Studies in Italian Art

Arts & Photography

Ladis, Andrew

History & Criticism

Pindar Pr

Art and Archaeology of Antiquity Volume II

Preface Greek and Roman Portraits in North American Collections An Etruscan Zoo Revisited Aphrodisiaca: Satyr, Maenad and Eros Four Important Roman Imperial Sestertii: Trajan, Hadrian and Septimius Severus The Statue of the Damaskenos at the American School at Athens A Greek Theme and its Survivals: The Ruler's Shield in Tomb and Temple Cappadocia on the Eve of the Byzantine Empire Young Man on Horseback (500 B.C.) Classical Bronzes in Three American Museums Graeco-Roman Statues: I. Purpose and Setting II. Literary and Archaeological Evidence for the Display and Grouping of Graeco-Roman Sculpture Greek and Roman Art at the Wadsworth Athenaeum Greek Sculpture and Roman Taste The Basel Dog: A Vindication Lions: Attic and Related An Archaic Terra-cotta Rider A Greek Hero of Alexander the Great's Age Priapos and Maenad in the Boston Museum of Fine Arts Three Imperial Portraits in America: Nero, Britannicus and Faustina II from Asia Minor Collectors of Greek Art: Edward Perry Warren and his Successors An Aegean Gold Hoard and the Court of Egypt Aphrodite Unveiled Greek, Etruscan, Roman Gold and Silver in the Museum of Fine Arts, Boston: I. Archaic to Hellenistic Gold II. Hellenistic to Late Antique Gold and Silver Ancient Whips Dated Monuments of Hellenistic and Graeco-Roman Popular Art in Asia Minor: Pontus through Mysia Greek Funerary Animals, 450-300 B.C. Adventures of a Graeco-Roman Marble Herm A Greek Heroic Statue in Dallas Antiquities at Wellesley America's neoclassic sculptors: fallen angels resurrected Additional Notes Index

Art and Archaeology of Antiquity (Art and Archaeology of Antiquity, 2)

Vermeule, Cornelius C.

Early-medieval Irish fine metalwork is generally agreed to be one of the high points of achievement in European decorative arts. In the corpus of finds from the 7th to the 10th centuries are many masterpieces of the goldsmith's art some are personal ornaments, many are objects made for the service of the Church. The corpus of metalwork has been greatly expanded in recent years by new finds and by re-examination of older discoveries and major international exhibitions have won a new understanding of the significance of this material. A series of papers by Michael Ryan recording many new finds and analysing their significance are republished in this volume.

Studies in Medieval Irish Metalwork

Ryan,Michael

Asher Ovadiah is Professor of Art History at Tel Aviv University, and an authority on the Classical and Byzantine monuments of Israel. This selection of articles, published over the last twenty-five years, falls into four groups and is gathered around a number of common themes. A first group is concerned with the architecture of pagan temples, early churches, synagogues and a Roman theatre. A second deals with sculpture and reliefs, with the emphasis on iconography, style and symbolism, while a third group is concerned with mosaics in secular and religious contexts, with reference to the Classical heritage and anti-Classical trends, philosophical concepts and links with artistic centres. Finally, a fourth group treats the symbolic and allegorical significance of various works of art and Greek laudatory inscriptions.

Art and Archaeology in Israel and Neighbouring Countries: Antiquity and Late Antiquity (English and French Edition)

Ovadiah, Asher

Studies in Late Antique, Byzantine and Medieval Western Art, Volume 2: Studies in Medieval Western Art and the Art of Norman Sicily

Over the past sixty-five years Ernst Kitzinger has been one of the foremost interpreters of the art of Late Antiquity, Byzantium and the medieval West. Beginning with his "influential doctoral dissertation, reprinted here, on early medieval painting in the city of Rome, where western and eastern Byzantine traditions met, one of his principal concerns has been the movement and exchange of artistic ideas and patterns around the Mediterranean. Painting and mosaics have always been central to his enquiry. One focus has been the mosaics of Norman Sicily, on which he has published numerous ground-breaking books and papers. All of Professor Kitzinger's essays on Norman Sicily are included here. Other areas in which he has made outstanding contributions are the arts of Late Antiquity, with a particular emphasis on floor mosaics, medieval Rome, Byzantium in the early and high Middle Ages, and the arts of Anglo-Saxon England. These two volumes include all of Professor Kitzinger's major essays, apart from an earlier selection reprinted in 1975. Each has a new preface by Professor Kitzinger, and comes with a comprehensive index.

Studies in Late Antique, Byzantine and Medieval Western Art: Studies in Medieval Western Art and the Art of Norman Sicily (2)

Kitzinger, Ernst

101 Theatre Games for Drama Teachers, Classroom Teachers & Directors

Trained in Italy, Greece, and the United States, the author has taught for over 35 years at Bryn Mawr College, and at other universities in the U.S. and abroad, receiving the Gold Medal of the Archaeological Institute of America for Distinguished Achievement. A pupil of Rhys Carpenter, she has devoted all her writing to Greek sculpture. The articles in this volume were selected from over 95 studies she has published. In addition, her books have surveyed the entire span of Greek sculpture from the Archaic to the Late Hellenistic period. The articles are here presented in the chronological order in which they first appeared, to document Profesor Ridgway's evolving views on the history of Greek sculpture. Preference has been given to those that were published in foreign journals and honorary volumes; two have been translated from the original Italian and one from French. Notes at the end of the book update all the studies.

Second Chance: Greek Sculptural Studies Revisited

Ridgway, Brunilde Sismondo

Studies in silk in byzantium

Studies in Silk in Byzantium

Muthesius, Anna

Professor Lodder is a leading specialist in art of the Russian avant-garde which flourished during the 1910s and 1920s. She is the author of a major study of Russian Constructivism, acclaimed as the standard work on the subject, and with her husband has written an important monograph on the Russian-born sculptor Naum Gabo and edited a collection of the artist's writings. The present volume brings together her articles of the past twenty years, many of which focus on particular aspects of avant-garde responses to the social and political upheavals of the period, especially the Russian Revolution of 1917. Her essays cover subjects such as Vladimir Tatlin's seminal structure, The Model for a Monument to the Third International of 1920, the evolution of public monuments, the cultural debates during the revolutionary period, the development of new teaching programmes, and the implementation of Constructivist ideas in photography and design for textiles, clothing and the theatre. Her interests extend to International Constructivism and to the impact that Russian ideas made on the theory and practice of avant-garde figures working in Central and Eastern Europe during the 1920s. More recently she has concentrated on developments in the 1910s, including the innovative work of Kazimir Malevich and the relationship between art and science. The author has supplied additional notes to the original articles, which draw attention to subsequent research. Since the collapse of Communism in the erstwhile Soviet Union, public collections and archives have become more accessible and the new information has substantially altered existing preconceptions of the period. Occasionally, the need to correct errors exposed by recent developments in the field has involved making some extensive changes to the main body of the text.

Constructive Strands in Russian Art 1914-1937

Lodder, Christina

As early as the 1950s, Professor Irving Lavin was recognized as a major voice in American art history. His sustained production of seminal scholarly contributions have left their mark on an astonishingly wide range of -subjects and fields. Bringing these far-reaching publications together will not only provide a valuable resource to scholars and -students, but will also underscore fundamental themes in the history of art - historicism, the art of commemoration, the relationship between style and meaning, the -intelligence of artists - themes that define the role of the visual arts in human communication. Irving Lavin is best known for his array of fundamental publications on the Baroque artist Gian Lorenzo Bernini (1598-1680). These include new discoveries and studies on the master's prodigious childhood, his architecture and -portraiture, his invention of caricature, his depictions of religious faith and political leadership, his work in the -theatre, his attitude toward death and the role of the artist in the creation of a modern sense of social responsibility. All of Professor Lavin's papers on Bernini are here brought together in three volumes. The studies have been reset and in many cases up-dated, and there is a comprehensive index.

Visible Spirit: The Art of Gian Lorenzo Bernini (1)

Lavin, Irving

Visible Spirit: The Art of Gian Lorenzo Bernini (2)

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