Arthur B. Carles (1882-1952): Painting With Color.

Arts & Photography

Carles, Arthur B.

Wolonin, Barbara A.

Sculpture

Pennsylvania Academy of the Fine Arts

Jack Tworkov: Paintings 1928-1982

Richard Armstrong

KENNETH BAKER

Celebrates ten American masterpieces given to PAFA by Vivian O. and Meyer P. Potamkin. Three illustrated scholarly essays cover the Potamkins' 2002 gift, the Potamkins as collectors and their special interest in the Ashcan School. In addition, the book highlights 18 additional works once owned by the Potamkins. 120pp, 40 colour plates, limited numbered edition of 500.

American Originals: Vivian O. and Meyer P. Potamkin, Collectors of American Art

Cikovsky, Nicolai Jr. et al.

The Pennsylvania Academy of the Fine Arts, America's oldest museum and school of fine arts, was founded in Philadelphia in 1805. Today the Academy boasts one of the nation's finest collections of American art and a roster of alumni embracing the greatest artists this country has produced. This volume celebrates two centuries of the Academy's achievement. Six scholarly essays document the history of the institution and its collections, curriculum, and buildings. In addition, 220 masterpieces of American art from the permanent collection are presented in full color with descriptions of each. The illustrations document the Academy's position as one of the premier art institutions in the United States.
Artists represented in this volume include Charles Willson Peale, Benjamin West, Gilbert Stuart, Thomas Sully, Thomas Eakins, Cecilia Beaux, James McNeil Whistler, Winslow Homer, John Singer Sargent, Mary Cassatt, Robert Henri, John Sloan, Marsden Hartley, Charles Demuth, Edward Hopper, Georgia O'Keeffe, Alexander Calder, Frank Stella, Philip Pearlstein, Robert Motherwell, Richard Diebenkorn, and many other masters of American art.
Contributors: Stephen May (freelance writer), Michael Lewis (Ph.D., architectural historian), Peter Saylor (FAIA, architect), Ron Onorato (Ph.D., professor of art history), Lynn Marsden-Atlass (senior curator of American art at the Academy), Mark Hain (former assistant curator at the Academy), and Cheryl Leibold (archivist, Pennsylvania Academy of the Fine Arts).

Pennsylvania Academy of the Fine Arts, 1805-2005: 200 Years of Excellence

Academy of the Fine Arts, Pennsylvania

History & Criticism

The artist best known for her New York Beautification Project--40 lozenge-shaped miniature landscapes illicitly painted on urban surfaces in public spaces around New York City from 1999 to 2001--has gone legit and gone indoors with Mirror, a site-specific installation at the Pennsylvania Academy of the Fine Arts. Playing off the Academy's Victorian architecture and academic traditions, in which students copy works of art, Harvey literally holds a mirror up to Frank Furness' Victorian Gothic architecture, copying the image of his interior stair hall as a nearly life-size reverse engraving on mirror. The glass is illuminated from behind so the engraved lines glow, and the resulting nearly 360-degree drawn environment is anchored by a video projection of Harvey creating the work. Mirror documents and puts in context Harvey's most ambitious site-specific work to date, and also serves as a mini-monograph, a short survey of her career, highlighting projects from 1998 to the present with brief descriptions written by the artist.

Ellen Harvey: Mirror

Individual Artists

Chicago is known as a center of innovation in architecture, literature and music, but Art in Chicago is the first broad overview of its twentieth-century fine art. It focuses on three distinct but overlapping generations of Modernists between 1913 and 1985--not just postwar artists such as Leon Golub and June Leaf, or later stars like Ed Paschke and Jim Nutt and the 1960s Hairy Who--not any one clique, but the links between them. Through the decades, Chicago's art world has had a predilection for variety and the authenticity of personal vision, which it consistently privileges over the emulation of trends or established styles. Art in Chicago places this penchant within the context of the larger culture of Modernism, and examines both a cradle of artistic excellence and the issue of "regionalism" in Modern art and criticism. With illustrations of historically important paintings, some reproduced for the first time.

Art in Chicago: Resisting Regionalism, Transforming Modernism

Cozzolino, Robert

Collections, Catalogs & Exhibitions

While Laylah Ali's early work examined the moral and physical violence within and between groups, she has recently turned her attention toward the myriad ways identity is manifested--whether by clothing, hairstyle, body type, skin color or other physical attributes or abilities. This 48-page paperback is the first publication to examine these new ink drawings, known as the Typology Series, which are much more highly detailed than her signature gouache paintings, the Greenheads. Whimsical and even humorous at times, on closer inspection, Ali's work offers disturbing insight into power struggles, racial subjugation, oppression and political abuse. She references questions of race, class, gender and power, and yet asks us to finish the stories she has started with information we bring to the work--including our own political beliefs, cultural biases and family histories. With an interview by artist Kara Walker and an essay by curator Alex Baker.

Laylah Ali: Typology

Baker, Alex

Since the 1960s, Sidney Goodman has helped to maintain the vitality of American figurative art. Making the figure in the modern urban landscape his ongoing subject, Goodman collages images into compositions that are both clear and disquieting. Man in the Mirror documents the first major exhibition of Goodman's works on paper.

Sidney Goodman: Man in the Mirror

Among the most popular images in the Pennsylvania Academy of the Fine Arts' rich collection are self-portraits and depictions of studio life. This publication accompanies a landmark exhibition investigating the complex nature of artistic identity. Narcissus in the Studio features texts by scholars and prominent contemporary artists whose work has tirelessly explored life in the studio. It includes an enormous selection of self-portraits and portraits of fellow artists by more than 60 major American artists from the nineteenth century to the present: Gertrude Abercrombie, Robert Arneson, William Beckman, Joan Brown, Thomas Eakins, Joe Fig, Viola Frey, Gregory Gillespie, Red Grooms, George Grosz, Barkley L. Hendricks, Sarah McEneaney, Archibald Motley, Jr., Vik Muniz, Gladys Nilsson, Jim Nutt, Violet Oakley, John Frederick Peto, George Tooker and Benjamin West.

Narcissus in the Studio: Artist Portraits and Self-Portraits

Robert Cozzolino

Over the past three decades, Eric Fischl (born 1948) has infused American figurative painting with fresh edginess and a new vocabulary of suburban disquiet. Richly illustrated with 148 works of art--including photographs, drawings, prints, sculptures and paintings from 1979 to the present-- Dive Deep: Eric Fischl and the Process of Painting explores Fischl’s rigorous and iterative creative process as well as his exemplary readiness to embrace new technological changes in the service of his art. Fischl’s commentary and preparatory works provide readers with a glimpse of the evolution of compositions and the intensive craft his painting involves. An interview with the artist reveals the nuances of Fischl’s painterly perspective and his extensive knowledge of art history, and places him squarely in the great tradition of artists who have defined the iconography of their age.

Dive Deep: Eric Fischl and the Process of Painting

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Books by Pennsylvania Academy of the Fine Arts