A compendium of some of the most important thinking about art and technology to have taken place in the last few decades at the international level. Based on the research of the Banff New Media Institute from 1995 to 2005, these essays, transcripts and artists projects celebrate the belief that artists and cultural industries, in collaboration with scientists, social scientists and humanists, have a critical role to play in developing technologies that work for human betterment and allow for a more participatory culture. Each thematic chapter features an introduction, an original essay and carefully edited transcriptions drawn from thousands of hours of audio material with artists and theorists such as Laurie Anderson, Herve Fische, Kim Sawchuck, Zainub Verjee, Bill Vorn and many others. Also included is the catalogue of the exhibition, The Art Formerly Known As New Media, and a DVD based on the electronic journal, HorizonZero. Featured artists include Geoff Lillemon, Matthew Sloly, Maria Lantin, Shu Lea Cheang, Sara Diamond, Michael Naimark, Greg Niemeyer, Catherine Richards and Martin Wattenberg, Maciej Wisniewski. With a Forward by Kellogg Booth and an Afterword by Susan Kennard. Essays by Sandra Buckley, Steve Dietz, Jean Gagnon, N. Katherine Hayles, Eric Kluitenberg, Jeff Lieper and Allucquere Rosanne Stone.

Euphoria / Dystopia: The Banff New Media Institute Dialogues

Arts & Photography

N. Katherine Hayles

Sandra Buckley

Steve Dietz

Eric Kluitenberg

Jeff Liepe

Jean Gagnon

Allucquere Rosanne Stone

History & Criticism

Riverside Architectural Pr

The Hylozoic Ground experimental architecture series developed by architect Philip Beesley has been expanded and refined by researchers, engineers and designers from around the world. It is an immersive, interactive environment that moves and breathes around its viewers, creating an environment can feel and care. Next-generation artificial intelligence, synthetic biology, and interactive technology create an environment that is nearly alive. The book contains essays by theorists and designers, extended photography, and detailed design documents of the evolving project. With contributions by Michelle Addington, Rachel Armstrong, William Elsworthy, Rob Gorbet, Eric Haldenby, Jonah Humphrey, Christian Joakim, Geoff Manaugh, Detlef Mertins, Neil Spiller, and Cary Wolfe. The Hylozoic Ground Project has been selected to represent Canada at the 2010 Venice Biennale in Architecture. Previously announced as Responsive Envelopes: Hylozoic Soil

Hylozoic Ground: Liminal Responsive Architecture

Philip Beesley

Pernilla Ohrstedt (Ed.)

Hayley Isaacs (Ed.)

Architecture

Fabricate. Making Digital Architecture brings together the work of designers, engineers and makers within architecture, construction, engineering, manufacturing, and computation. Covering a cross section of scales and typologies, the publication features 32 illustrated case studies of completed buildings, new works in progress, and the latest research in design and digital manufacturing. Practices discussed include Foster+Partners, Zaha Hadid Architects, Arup, Buro Happold, Amanda Levette Architects, Ron Arad Associates, as well as renowned institutions such as Delft, Harvard, MIT, The Bartlett, CITA, and the Architectural Association. Punctuating chapters on academic and practice-based research, conversations between world leading experts Mark Burry, Philip Beesley, Matthias Kohler, Neri Oxman, Mark West, Michael Stacey, Hanif Kara and Sean Hanna discuss themes on drawing to production, behavioural composites, robotic assembly, and digital craft. As the scope and diversity of work shown here clearly conveys, new protocols of engagement between the design and making of digital architecture offer disciplines on all sides the challenge to rethink fabrication as a design activity, and to rethink how the necessary expertise to master this field can be acquired. With a foreword by Alan Penn and Robert Aish.

Fabricate: Making Digital Architecture

Ruairi Glynn (Editor)

Bob Sheil (Editor)

Unconventional Computing: Design Methods for Adaptive Architecture is an exploration of the emerging terrain of negotiated acts of co-design between humans, nonhumans and matter, where spatial programs are regarded as acts of persuasion, cooperation and symbiosis. These acts of design and production are not at odds with nature but are seamlessly entwined with its processes. Unconventional computing offers a platform where information and matter are coupled. Rather than being an afterthought to geometry in the design process, materials can participate directly in design solutions. The book aims to expand tools and approaches for responsive and adaptable methods of architectural design and production. Contributors from the fields of science, design and computation suggest that unconventional computing can be a synergetic practice that integrates established methods including parametrics, digital prototyping, landscape design and cybernetics. The convergence of these methods produce potent possibilities for emerging material practices.

Unconventional Computing: Design Methods for Adaptive Architecture

Computers & Technology

Rachel Armstrong

Graphics & Design

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