Bühnenbilder, the title of Silke Otto-Knapps recent exhibition in Minneapolis, are the fabricated views resulting from dressing sets. Neutral until they are costumed, they are like blank volumes awaiting a set designers meticulous treatment. The only colours in these works are black, grey, silver, and white. The artists palette and methodology, in which she applies a dark watercolour wash and then subtracts from it using absorptive implements, raising images from the dark, reflects the photographs urge to resurface something whose very location in history, memory, desire eludes the grasp of any image.

Silke Otto-Knapp - Buhnebilder

Silke Otto-Knapp

Roma Publications

Mark Manders - The Absence Of Mark Manders, Bonnefanten

Mark Manders

Mark Manders - Isolated Rooms

Arts & Photography

Manders, Mark

History & Criticism

Dumas' first solo show in South Africa after moving to The Netherlands 30 years ago provided occasion for this catalogue. Featured are more than 50 paintings, drawings and prints presented at the exhibition, as well as personal letters, documents and photographs collected by the artist. A selection of the artist's own writings is included, ranging from her unique commentaries on art to aphoristic writings and poetry that are once insightful, witty and thought-provoking.

Marlene Dumas: Intimate Relations ( 2nd Printing )

EDITED

Bernard Brunon

Unknown, Author

During the 1960s and 70s, thousands of monuments commemorating the Second World War called 'Spomeniks' were built throughout the former Yugoslavia; striking monumental sculptures, with an angular geometry echoing the shapes of flowers, crystals, and macro-views of viruses or DNA. In the 1980s the Spomeniks still attracted millions of visitors from the Eastern bloc; today they are largely neglected and unknown, their symbolism lost and unwanted. Antwerp-based photographer Jan Kempenaers travelled the Balkans photographing these eerie objects, presented in this book as a powerful typological series. The beauty and mystery of the isolated, crumbling Spomeniks informs Kempenaer's enquiry into memory, found beauty, and whether former monuments can function as pure sculpture.

Jan Kempenaers - Spomenik

Willem Jan Neutelings

Photography & Video

Travelling exhibition catalogue (Middelburg, Milan, Paris) of an exhibition project presenting 12 emerging young artists, providing a theoretical hypothesis on the use and manipulation of forms, images and texts, highlighting both their formal implications and their philosophical, political and social content.The artists will thus not only reflect on the potential themes raised by the various components, but will offer a broader reflection on the contemporary meaning of memory, and hence authenticity, fiction and falsehood. Artists include Richard Sympson, Batia Suter, Irene Kopelman, Jeroen Kooijmans, Invernomuto, Mark Geffriaud, Linda Fregni Nagler, Diego Marcon and others.

Beyond The Dust - Artists' Documents Today

F.di Nardo, L.benedetti

Kees Goudzwaard: Provisional Space

Ilaria Bonacossa

Dirk Braeckman is one of Belgiums leading artistic photographers. In each of his monumental photographic works, he creates an enclosed, isolated world that appears endless in its tactility, while at the same time gives short shrift to the illusions of the medium. These images do not aim to convey anything and yet they are suggestive of complete narratives.

Dirk Braeckman (English and Dutch Edition)

Martin German, Dirk Lauwaert

A series of chronologically ordered photographs taken between 1995 and 26th January 2004, the book takes the form of a novel without words. The sequence shows Ruth, first at the end of the telephone receiver, later on a cordless phone, the one constant as time and place change around her.

Nigel Shafran: Ruth On The Phone

Nigel Shafran

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Books by Roma Publications