Frank Sinatra's legendary clique defined life in the fast lane throughout the late fifties and early sixties, dominating American culture and epitomising a life of cocktails, love affairs and Hollywood glamour. A select group of photographers, including Sid Avery and Bob Willoughby, captured the Rat Pack in their heyday. Many of the images they produced have been largely stored away, many even undeveloped. For the first time, access to these shots has been made possible to produce one deluxe, collector's edition. The Rat Pack is the definitive book on Frank, Dean, Sammy and co. tearing up Hollywood and Las Vegas with an extended cast including Marilyn Monroe and JFK. Fifty years on from the year many refer to as The Year of the Rat Pack, 1960, and their influence endures. Shooting Ocean's 11 by day, performing at the Sands by night and sweating out the sour mash in the sauna in between, The Rat Pack includes behind the scenes footage at the JFK Presidential Inauguration and house parties with Ava Gardner and Marilyn Monroe. With in-depth text by author and leading Rat Pack aficionado Shawn Levy, The Rat Pack is the first collectable photographic book on the men whose appeal transcends generations and who remain the epitome of cool.

The Rat Pack: Limited Edition

Arts & Photography

Photography & Video

Reel Art Press

In 1942, a young man at Warner Bros. art department created a poster for Casablanca. Over the next sixty-three years, posters for A Streetcar Named Desire, Dial M For Murder, Bonnie and Clyde, Bullitt, My Fair Lady, Get Carter, Dirty Harry, The Untouchables and Unforgiven became coveted items, cherished by movie-goers all over the world.The same artist is responsible for them all.Bill Gold's life's work spans six decades and over two thousand films. He is the man behind campaigns for the greatest movies the world has ever seen.Bill Gold: PosterWorks is a celebration of his extraordinary and prolific talent. With a foreword from long-time collaborator and friend, Clint Eastwood, Bill Gold is a unique 450 page collector's opus detailing the artist's creative process, his army days, early career, posters for Elia Kazan, Stanley Kubrick, Alfred Hitchcock, Francois Truffaut through to his final work in 2003 on Eastwood's Mystic River. Archivist of his own work, with a personal collection of unseen designs, alternative versions, sketches, drafts, notes and photographs, Bill Gold's incredible history has never been accessible to the public until now.A notoriously cut-throat industry, Hollywood evolves with few constants yet Bill Gold's talent endures. At 89 years old, this is the first time that the world is invited to see the full scope of his life's work in one breathtaking book.

Bill Gold: PosterWorks: Limited Edition

Frayling, Christopher

Graphic Design

Movie star weddings run the gamut from studio cover-ups to Hollywood endings but whether your taste is for the explosive or the fairy tale, Weddings and Movie Stars will quench your thirst for impeccable glamour and salacious gossip. A movie lover's encyclopedia of weddings, Weddings and Movie Stars is exhaustively compiled over 288 pages and features many previously unreleased images. It is a tribute to the most iconic Hollywood stars from the 1920s onwards in ceremonies from the low key to the lavish. With weddings to rival epic studio productions, gowns by designers from Givenchy and Balmain, to Dior and Vivienne Westwood, Weddings and Movie Stars is an unprecedented opportunity to peek behind the scenes and witness many of the secret ceremonies that to this point have remained under wraps. From closeted Rock Hudson's arranged marriage to his agent's secretary to Madonna and Sean Penn's four letter warning to circling paparazzi written in the sand, the public has been shown an often cultivated glimpse of the mega star wedding day, until now. Of an age shrouded in myth, here are our greatest movie stars at their most candid: Shirley Temple, marrying at age 17, Elizabeth Taylor's 700 wedding guests, unseen footage of Mia Farrow at home with Frank Sinatra, Marilyn and Joe DiMaggio, Marilyn and Arthur Miller, the incredible pairing of Ava Gardner and Mickey Rooney, Bardot, Jagger, John and Yoko, to modern day power couples including Sarah Jessica Parker and Matthew Broderick. Also featured are on-screen stills from classic movie weddings such as Dustin Hoffman in The Graduate and Cary Grant and Katharine Hepburn in The Philadelphia Story. For many film fans, however, the real-life context of stills such as Spencer Tracy and Katharine Hepburn's on-screen vows in Woman of the Year lends the image a heartbreaking quality, as this fictional marriage sparked the beginning of a real life affair lasting thirty years. Indeed, we now know the tumultuous path ahead of Rita Hayworth and Orson Welles, the blueprint for longevity carved out by Humphrey Bogart and Lauren Bacall, the tragedy awaiting Roman Polanski and Sharon Tate, whose weddings feature in the book. Weddings and Movie Stars succeeds in preserving our most beloved stars at their most vibrant, off-screen and in love and celebrates the wedding in motion pictures. In a year gripped by wedding fever, from Kate Middleton to Kate Moss, the most dramatic and elegant ceremonies, on and off screen, are captured in these images, published for the first time by Reel Art Press.

Weddings and Movie Stars

A Testimony of Serpent Handling Master Edition is a limited, numbered edition of 900. This work by documentary photographer Hunter Barnes provides a unique and intimate portrait of a small community of serpent handlers in West Virginia. This devout way of life finds its roots in the King James Bible, with followers believing that the literal interpretation of passages of Mark and Luke regarding handling poisonous serpents and drinking lethal poisons is central to their faith. With lyrical reflections accompanying his photographs, Hunter’s sensitive study brings beauty and understanding to a perhaps misunderstood practice. In recording this slowly diminishing community, this photographic collection also provides a valuable service to the cultural history of the United States. Also available as a Deluxe Edition of 100 with a Super 8 film shot by Hunter and a signed, numbered, limted edition silver gelatin photograph by Hunter, presented in a slipcase.

A Testimony of Serpent Handling: Master Edition

"A Hurrell portrait is to the ordinary publicity still about what a Rolls-Royce is to a roller-skate." Esquire, 1936. George Hurrell is one of the greatest portrait photographers of Hollywood's Golden Age. His strong contrast black and white images and groundbreaking use of negative retouching revolutionized the medium of Hollywood portraiture during the 1930s and 1940s. This lavish book captures the enduring glamour of his photography and presents the very finest reproductions of his work yet seen in print. It features several unseen images of cinema's most iconic faces. All images have been taken from The Kobal Collection. One of the most distinguished archives of classic Hollywood imagery in the world, it has the largest collection of Hurrell material in existence.

Hurrell: The Kobal Collection

This stunning publication is the definitive collection of Mark Shaw's renowned photographs of the Kennedys. More than fifty percent of the images have never been seen before and are the finest reproductions of Shaw's work yet seen in print. For the first time ever, complete access was granted to The Mark Shaw Photographic Archive in order to produce this fresh and expanded take on Shaw's classic 1964 work, The John F. Kennedys: A Family Album. Not only is this beautiful tome a tribute to the Kennedy Family, but it pays homage to the extraordinary talent of Mark Shaw himself. Shaw first photographed the Kennedys in 1959 for Life magazine. He subsequently developed a close friendship with the family that gave him extraordinary and informal access to their inner circle. He became the Kennedys' unofficial family photographer and his captivating shots capture some of their most intimate and candid moments. Photographs include Kennedy's favourite ever shot of himself, walking alone on the dunes at Hyannis Port, plus images on the campaign trail, relaxing at home with friends, entertaining at the White House, and the sombre days immediately following JFK's assassination. Mark Shaw (1922-1969) was an American photographer renowned for his photographs of the Kennedys and for his fashion work. He worked for several magazines such as Harper's Bazaar, Mademoiselle and Life. During his sixteen years at Life, he shot twenty-seven covers and over one hundred stories. He photographed the rich and the famous, including Elizabeth Taylor, Grace Kelly, Audrey Hepburn, Pablo Picasso, Brigitte Bardot and Pope Paul VI. He was also the first photographer to shoot backstage and in colour at the European couture fashion shows. He won numerous awards for his still photography and commercial work, most notably with his Vanity Fair lingerie campaign.

The Kennedys: Photographs by Mark Shaw

Mark Shaw

An extravagant photographic history of photographers and their cameras
An extravagant photographic history of photographers and their cameras, featuring over a century of striking images, Photographers celebrates the truly innovative men and women behind the camera; trailblazers in their field, who captured and immortalized our world. This definitive and unique edition is a must-have for any coffee table. It shows rarely seen photographs of some of 20th-century photography's greatest names. From Henri Cartier-Bresson and Weegee, to David Bailey and Richard Avedon by way of the men and women of Life and Picture Post magazines as well as anonymous pressmen, they are all shown at work with their camera. Photographers shows photographers with their celebrity subjects, who range from the best-known Hollywood stars to players of sport, musicians and politicians. It also shows some of those same celebrities turning the camera back on to the photographer. Photographers shows off the classic cameras used by the press, photojournalists and fashion photographers. The Leica, the Nikon, the Pentax, the Rolleiflex and Speed Graphic are among the cameras shown in use. A section on wartime photographs shows aerial cameras in action. An introductory essay by one of the world's leading photographic specialists, Michael Pritchard, sets the photographers and their cameras within a wider context of the rapid growth in demand for photographs of celebrities from the 1890s and the development of celebrity culture associated with the rise of the movies from the 1920s.

Photographers

Michael Pritchard

This magnificent book is the new, expanded, complete edition of Nourmand and Marsh’s cult bestseller, with text by renowned writer Peter Doggett. The 1960s and ’70s were the Golden Age of the X-rated movie. For the first time, these films were shown in mainstream cinemas to a fashionable, young crowd. The “porno chic” movement around films like Deep Throat (1972), The Opening of Misty Beethoven (1976) and Debbie Does Dallas (1978) gave skin flicks an air of credibility that had never existed before. Johnny Carson and Bob Hope talked about Deep Throat on TV, and respected artists became involved in promotional campaigns for adult films. Of all film genres, the X-rated movie is possibly the one that lends itself best to the use of posters as a promotional medium. Screaming taglines, provocative titles and scantily clad bodies are all elements that can be used to great advantage in poster form. Even though many of the adult movies of the ‘60s and ‘70s have faded into cinematic history, their posters remain an inspiration for graphic designers. And today they are wonderful, joyful period pieces that evoke the temptations and taboos of a bygone age of suspender belts, stockings and eye-popping, gravity-defying brassieres. To quote Steve Frankfurt’s iconic ad campaign for the soft core masterpiece Emmanuelle, “X was never like this.”

X-rated: Adult Movie Posters of the 60s and 70s

James Dean on the set of Rebel Without a Cause; Audrey Hepburn on her bike with pet dog in tow; Marlon Brando taking out the garbage; Rock Hudson emerging from the shower; Elizabeth Taylor soaking up the sun. These are just a few of the iconic images for which Sid Avery is responsible. This sumptuous volume is a long overdue tribute to his prolific talent. The renowned photographer was one of the greatest names working in Hollywood from the 1940s to the 1960s, and became known for his candid portraits of the stars. He made history as the only photographer to shoot both the original 1960 cast of Ocean’s Eleven and the 2001 remake, recreating his iconic group shot around the pool table. Avery was also responsible for establishing Mptvimages: the Motion Picture and Television Photo Archive. Run today by Avery’s son, Ron, this publication has been produced together with mptvimages with full access granted to the depths of the archive. This complete anthology of Avery’s work includes outtakes and contact sheets, with over half of the material never-before-seen. Sid Avery (1918–2002) was one of the biggest names in Hollywood portraiture in the 1950s and 1960s. He later also became one of the top names in advertising photography, as well as a successful commercial director. In the 1980s, he established the Motion Picture and Television Photo Archive. Avery’s son, Ron, has continued this legacy and under his ownership, Mptvimages is today recognized as one of the greatest archives of Hollywood imagery.

Sid Avery: The Art of the Hollywood Snapshot

Ron Avery

From spaceships to costumes, sketches to finished objects, the acclaimed designs for Kubrick's sci-fi masterpiece
To celebrate the 50th birthday of the Apollo 11 moon landing and of the worldwide release of the science-fiction classic 2001: A Space Odyssey, Reel Art Press is reprinting its bestselling book The 2001 File. A look behind-the-scenes at the making of this most legendary of films, the book gives an in-depth examination of the complete archive of art director Harry Lange's designs, concepts, roughs and photographs. Lange's strikingly realistic designs created an extraordinary vision of the future. By releasing this archive and explaining its significance, the book takes the reader/viewer on a journey deep into the visual thinking behind 2001. The book is about the process, as well as the finished product. It examines how Harry Lange's experience with NASA fed into the innovations of the film. It includes rejected designs, concepts and roughs, as well as the finished works. It also reveals how the design team was obsessed with things that actually might work, and reproduces several innovations that were science fiction in the 1960s but have since become science fact, including an international space station, personal computers and flat-screen tablet technology. The remarkable designs for 2001 created a credible vision of the future.

The 2001 File: Harry Lange and the Design of the Landmark Science Fiction Film

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