`A gigantic book on a gigantic theme` Sunday Times 
`Aphoristic and acutely provocative: a crash course in civilization` J. M. Coetzee 
A lifetime in the making, Cultural Amnesia is the book Clive James has always wanted to write. Organized from A through to Z, and containing over 100 essays, it`s the ultimate guide to the twentieth-century, illuminating the careers of many of its greatest thinkers, humanists, musicians, artists and philosophers. From Louis Armstrong to Ludwig Wittgenstein, via Walter Benjamin, Sigmund Freud, Franz Kafka and Marcel Proust, it`s a book for our times – and, indeed, for all time.
`Clive James is one of the most ingeniously stimulating literary critics now writing in English. Cultural Amnesia, with its encyclopedic length and organization and the intense jostle of its ideas, is to be dipped into over weeks and months. If the dipper occasionally brings up exasperation, it brings up astonished delight far more often; and, best of all, exasperated astonished delight` Boston Globe

Cultural Amnesia

Reference

Clive, James

Words, Language & Grammar

Picador Paperbacks

‘Antigona,’ I said. ‘How would you feel if I wrote your life down in a book?’
‘Good,’ she said at once. ‘Good. And then a feature film, actually. Mini-series.’
One morning in London, two neighbours start to chat over the heads of their children. Kate Clanchy is a writer, privileged and sheltered, Antigona is a refugee from Kosovo. On instinct, Kate offers Antigona a job as a nanny, and Antigona, equally shrewdly, accepts. Over the next five years and a thousand cups of coffee Antigona’s extraordinary story slowly emerges. She has escaped from a war, she has divorced a violent husband, but can she escape the harsh code she was brought up with, the Kanun of Lek? At the kitchen table where anything can be said, the women discover they have everything, as well as nothing, in common.
‘Clanchy’s portrait of Antigona is wonderfully vivid, as are her reflections on her own complex feelings. A powerfully written, refreshingly honest work.’ Observer

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Alexander Cleave, has left his career and his family behind and banished himself to his childhood home. He wants to retire from life, but finds this impossible in a house brimming with presences, some ghostly, some undeniably human. Memories, anxiety for his beloved but troubled daughter, all conspire to distract him from his dreaming retirement.

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With The Picador Book of Love Poems, award-winning poet John Stammers has created a unique collection: by pairing some of the finest love poems from centuries past with modern counterparts, he presents a book of surprising connections, echoes and juxtapositions, where classic and contemporary love poems shed new and unexpected light on one another. Here, old favourites from Spenser to Tennyson sit side by side with poems by Carol Ann Duffy and Michael Donaghy, the distance between the poets closed by their single timeless theme. Whether you're feeling tempted, seduced, tormented, or rejected, or falling in love, or out of love - The Picador Book of Love Poems is a perfect book to inspire, console, and give a voice to every facet of our deepest and most complex human emotion.

Untitled Kathryn Cave Picture Book

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Title: The Savage Detectives Binding: Paperback Author: RobertoBolano Publisher: PicadorUSA

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Hunter S. Thompson was the creator of a new kind of journalism and invented a new style of writing. Gonzo was a wild, often drug- and drink-fuelled adventure, in which Thompson examined the politics, people, and values of his times. In the three great collections of Gonzo writings, The Great Shark Hunt, Generation of Swine, and Songs of the Doomed he dissected the 60s, 70s, and 80s with violence, wit, anger, and occasional compassion. Collected together for the first time, The Gonzo Papers Anthology is an indispensable compendium of decadence, depravity, and a remarkably skewed common sense. `Hunter Thompson elicits the same kind of admiration one would feel for a streaker at Queen Victoria's funeral' William F. Buckley `No other reporter reveals how much we have to fear and loathe, yet does it so hilariously' Nelson Algren

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