Chernobyl in 2005, Donald Weber returned to the abandoned site of the nuclear disaster and spent the next six years in Russia and Ukraine photographing the ruins of the unstoppable storm we call history. Traveling and living with ordinary people who had endured much, and survived everything. Weber began to see the modern state as a primitive and bloody sacrifical rite of unnamed power. 
INTERROGATIONS is the result of his personal quest to uncover the hidden meaning of the bloody 20th century. In dialogue with writer Larry Frolick - whose own ancestors had been decimated in the final months of WW II - Weber insistently and provocatively addresses his questions both to the living survivors and to the ghosts of the State's innumerable victims, resurrecting their final hours by taking their point of view, and performing a kind of incantatory meditation over their private encounters with power.
The policeman, working girls, thugs, dissidents and hustlers who inhabit these pages are all orphans of a secret history; the outline of our collective fate takes shape in Weber's epic work, expanding our awareness of what it means to be an actor in today's dark opera.

Interrogations

Weber, Donald

'My mother and I are the only members left of a big Italian family. She decided that throwing away all family slides was a big favour to me. 'It happened already', she said, 'and everybody is gone anyway...'
I had the chance to recover only a box containing some slides, metallic cans and small pieces of paper describing the destinations of the family's trips and other details. The wonderful individual slides I was able to see were made before I was born.
But there were others that had been carefully tied with elastic bands and papers, or they were inside closed metallic cans. I was more interested in these than in the ones I could see. How much I could or wanted to know of the past? Would the images tell the truth? What is the role of photography in a family's history? And what do I do with that "gift"?
I decided to let the tied up slides, the small metal cans and the pieces of paper speak to me not from the content of the images themselves but from the questions they were posing. I never opened them. And I am still listening....
I photographed with high-tech digital technology to underline the distance in time, technology and concept between one generation and the other (my gandfather Renato Vaschetti and mine). The original format of the images is 40 x 40 cm., glicee prints.'

Historia, Memoria, Silencios

Vaschetti, Lorena Guillén

Individual Artists

Cig Harvey's YOU LOOK AT ME LIKE AN EMERGENCY is a visual autobiography exploring the photographer's central relationships over the course of more than a decade. Through rich, vibrant photographs and startingly revealing writing, Cig transforms quotidian experences that reference time and place, creating totems that mark key moments in her life.
As much a map of one woman's emotional life as it is a catalog of psychological archetypes, YOU LOOK AT ME LIKE AN EMERGENCY takes the viewer on a literal and metaphorical journey that deals with rejection, hope, indecision, strength, loss, and love to finally find a place called home. In seventy-four gorgeously colored photographs and seventeen personally written vignettes, EMERGENCY conveys the universal quest for personal identity and place in the world.

You Look at Me Like An Emergency: A Collection of Journeys, Secrets & Wishes

Harvey, Cig

Breaking down the structure of the photograph as truth and the book as narrative, Joshua Lutz's second monograph, HESITATING BEAUTY, it is an intimate portrait unlike other photographic models. Rethinking how photographs and text can function, Lutz blends family archives, interviews and letters with his own photographic practice seamlessly into a precious, fictitious experience of a life and family consumed by mental illness. Instead of showing us what it looks like, HESITATING BEAUTY is able to play with our own conceptions of reality to show us what it feels like. Joshua Lutz: ""Holding on so tightly to what I believed was sanity and being consumed by fear of depression and schizophrenia prevented me from being fully present to my mother's reality. The past few years, as she slipped away from the aggressive paranoia and depression of my youth to an almost calming sense of delusion, made it much easier for me to rid the anger that veiled my life and attempt to find a place of empathy and compassion as I managed her care. In making this work and simultaneously falling deeper into her psychosis, I tried to imagine a time when the past, present, and future collided; a place where the weight of memory is heavier than reality.""

Hesitating Beauty

Lutz, Joshua

By the turn of the 20th century, East African hunting safaris became a fashionable pursuit among members of the privileged classes, paricularly in Britain and the United States. The completion of the Uganda Railway in 1901 provided easier access to the interior highlands of British East Africa (now Kenya), where large game, especially elephants, lions, buffalo and rhinoceros, were plentiful. The white hunter served these paying customers as guide, teacher, and protecter.  It was in Kenya in the early 20th century that the tourist trophy hunting industry proper started, with wealthy European and American visitors paying settler farmers to guide them on hunting safaris in the area. Similar tourist hunting industries soon developed elsewhere in Africa.South Africa currently has the largest hunting industry in the world. There are also well-developed hunting industries in Zimbabwe, Botswana and Namibia, and to a lesser extent in Zambia, Mozambique and Swaziland. The southern African hunting industry has grown in recent years due partly to a major increase in game ranching at the expense of traditional livestock farming, which has been particularly hard hit by both drought and recession.Hunters explores the complex realationship that exists between man and animal, the hunter and the hunted as both struggle to adapt to ther changing environment.

Hunters

History & Criticism

After the death of Mario Giacomelli (1925-2000), two different archives with his work were established in 2003: the one in Sassoferrato and another one in Senigallia. Since 2007, the heirs Giacomelli became directors of the photographic heritage, taking over the management from Photology in Milan. The Mario Giacomelli Sassoferrato archive contains about 12,000 photographs of Sassoferrato (including different printing techniques), their contact sheets and negatives. The operational character of the Sassoferrato Archive is to provide a framework in a philological way of the production of Giacomelli, in the context in which the artist has worked. In this way it offers an all-round view of this great artist who is world famous but from whom paradoxically many important aspects remain unclear. The Sassoferrato Archive promotes a new way of looking at Mario Giacomelli, by highlighting his working method; the totally coherent structure that holds his entire production and is Giacomelli’s unique style. For Giacomelli art and life were intrinsically linked and each series was created in close connection with all the others. Under The Skin Of Reality concentrates on the following series: – Poesie in cerca d’autore (70s/2000) – Motivo suggerito dal taglio dell’albero (1967-1969) – 31 dicembre (1997) – Favola, verso possibili significativi interiori (1983-1984) – Metamorfosi della terra (1955-1980) – Presa di coscienza sulla natura (1997-2000) – Bando (1997-1999) – La domenica prima (2000, his last work made shortly before his death)

Under the skin of reality: Treasures from the Sassoferrato Archive

Biondi, Katiuscia

Itolli, Marina

Zucchetti, Katia

This album represents some six decades of achievements of Russian photo reporters in the international press photography arena. It contains all the winning photographs in the main categories, as well as photographs awarded honorary diplomas and special prizes by the international jury – a total of over 450 unique works. What makes this book such an exclusive photographic publication is that it features not only the works of 115 great photographers, but also some truly original and unique texts – memoirs of events and notable national and international figures of the time. These include Dmitri Shostakovich, Leonid Brezhnev, Mikhail Gorbachev, Boris Yeltsin, Maya Plisetskaya, Igor Moiseyev, Svyatoslav Fyodorov, Nikolai Amosov, and many others. This publication is therefore of immense artistic and historical value, and the first project of its kind to encompass, and give a detailed account of, the participation of all Russian authors, and members of the professional and children’s juries, in the World Press Photo competition. Another unique feature is the large number of works presented in the author’s original version. This monumental project is the result of a collaboration between Russ Press Photo (curator: Vasily Prudikov) and Schilt Publishing. The original version was published in Russia in 2010, and has been updated for the English edition in 2013. Russ Press Photo is a non-profit organization, an independent cultural project whose purpose is to shed light on history and create an archive of contemporary photojournalism in Russia, as well as promoting and supporting the Russian school of photojournalism.

World Press Photo Laureates from Russia and the Soviet Union 1955-2013

WORLD PRESS PHOTO

This is the story of an ongoing journey, visiting intimately an underground world where the lines between the police and the people they are protecting are blurred into one. Conducting a ten-year investigation while embedded in the police of Newark NJ, Artist Matt Gunther gained access to a system where the means of enforcement are as archaic as the very notion that simply enforcing will solve the problems.

Probable Cause

Gunther, Matt

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