Winner of the 2018 Scotiabank Giller Prize
A dazzling, original novel of slavery and freedom, from the author of the international bestseller Half-Blood Blues
When two English brothers arrive at a Barbados sugar plantation, they bring with them a darkness beyond what the slaves have already known. Washington Black – an eleven year-old field slave – is horrified to find himself chosen to live in the quarters of one of these men. But the man is not as Washington expects him to be. His new master is the eccentric Christopher Wilde – naturalist, explorer, inventor and abolitionist – whose obsession to perfect a winged flying machine disturbs all who know him. Washington is initiated into a world of wonder: a world where the night sea is set alight with fields of jellyfish, where a simple cloth canopy can propel a man across the sky, where even a boy born in chains may embrace a life of dignity and meaning – and where two people, separated by an impossible divide, can begin to see each other as human.
But when a man is killed one fateful night, Washington is left to the mercy of his new masters. Christopher Wilde must choose between family ties and young Washington's life. What follows is a flight along the eastern coast of America, as the men attempt to elude the bounty that has been placed on Washington's head. Their journey opens them up to the extraordinary: to a dark encounter with a necropsicist, a scholar of the flesh; to a voyage aboard a vessel captained by a hunter of a different kind; to a glimpse through an unexpected portal into the Underground Railroad. This is a novel of fraught bonds and betrayal. What brings Wilde and Washington together ultimately tears them apart, leaving Washington to seek his true self in a world that denies his very existence.
From the blistering cane fields of Barbados to the icy plains of the Canadian Arctic, from the mud-drowned streets of London to the eerie deserts of Morocco, Washington Black teems with all the strangeness of life. This inventive, electrifying novel asks, What is Freedom? And can a life salvaged from the ashes ever be made whole?

Washington Black: A Novel

Literature & Fiction

Edugyan, Esi

United States

Patrick Crean Editions

From a Governor General’s Award–winning authorcomes a heart-rending novel about end-of-life, family and children.Over the course of one Saturday night, a man and his half-sister meet at her request to spend the evening preparing for herassisted death. They drink and reminisce fondly, sadly, amusingly abouttheir lives and especially her children, both of whom have led dramaticand profoundly different lives. Extraordinary is a gentle consideration of assisted suicide, but it is also a story about siblings—about how brothers and sisters turn out so differently; about how little, in fact, turns out the way we expect. In the end, this is a novel about the extraordinary business of being alive, and it may well be David Gilmour’s very best workof fiction to date.

Extraordinary

Gilmour, David

Literary

A gripping tale of survival and an epic love story in which a husband and wife–separated by the only battle of World War II to take place on American soil–fight to reunite in Alaska's starkly beautiful Aleutian Islands Following the death of his younger brother in Europe, journalist John Easley is determined to find meaning in his loss, to document some part of the growing war that claimed his own flesh and blood. Leaving behind his beloved wife, Helen, after an argument they both regret, he heads north from Seattle to investigate the Japanese invasion of Alaska's Aleutian Islands, a story censored by the U.S. government. While John is accompanying a crew on a bombing run, his plane is shot down over the island of Attu. He survives only to find himself exposed to a harsh and unforgiving wilderness, known as "the Birthplace of Winds." There, John must battle the elements, starvation, and his own remorse while evading discovery by the Japanese. Alone in their home three thousand miles to the south, Helen struggles with the burden of her husband's disappearance. Caught in extraordinary circumstances, in this new world of the missing, she is forced to reimagine who she is–and what she is capable of doing. Somehow, she must find John and bring him home, a quest that takes her into the farthest reaches of the war, beyond the safety of everything she knows. A powerful, richly atmospheric story of life and death, commitment and sacrifice, The Wind Is Not a River illuminates the fragility of life and the fierce power of love.

The Wind Is Not A River

Payton, Brian

“Exceptional stories . . . a joy to read. Lambert’s language and characters shine on every page.” —BARBARA GOWDY
Oh, My Darling features ten remarkable stories about contemporary life, family, children and love. They circle loosely around the love cry of the title story: the exaltation and heartbreak, the subtle acts of revenge and the moments of revelation that make up relationships.
The stories include a tale narrated by a woman’s own breast cancer, which speaks to her in a mesmerizing and sadistic voice about her dysfunctional life; a couple who plan an environmental protest by placing the husband inside a cage in front of an aquarium; a woman who becomes embroiled with a young drug dealer as she tries to understand her son’s addiction; a young boy who attempts to deal with his father’s Nazi past on a Caribbean island; an old man who obsesses over the size of his coffin and whether he can be transported in it down his narrow apartment stairs; and a couple who uncover their secret fate at the Delphic Oracle in Greece.
Passionate and precise, these stories are infused with an uncommon originality. This is writing of the very first order by one of Canada’s best writers.

Oh, My Darling

Lambert, Shaena

With Celtic Lightning, bestselling author Ken McGoogan plunges into the perpetual debate about Canadian roots and identity: Who do we think we are? He argues that Canadians have never investigated the demographic reality that informs this book—the fact that more than nine million Canadians claim Scottish or Irish heritage. Did the ancestors of more than one quarter of our population arrive without cultural baggage? No history, no values, no vision? Impossible.
McGoogan writes that, to understand who we are and where we are going, Canadians must look to cultural genealogy. He builds on the work of Richard Dawkins, who contends that ideas and values (“memes”) can be transmitted from one generation to another. Scottish and Irish immigrants arrived in Canada with values they had learned from their forebears. And they did so early enough, and in sufficient numbers, to shape an emerging Canadian nation.
McGoogan highlights five of the values they imported as foundational: independence, audacity, democracy, pluralism and perseverance. He shows that these values are thriving in contemporary Canada, and traces their evolution through the lives of thirty prominent individuals—heroes, rebels, poets, inventors, pirate queens—who played formative roles in the histories of Scotland and Ireland. Two charged traditions came together and gave rise to a Canadian nation. That is when Celtic lightning struck.

Celtic Lightning: How The Scots And The Irish Created A Canadian

History

McGOOGAN, Ken

Americas

A journey into the land of death and dying seen through the lens of art and the imagination
Part memoir, part meditation on death itself, In the Slender Margin is an exploration of death from an “insider’s” point of view. Using the threads of her brother’s early death and her twenty years of work at a hospice, Joseph utilizes history, religion, philosophy, literature, personal anecdote, mythology, poetry and pop culture to discern the unknowable and to illuminate her travels through the land of the dying. The book is neither an academic text nor a self-help manual; rather, it is a rumination on death, dying and the mystery that awaits us all.
Rather than relying solely on narrative, In the Slender Margin gains momentum from a buildup of thematic resonances. In the process of thinking deeply about death, Joseph finds the brother she lost as a young girl. She wrote this book as a way to understand what she had seen: the mysterious and the horrendous. 
Replete with literary allusions and references ranging from Joan Didion and Susan Sontag to D.H. Lawrence and Voltaire, among many other literary voices, the result is an absorbing and inspired consideration of how we die and how we deal with death.

In The Slender Margin

Joseph, Eve

Biographies & Memoirs

In this witty and colourfully peopled novel, Caroline Adderson effortlessly plunges the reader into a nineteenth-century Russian tragicomedy. Aspiring painter Masha C. is blindly devoted to Antosha, her famous writer-brother. Through the years Antosha takes up with numerous women from Masha's circle of friends, yet none of these relationships threaten the siblings' close ties until the winter he falls into a depression. Then Masha invites into their Moscow home a young woman who teaches with her--the beautiful, vivacious and deeply vulnerable Lika Mizanova--with the express hope she might help Antosha recover. The appearance of Lika sets off a convolution of unrequited love, jealousy and scandal that lasts for seven years. If the famously unattainable writer has lost his heart to Lika as everyone claims, why does he undertake a life-threatening voyage to Sakhalin Island? And what will happen to Masha if she is demoted from "woman of the house" to "spinster sister"? While Antosha and Lika push and pull, Masha falls in love herself--with a man and with a mongoose--only to have her dreams crushed twice.&nbsp;From her own heartbreak Masha comes to recognize the harm that she has done to her friends by encouraging their involvement with Antosha, but it is too late for Lika, who will both sacrifice herself for love and be immortalized as the model for Nina in Chekhov's The Seagull. A Russian Sister offers a clever commentary on the role of women as prey for male needs and inspiration, a role they continue to play today. At the same time the novel is a plea for sisterhood, both familial and friendly. Chekhov's The Seagull changed the theatre. A Russian Sister gives the reader a glimpse behind the curtain to the fascinating real-life people who inspired it and the tragedy that followed its premiere.

A Russian Sister: A Novel

Adderson, Caroline

Genre Fiction

The Answer To Everything

"The Answer to Everything is compelling proof that Elyse Friedman is one of Canada's best and most crucial writers. Both cynical and searching, it's a hilarious yet deeply moving portrait of an upstart cult gone wrong-it drew me in from page one but never let me settle, continually surprising me and challenging my take on things. It puts its players through the same paces, and the result is a cast of some of the most memorable characters I've met in a long time. It feels urgently timely, too-a book that I'll be recommending far and wide." -Melanie Little, author of Confidence John Aarons, a brilliant but perpetually broke artist, knows how to cadge a meal or seize an opportunity when he spies one. Turned out on the street by his fully employed, entirely fed up girlfriend, he goes on the hunt for cheap shared accommodation and stumbles upon the ideal set-up-a bedroom in the home of Amy, an attractive psychology student who has been abandoned by her condo-buying roommate. Not only does Amy have a surprisingly affordable penthouse apartment with rooftop patio and a fridge full of high-quality comestibles, but she also has a mysterious across-the-hall neighbour, Eldrich, who appears to be home all day, smoking weed and receiving an odd assortment of visitors. Before long, John is availing himself of Eldrich's pot, food and wine. He notices that these staples are provided gratis to Eldrich by friends and acquaintances who rely on him for spiritual guidance. That's when John, atheist and misanthrope, decides to start a New Age cult with Eldrich as guru. And so, as half art project, half money-making scheme, the Answer Institute is born. With Amy as a partner in the enterprise, the cult flourishes and grows exponentially, attracting a wide range of broken, strange and spiritually hungry individuals, including an obscenely wealthy Singaporean expat, a psilocybin-dealing hippie, a conservative mom mourning the death of her only child, and the star of a popular sci-fi TV show. Eldrich begins to embrace his role as Leader with a little too much zeal and introduces his followers to increasingly peculiar rituals. Amy becomes progressively more enamoured of the funds pouring into the coffers, and John lets sexual jealousy get the better of him. The more successful the Institute gets, the more it spirals out of control, culminating in a bizarre ayahuasca ceremony that ends in a way nobody could have expected. With humour and pathos, The Answer to Everything examines the gap between reason and faith, and the human need for connection, love and transcendence.

Friedman, Elyse

Ottawa has become a place where the nation's business is done in secret, and access to information-the lifeblood of democracy in Canada-is under attack.
It's being lost to an army of lobbyists and public-relations flacks who help set the political agenda and decide what you get to know. It's losing its struggle against a prime minister and a government that continue to delegitimize the media's role in the political system. The public's right to know has been undermined by a government that effectively killed Statistics Canada, fired hundreds of scientists and statisticians, gutted Library and Archives Canada and turned freedom of information rules into a joke. Facts, it would seem, are no longer important.
In Kill the Messengers: Stephen Harper's Assault on Your Right to Know, Mark Bourrie exposes how trends have conspired to simultaneously silence the Canadian media and elect an anti-intellectual government determined to conduct business in private. Drawing evidence from multiple cases and examples, Bourrie demonstrates how budget cuts have been used to suppress the collection of facts that embarrass the government's position or undermine its ideologically based decision-making. Perhaps most importantly, Bourrie gives advice on how to take back your right to be informed and to be heard.
Kill the Messengers is not just a collection of evidence bemoaning the current state of the Canadian media, it is a call to arms for informed citizens to become active participants in the democratic process. It is a book all Canadians are entitled to read-and now, they'll get the chance.

Kill The Messengers

Politics & Social Sciences

Bourrie, Mark

Politics & Government

National Bestseller
From one of our nation’s most beloved and iconic authors comes a lyrical 150th birthday gift to Canada. Jane Urquhart chooses 50 Canadian objects and weaves a rich and surprising narrative that speaks to our collective experience as a nation.
Each object is beautifully illustrated by the noted artist Scott McKowen, with Jane Urquhart conjuring and distilling meaning and magic from these unexpected facets of our history.
The fifty artifacts range from a Nobel Peace Prize medal, a literary cherry tree, a royal cowcatcher, a Beothuk legging, a famous skull and an iconic artist’s shoe, as well as an Innu tea doll, a Sikh RCMP turban, a Cree basket, a Massey-Harris tractor and a hanging rope, among an array of unexpected and intriguing objects.
Bringing the curiosity of the novelist and the eloquence of the poet to her task, Jane Urquhart composes a symphonic memory bank with objects that resonate with symbolic significance. In this compelling portrait of a completely original country called Canada, a master novelist has given all of us a national birthday bouquet like no other.

A Number of Things: Stories of Canada Told Through Fifty Objects

URQUHART, JANE.

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