Performance in Postmodern Culture (Theories of Contemporary Culture, V. 1)

Arts & Photography

Paj Pubn

Theatre of the Ridiculous

Literature & Fiction

Dasgupta, Gautam

Marranca, Bonnie

Dramas & Plays

The End of Humanism (PAJ Books)

End of Humanism: Writings on Performance

Schechner, Richard

Comedy of Vanity and Life-terms (PAJ Books)

Canetti, Elias

Sources: A Memoir

Uta Hagen

Theater Criticisms

KAUFFMANN, STANLEY

History & Criticism

Wordplays Three (PAJ Books)

Wordplays 3: An Anthology of New American Drama

Eric Overmyer

Adrienne Kennedy

JANE MARTIN

Lee Breuer

Richard Lees

Murray Mednick

Walter M. Kendrick

Performing Arts

Morris Carnovsky was an American stage and film actor. He was one of the founders of the Group Theatre in New York City and had a thriving acting career both on Broadway and in films until, in the early 1950s, professional colleagues told the House Un-American Activities Committee that Carnovsky had been a Communist Party member. He was blacklisted and worked less frequently for a few years, but then re-established his acting career, taking on many Shakespearean roles at the Stratford Shakespeare Festival and performing the title roles in college campus productions of King Lear and The Merchant of Venice. The Actor's Eye distills his theories of acting.

The Actor's Eye

Sander, Peter

Carnovsky, Morris

"The best kind of subjectivity -- enlightening to others and, in every sense, encouraging." -- Stanley KauffmannA collection of eighteen essays articulating a contemporary poetics of text and performance against a background of American culture, Theatrewritings moves easily from avant-garde groups (Mabou Mines, The Wooster Group, Ontological-Hysteric Theater) to writers as diverse as Sam Shepard, Lee Breuer, and Lillian Hellman, and to popular singers such as Barbra Streisand and Judy Garland.

Theatre Writings

This volume collects the extraordinary lectures, including exercises, which Michael Chekhov presented at his studio classes in New York in 1941. His technique and philosophy of acting initially derived from his work with Stanislavsky, but later took on its own autonomous and imaginative vigor.

Lessons for the Professional Actor

Chekhov, Michaël

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