This handbook covers all the material needed for the Teachers' Diploma examination in the electric guitar, and includes advice and tips about preparing for the examination. Whether or not the user intends to take an examination, the handbook aims to help the user develop their guitar playing, increase their potential knowledge of specialist electric guitar techniques, and provide a sound theoretical basis to help them achieve their full potential as a guitarist.

Electric Guitar Playing - Teacher's Diploma

Arts & Photography

Skinner, Tony

Music

Registry Pubns Ltd

The Early Grades. An invaluable aid in preparing for the Registry of Guitar Tutors electric guitar exams. Preliminary Grade to Grade 2. An innovative and helpful book for all modern guitar players who want to improve their rhythm guitar playing.

Rhythm Guitar Playing, Book 1

Registry of Guitar Tutors

Hart, Chaz

The Intermediate Grades: Grade 3 to Grade 5. An invaluable aid in preparing for the Registry of Guitar Tutors electric guitar exams. An innovative and helpful book for all modern guitar players who want to improve their rhythm guitar playing.

Rhythm Guitar Playing, Book 2: Grade 3 - Grade 4 - Grade 5

If you re interested in learning to read music whether for classical, acoustic or electric guitar then this book is for you! Starting at total beginner stage, the book takes you on a musical journey. You ll be guided on a route where you ll learn the notes on the guitar very gradually; progressing string by string. This way your musical journey should never be daunting. If you follow each path that s laid out in the book, without skipping any stages, you should never lose your way. By the end of the journey you ll be able to read the notes on the first few frets of all the strings, and you ll be familiar with most common musical rhythms and note timings. In other words, you ll be well on the road to becoming a fluent sight reader on guitar.

Routes To Sight Reading for Guitarists: Book 1

To sight read means to be able to play music as the writer/composer intended, without having to hear the music played first. The ability to read music is an essential part of playing any musical instrument and gives you access to a whole world of music. This book covers six of the most used keys and the first eight frets of the fingerboard. The pieces in this book follow a route from the New York suburbs to Carnegie Hall. This book can be used as a learning method for individual study. However, if you have a teacher to help you along the way than you ll find that the book has enhanced benefits: Below each line of music a chord sequence is given. If you re learning electric guitar, ask your teacher to play these chords whilst you play the Guitar 1 melody this will help you keep in time and bring the music alive. If you re learning classical guitar, then you can play each piece as a duet with your teacher. You should play Guitar 1 (always printed on the left-hand page) whilst your guitar teacher plays the music marked Guitar 2 (always printed on the facing right hand page). Please note that whilst both the chords and Guitar 1 . And Guitar 1 and Guitar 2 , are designed to harmonise together, the chords and Guitar 2 are not intended to be played together.

Routes To Sight Reading for Guitarists 2

All the music is shown in both traditional notation and tablature. All pieces are performed on the accompanying CD you just listen and learn. There are helpful historical and performance notes to help you play, and understand, each piece.

Classic Collection: 10 Famous Pieces for Classical Guitar

Jamming along with a band is the ultimate way of learning how to create your own guitar solos. The 10 track full band backing CD that accompanies this book enables you to do just that! On the CD you ll hear a full band line-up, but without the lead guitar YOU will be the lead guitarist. Experience the thrill of creating your own guitar solos and playing along with your own band. The book explains: how to improvise how to invent stunning solos how to create riffs and phrases how to use scales and follow chord charts Everything is explained in a clear and straightforward way, with no compulsion to read traditional musical notation. This book and CD are also ideal as study aids for the Lead Guitar section of the Registry of Guitar Tutors Grade One electric guitar examination. By following this course you ll learn, in a structured and comprehensive way, how to improvise and create exciting guitar solos in a wide range of musical styles.

Improvising Lead Guitar, Beginner Plus

Jamming along with a band is the ultimate way to learning how to create or improve your own guitar solos. The 10 track full band backing CD that accompanies this book enables you to do just that! On the CD you ll hear a full band line-up, but without the lead guitar YOU will be the lead guitarist. Experience the thrill of creating your own guitar solos and playing along with your own band. The book explains: . how to improve your improvisation skills . how to invent great riffs and phrases . how to use scales effectively . how to create stunning solos by using string bends and other specialist techniques Everything is explained in a clear and straightforward way, with no compulsion to read traditional musical notation. This book and CD are also ideal as study aids for the Lead Guitar section of the Registry of Guitar Tutors Grade Two electric guitar examination. By following this course you ll learn, in a structured and comprehensive way, how to improvise and create exciting guitar solos in a wide range of musical styles.

Improvising Lead Guitar, Improver Level

This book is part of an unrivalled series that is designed specifically for students of popular music. Improve your musicianship and gain a qualification. Studying this series will enable you to gain internationally recognized qualifications that are equivalent in stature to those available in the classical music education field. As well as helping you to pass the London College of Music grade examinations in popular music theory, the series will help you improve your musicianship (whether or not you intend to take an examination). All topics are covered in a way that is directly relevant to the music you play, with the focus very much upon how to apply the oretical knowledge in a practical music making context. Regardless of which instrument you play and which ever style of popular music you like, if you have any interest in learning about the musical foundations of popular music then this series is for you!

Popular Music Theory, Grade 2

Sheldon, Camilla

Popular Music Theory: Grade 3

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