Comet Press is extremely proud to present its third annual anthology featuring this year's hardcore corps of authors with the best extreme horror fiction of 2017 that breaks boundaries and trashes taboos.It was a killer year for horror fiction of the harder kind. Authors, editors and publishers presented readers with some startling works of horrific imagination, stories graphic in the extreme yet with subtleties suggesting larger meanings, tales that explore humanity by plumbing depths of soulless inhumanity and, in some cases, outright depravity. The stories here represent the best of them, disturbing tales that dig deep and take you into the dark heart of horror itself, unrelenting and unapologetic.“So Sings The Siren” by Annie Neugebauer takes us onto a Dark Fantasy stage for a one-night-only performance of mythological torture. Then Ryan Harding’s “Junk” gets right to the hardcore stuff with the ultimate dick-pic horror tale. Robert Levy’s “The Cenacle” is a literary cemetery feast you may have a hard time stomaching (Tums won’t save you).Nathan Ballingrud’s “The Maw” treads surefootedly on Sci-Fi ground, right up to the edge of the Maw itself in a tale of stunning originality. Luciano Marano made his first pro sell when he sold “Burnt” to DOA III, certainly one of the year’s best anthologies, and the tale has it own fiery fetishistic twist.“The Better Part of Drowning” by Octavia Cade treads waters of both science fiction and fantasy but it’s pure horror at its biting depths. Tim Waggoner’s “Til Death” is Lovecraftian Post-Apocalypse horror at its absolute best.“Letter From Hell” comes with that special delivery you only get from Matt Shaw. Dani Brown gets down and very dirty in her “Theatrum Mortuum,” which may be the most extreme thing you read all year.Glenn Gray’s “Break” is a hard-to-take anatomy lesson given to a man weary of doing hard time. In “Bernadette” Ramiro Perez de Pereda gets medieval in his tale of a djinn summoned by a desperate priest.Brian Hodge takes you on a trip to Mexico you will never forget in “West of Matamoros, North of Hell.” This story is a masterpiece of suspense, a grueling experience that may well leave you exhausted by the end. You might even feel like a vacation afterward, but we’re betting it won’t be to Matamoros.Bracken MacLeod’s “Reprising Her Role” takes us behind the scenes of a porno snuff film for a gut-wrenching reprisal and unexpected bonus footage.A real-life death threat inspired Doug Ford’s “The Watcher” and we think it shows. “Scratching From The Outer Darkness” showcases Tim Curran’s descriptive prowess and gives you a tale of hardcore Cthulhu Mythos.Brace yourself when Adam Howe’s “Foreign Bodies” takes you deep into the bowels of a nasty abyss—which might make a good echo chamber for the laughter Adam’s patented black humor is likely to elicit.Sean Patrick Hazlett introduces us to “Adramelech,” an ancient demon with a taste for broiled children. Daniel Marc Chant’s “ULTRA” jacks into a popular VR game called Slut Slayer. But what if it’s more than a game?Nathan Robinson takes us into the trees with a group of militant environmentalists who will discover a tree hugger of the deadly sort, entirely alien to their experience.Scott Smith (A Simple Plan and The Ruins) wraps up this year’s fat package of the hard stuff in a big bloody bow with “The Dogs.” The canines in this tale are not Man’s Best Friend variety, nor are they Woman’s Besties, as you will see.Thanks for coming along into this year’s heart of hardcore darkness. We hope to see you on the other side.

Year's Best Hardcore Horror Volume 3

Literature & Fiction

Hodge, Brian

Smith, Scott

Waggoner, Tim

Marano, Luciano

Robinson, Nathan

Ballingrud, Nathan

Levy, Robert

Harding, Ryan

Neugebauer, Annie

GRAY; GLENN

Genre Fiction

Red Room Press

The Social Catalogue Of #Prey is a deep dive into the sinister hi-tech white slave trade where unsuspecting young females are stalked on social media, then stalked in real life and subsequently abducted by snatch squads, chained in basements and sold online to highest bidders to be tortured or even killed--all by way of live-feed video for the sadistic pleasures of other paying customers on the world-wide Dark Web. In the Age of Social Media, many users feel compelled to post routine details of their lives on FaceBook, Instagram and other such sites. They post selfies, post pics of the plates of food they're about to devour, they tell you where they're going, where they've been, and countless other humdrum details of their day-to-day lives. Some live their lives on social media, unmindful of the dangers lurking at its darkest edges, never even suspecting that they might be making themselves easy targets for deadly predators-especially young attractive women. NYPD's "Cannibal Cop" Gil Valle and co-author Bridget Lee take you inside this shadowy online world and show you how women may be cataloged and auctioned off by the sickest of perverts who ply their trade buying and selling innocent females to be tormented, slaughtered, and sometimes even cooked and eaten. This brutally realistic novel may change the way you use social media. The chilling, stand-alone sequel to Gil Valle's A Gathering Of Evil

The Social Catalogue of #Prey

Valle, Gil

Lee, Bridget

Red Room Press is extremely proud to present its fourth annual anthology featuring this year's hardcore corps of authors with the best extreme horror fiction of 2018 that breaks boundaries and trashes taboos.
First up is “Vigil” by Chad Lutzke. Chad takes us into a neighborhood where a steady stream of decayed corpses are exhumed from a neighbor’s cellar. Extreme olfactory horror at its best.
Deborah Sheldon went under the knife for the inspiration of “Hair And Teeth,” and the result is a tale of gynaecological body horror likely to terrify women and make most men squeamish.
With “Rut Seasons” Brian Hodge makes a return to Year’s-Best pages in a tale as chilling as it is heart-wrenching, inspired by a thousand-mile drive littered with roadkill and some personal tragedies.
“Control” by Jeff Parsons introduces us to a meth addict stalking potential victims in Central Park to get money for the next score.
Annie Neugebauer is back with “Cilantro,” a Neugebauerian yarn of culinary chaos sure to turn stomachs and cause nightmares.
Tim Waggoner likewise returns this year with “Voices Like Barbwire,” an exploratory dig into old wounds and painful memories.
Rebecca Rowland’s “Bent” wins the Most Cringe-worthy Story honor with her twisted tale of extreme body horror. Her well-drawn characters seem to come off the page but God forbid they do. 
Scath Beorh takes Lovecraftian cosmic horror to its next level with “Lord of the Mesa.”
Sean Patrick Hazlett’s story “The Godhead Grimoire” possesses dangerous religious overtones and a forbidden bloodthirsty book.
“Carnal Bodies” by R.E. Hellinger is a shocking story of baroque horror and demonic necrophilia 
In “Crossroads of Opportunity” Ed Kurtz and doungjai gam take you on a-deal-with-the-devil-at-the-crossroads trip with a son driving his dead mother to an uncertain destination. 
Seras Nikita’s “Dad’s Famous Preserves” won’t do much for your appetite but it will show you a recipe for disaster when a jungle missionary’s foot infection blossoms into a stomach-churning nightmare.
“The Bearded Woman,” brought all the way from Rome, Italy, by the inimitable Alessandro Manzetti. His dystopian future tale takes us for a ride in the Bearded Woman’s circus trailer as she and her dwarf husband bring their marriage to a bloody end.
Sara Tantlinger’s “The Devil’s Dreamland” takes us inside the Murder Castle of the infamous H.H. Holmes with her brilliant narrative poem of macabre beauty.
Frank Oreto’s “All God’s Creatures Got Reasons” reveals that there are real monsters walking among us, monsters with a savage appetite for young flesh./p&gt;
“The Ugly” by J.R. Park introduces us to a couple of sweet little kids who may have a good reason for torturing and eating cats. It’s a way to keep the Ugly at bay. Or is it?
Doug Ford’s “I Have a Confession” takes a coldblooded plunge into sex with a ghost. But what if it’s not a ghost?
In “When the Owls Call” Lyman Graves takes us “stealth camping” in a Texas park after hours, where a strange and dangerous gathering is taking place.
Jeremy Thompson is back this year with his nefarious pal the Hallowfiend in “Bloodletting and Intrigue On All Hallows’ Eve’.” With a stylistic nod to Ray Bradbury, Jeremy delivers on our promise that something twisted this way comes.
Capping it all off, Alicia Hilton serves up “Monkey See, Monkey Do” as a tasty little nightcap (for those with hardcore tastes).Salud! Sleep well. If you can. —Randy Chandler &amp; Cheryl Mullenax

Year's Best Hardcore Horror Volume 4

Lutzke, Chad

Chandler, Randy

Manzetti, Alessandro

Mullenax, Cheryl

Kurtz, Ed

Rowland, Rebecca

gam, doungjai

GOING GLOBAL 2019. The year certainly made its mark on the world-and more than its share of scars. It also made for a bounty of good horror stories of the extreme kind, the best of which the tales herein serve to illustrate. 2019 was the year Year's Best Hardcore Horror went global. Not by design but because the stories inside just happened to have been written by authors hailing from various parts of the globe. From Australia by way of South Africa, to Italy, Scotland, Norway, Taiwan, North America and India--the common denominator being that their tales come from darkest regions of imagination. TABLE OF CONTENTS GOING GLOBAL: INTRODUCTION by Randy Chandler & Cheryl Mullenax FEAST FOR SMALL PIECES by Hailey Piper GODDESS OF GALLOWS by Kristopher Triana LATE NIGHT INCIDENT AT THE WHITE TRASH MOTEL by Duane Bradley A NEW MOTHER'S GUIDE TO RAISING AN ABOMINATION by Gwendolyn Kiste UPPER CRUST by Michael Paul Gonzalez REDLESS by Annie Neugebauer A TOUCH OF MADNESS by Tim Waggoner PARADISUM VOLUPTATIS by Joanna Koch RADIX MALORUM by Sean Patrick Hazlett LACKERS by Leo X. Roberson WHY DO BIRDS SUDDENLY APPEAR? by Rajiv Moté DARJEELING by Syon Das MRSA ME by Alicia Hilton WHAT DID YOU DO TO THE CHILDREN? by David L Tamarin HAVE A HEART by Matthew V. Brockmeyer SWINGS AND SUSPENSIONS by D.A. Xiaolin Spires KIRTI by Alessandro Manzetti THE TEA AND SUGAR TRAIN by DEBORAH SHELDON SCREAMS FOR STARGIRL by Ben Pienaar QUEER WEATHER by Scáth Beorh

Year's Best Hardcore Horror Volume 5

WELCOME TO THE MASQUERADE2020 was a reality horror show. And like most obnoxious entertainment reality shows, this one had its own idiosyncratic rules and penalties. Call it The Big Lockdown. We were forced to go to ground, to hide in our holes. Some went underground and never came back. Uncertainty ruled because the rules kept changing. Were we following the science or the mad scientists? Was the light at the end of the tunnel the fiery mouth of hell? We couldn't say for sure, so we ventured out for food, booze and sundries like scavengers in a slow-motion apocalypse, keeping our distance from fellow human beings because you never knew who might be carrying that heavy viral load.And everywhere we went, we went behind the mask. So, it became obvious: The theme of our offering of extreme horror tales from 2020 had to be Masquerade.Our masquerading storytellers nevertheless did what they do best. They went deep into the belly of the beast and sent up fictions reflective of these "trying" times. Their stories peel away the masks (or in some cases, the skin) to reveal the inner workings of darkest hearts and minds and deeper fears.TABLE OF CONTENTSThe Nipples In Dad's Tool Box - Ronald Kelly Going Green - Christine Morgan Whiskey To The Wound - Rachel Nussbaum/thestrangethingwebecome - Eric LaRocca Hey Valentine - Amanda Cecelia LangIn Subspace, No One Can Hear You Scream - Hailey Piper The Pogonip Fog - Sean Patrick Hazlett Gunfire And Brimstone - Alicia Hilton The Happiest Man In The World - Matthew Brockmeyer Synaesthete - Melanie Harding-Shaw Full Moon Shindig - Patrick C. Harrison Iii The Drinking-Horn - Christine Morgan Otto Hahn Speaks To The Dead - Octavia Cade All The Stars In Her Eyes - Deborah SheldonThe Village - Matias F. Travieso-DiazThe Smell Of Night In The Basement - Wendy N. WagnerThe Saint - Alessandro ManzettiHer Wounded Eyes - Robert Guffey

Year's Best Hardcore Horror Volume 6

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