Henry Moore

Arts & Photography

Osborne, Peter

MITCHINSON, David

Individual Artists

Osborne Samuel Gallery

This catalogue was produced to accompany the exhibition at the Osborne Samuel Gallery from 9 May to 4 June, 2016. The exhibition was curated specifically to show diversity, originality and technical expertise, and the accompanying catalogue is laid out in various sections to give an approximate chronological order to the development of printmaking in Britain in the 20th Century. A Radical View conveys the modernist thread that flows through British printmaking from the revolutionary Vorticist prints of the early 1900s, through the two wars, the inter-war period and to the beginning of the print boom of the early 1960s. These prints are radically different to their late 19th century and early 20th century predecessors.

A Radical View: Avant Garde British Printmaking 1914-1964

Samuel, Gordon

Graphic Design

Created to accompany the 2016 exhibition at Osborne Samuel Gallery, Modern British Art includes notable new acquisitions: a fine early Ben Nicholson; a collection of important etchings by Lucian Freud; early works by Henry Moore and Lyn Chadwick (shown for the first time); and rare pictures by Peter Lanyon and Alfred Wallis from a private collection. The exhibition was particularly strong in post war sculpture, focussing on the group of artists who came to fame at the Venice Biennales of 1952 and 1956. It includes work by Kenneth Armitage, Prunella Clough, Paul Feiler, Barbara Hepworth, and Peter Kinley.

Modern British Art

History & Criticism

Erwin Blumenfeld From Dada to Vogue

Erwin Blumenfeld: From Dada To Vogue

Blumenfeld, Yorick

Henry Moore: Space & Form

LeGrove, Judith

John Blackburn: The Fire Paintings

Pulsford, Mark

Painting

Keith Vaughan: Myth, Mortality and the Male Figure

Hastings, Gerard

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Books by Osborne Samuel Gallery