Collect and process herbarium specimens with ease! This field notebook is designed to expedite the documentation of information taken at the time of making a plant collection. It also describes the methods of properly collecting and labeling plant specimens in the preparation of voucher herbarium sheets.

Plant collecting and documentation field notebook

Simpson, Michael G.

San Diego State University

This volume of Fiction International features AIDS art and photomontages from Germany and England from a worldwide range of essayists, fiction writers and visual artists.

Fiction International 19:2 (Aids Art, Photomontages from Germany and England)

Literature & Fiction

et.al.

David Foster Wallace

ALBERTO MORAVIA

Kenneth Bernard

Marianne Hauser

Richard Kostelanetz. Lewis Shiner

Contemporary

Fiction International is the only literary journal in the United States emphasizing formal innovation and progressive politics. Our thematic issues feature controversial fiction, nonfiction, indeterminate prose, and visuals by leading writers and artists from around the world.

Fiction International 21

Harold Jaffe

"Fluxus was once called 'the most radical and experimental art movement of the sixties,' but for anyone seeking to learn more about the historical nature of Fluxus and its conceptual framework it might more readily seem to be just plain frustrating rather than radical. This is in part the case because Fluxus is historically complex and philosophically difficult to define." --Owen Smith FLUXUS: THE HISTORY OF AN ATTITUDE by Owen F. Smith is A HOT mix of dada, fluxus, art theory and art history. Owen F. Smith's exhaustive archival research tracks the physical remains of this fascinating interdisciplinary and international arts movement that began in the 1960s. San Diego State Univesity Press | __Fluxus: The History of an Attitude__ by Owen F. Smith; ISBN 1-879691-51-5 | 1998 trade paperback | 326 pp. | US $27.00 | Second Printing

Fluxus: The History of an Attitude

Owen F. Smith

This special double issue of Poetry International was put together by editors throughout the world in order to collect, for the first time, an international sampling of post-colonial English language poetry. It used to be said that "the sun never sets on the British Empire," but though that Empire is long history, the 21st century version of that adage is that "the sun never sets on English Language speakers in the world." The legacy of that Empire has been the exportation of the language of the British Isles throughout the world, and poets in countries as diverse as Singapore and Ghana have adopted it as thier own. Poets represented in this issue include John Ashbery, Gerald Stern, Ruth Stone, Kim Addonizio (U.S.), Kofi Anyidoho, Taban Lo Liyong, Lupenga Mphande (Africa), Agnes Lam, Edwin Tumboo, Cecil Rajenda, Alfian Saat (Asia), Martin Harrison, Jill Jones, Peter Minter, Jan Owen (Australia), Gary Geddes, Don McKay, Parick Lane, Stephanie Bolster (Canada), Derek Walcott, Kamau Braithwaite, Pam Mordacai, Lorna Goodison (Carribean), Jo Shapcott, Alan Jenkins, John Burnside, Mimi Khalvati (United Kingdom) Seamus Heaney, Michael Longley, Mary O'Donnell, Peter Fallon (Ireland), John Geraets, Paula Green (New Zealand) and many, many others.

Poetry International 7/8

Moramarco, Fred

Our global society sanctifies commodities and consumables manufactured by multinationals as the hip, trendy, must-have; all else is abject, outcast.

Fiction International 39: Abject/Outcast

Dorothy Blackcrow Mack

Katherine Smith

Theodore A. Harris

Jan Ramjerdi

Thomas Glynn

Matthew Roberson

Fiona O'Connor

Richard Tabata

Johana Hernandez

Mark Yakich

Tyrone Nagai

Tony Sinclitico

David Hutto

Ted Grossman

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