"Ugresic is sharp, funny and unafraid. . . . Orwell would approve."—Times Literary Supplement
"Every day and age has its rules. Currently, good behavior dictates that we be politically correct, evade conflicts, espouse tolerance, and make no hasty judgments. To be judgmental is viewed as one of the most reprehensible human traits. People are likely to think today that an optimist is a good person, while a pessimist is the lowest of the low. Picking your nose in public is more forgivable then being pessimistic. [. . .] We live in a time that urges us to behave as if we are in paradise. Yet the world we live in is no paradise. This book breaks the rules of good behavior, because it bickers."
This series of thought-provoking and incisive essays from Dubravka Ugresic explores the full spectrum of human existence. From life in exile to life in prison, from bottled-water drinking tourists with massive backpacks to the Eurovision song contest, Ugresic's unfailingly sharp critical eye never fails to reveal what has been hidden in plain sight by routine, or uncover the tragic, and the comic, in the everyday.
Dubravka Ugresic is the author of several works of fiction and several essay collections, including the NBCC award finalist, Karaoke Culture. She went into exile from Croatia after being label a "witch" for her anti-nationalistic stance during the Yugoslav war. She now resides in the Netherlands.
Ellen Elias-Bursac is an American scholar and literary translator. Specializing in South Slavic literature, she has translated numerous works from Bosnian, Croatian, and Serbian.

Nobody's Home

Literature & Fiction

Dubravka Ugrešić

Essays & Correspondence

Open Letter

Seeing his "friend" outside of his house, Emil takes refuge under his bed, hoping Havard will just go away. Instead, he doesn't. He breaks in, starts drinking Emil's book, and ends up hosting a bizarre party for Emil's friends. Dark and hilarious, the breezy style of The Pets belies its depth, and disguises a complexity that increases with each page.

Pets

Ólafsson, Bragi

Contemporary

The Taker and Other Stories

"Each of Fonseca's books is not only a worthwhile journey; it is also, in some way, a necessary one."—Thomas Pynchon
Most widely admired for his short fiction, The Taker and Other Stories is Fonseca's first collection to appear in English translation, and it ranges across his oeuvre, exploring the sights and sounds of the modern landscape of Rio de Janeiro. Rubem Fonseca's Rio is a city at war, a city whose vast disparities—in wealth, social standing, and prestige—are untenable. In the stories of The Taker, rich and poor live in an uneasy equilibrium, where only overwhelming force can maintain order, and violence and deception are essential tools of survival.
Whether recounting the story of a businessman who runs over pedestrians to let off steam, a serial killer being pushed to ever greater crimes by his bourgeois lover, the desperate poor rushing to butcher a cow that has been killed in a traffic accident, or a man seeking out confirmation for a past which his friends deny, Fonseca repeatedly reaffirms his status as one of the purest storytellers on the contemporary Brazilian literary scene.Rubem Fonseca is considered one of Brazil's most influential writers, and was awarded the Prémio Camões—considered the Nobel Prize of Portuguese language literature—for his body of work in 2003. That same year he was awarded the Juan Rulfo Prize.Clifford E. Landers has translated many of the great writers of Brazil, including Jorge Amado, João Ubaldo Ribeiro, Patricia Melo, Osman Lins, and Moacyr Scliar among others. He received the Mario Ferreira Award in 1999.

FONSECA, RUBEM

The Conqueror

A professor writing the definitive biography of Jonas Wergeland is unable to process the astonishing volume of contradictory information he unearths—until a mysterious woman appears on his doorstep. Possessing innumerable intimate stories about Jonas, the woman details the dark side of his rise to prominence, and through her stories tries to explain what made him a murderer.

Kjærstad, Jan

"A haunting tale of strange and random passion."—New York Times
Disaffected, bored with his career at the French Colonial Ministry (where he has copied out birth and death certificates for eight years), and disgusted by a mistress whose vapid optimism arouses his most violent misogyny, the narrator of The Sailor from Gibraltar finds himself at the point of complete breakdown while vacationing in Florence. After leaving his mistress and the Ministry behind forever, he joins the crew of The Gibraltar, a yacht captained by Anna, a beautiful American in perpetual search of her sometime lover, a young man known only as the "Sailor from Gibraltar."
First published in 1952, this early novel of Duras's—which was made into a film in 1967—shows those preoccupations which have so deeply concerned her in her later novels and film scripts: loneliness, boredom, the inevitability and intangibility of love. The lambent poetry of the book, and the limning of a woman's mind, her love and sense of the inevitability of that love are singularly Marguerite Duras.
Marguerite Duras wrote dozens of plays, film scripts, and novels, including The Ravishing of Lol Stein, The Sea Wall, and Hiroshima, Mon Amour. She's most well known for The Lover which received the Goncourt prize in 1984 and was made into a film in 1992.
Barbara Bray translated several works by Marguerite Duras, including The Malady of Death, The Lover, and The War. In addition, she has translated Jean Genet, Ismail Kadare, and Tahar Ben Jelloun, and has received the French-American Foundation Translation Prize.

The Sailor from Gibraltar (Open Letter Modern Classics)

DURAS, Marguerite

Vilnius Poker

Detailing a man's mental breakdown—and his obsession with a seductress named Lolita, the omnipresent "them," and the need to uncover what's "really going on"—Vilnius Poker is an epic, paranoid novel about the surreal absurdities and horrors of life under Soviet rule. In the words of Kirkus Reviews, "think of it as The Matrix behind the Iron Curtain—unsettling and profoundly interesting."

Gavelis, Ricardas

"I imitated him, to the point of transcription, to the point of devoted and impassioned plagiarism. I felt: Macedonio is metaphysics, is literature. Whoever preceded him might shine in history, but they were all rough drafts of Macedonio, imperfect previous versions. To not imitate this canon would have represented incredible negligence."—Jorge Luis Borges
The Museum of Eterna's Novel (The First Good Novel) is the very definition of a novel written ahead of its time. Macedonio (known to everyone by his unusual first name) worked on this novel in the 1930s and early '40s, during the heyday of Argentine literary culture, and around the same time that At Swim-Two-Birds was published, a novel that has quite a bit in common with Macedonio's masterpiece.
 In many ways, Museum is an "anti-novel." It opens with more than fifty prologues—including ones addressed "To My Authorial Persona," "To the Critics," and "To Readers Who Will Perish If They Don't Know What the Novel Is About"—that are by turns philosophical, outrageous, ponderous, and cryptic. These pieces cover a range of topics from how the upcoming novel will be received to how to thwart "skip-around readers" (by writing a book that defies linearity!).
The second half of the book is the novel itself, a novel about a group of characters (some borrowed from other texts) who live on an estancia called "la novella" . . .
A hilarious and often quite moving book, The Museum of Eterna's Novel redefined the limits of the genre, and has had a lasting impact on Latin American literature. Authors such as Jorge Luis Borges, Julio Cortázar, and Ricardo Piglia have all fallen under its charm and high-concepts, and, at long last, English-speaking readers can experience the book that helped build the reputation of Borges's mentor.
Macedonio Fernández was one of the most influential—and strangest—Argentine authors ever. He was Borges's mentor; he campaigned for president by leaving notecards with the word "Macedonio" in cafes; he started a utopian society. He also wrote the "Last Bad Novel" (Adriana Buenos Aires) and the "First Good One" (The Museum of Eterna's Novel).
Margaret Schwartz is an assistant professor at Fordham University. She was a Fulbright fellow to Argentina in 2004, during which time she researched the life and works of Macedonio Fernández.Adam Thirlwell is the author of the novels Politics and The Escape. His book about literature and translation, The Delighted States, won the Somerset Maugham Award in 2008. He has twice been named as one of Granta's "Best Young British Novelists."

The Museum of Eterna's Novel (The First Good Novel)

Macedonio Fernández

Literary

"A remarkably funny book written by a remarkable pair of collaborators."New York Times
Ostap Bender, the "grand strategist," is a con man on the make in the Soviet Union during the New Economic Policy (NEP) period. He's obsessed with getting one last big scorea few hundred thousand will doand heading for Rio de Janeiro, where there are "a million and a half people, all of them wearing white pants, without exception."
When Bender hears the story of Alexandr Koreiko, an "undercover millionaire"no Soviet citizen was allowed to openly hoard so much capitalthe chase is on. Koreiko has made his millions by taking advantage of the wide-spread corruption and utter chaos of the NEP, all while serving quietly as an accountant at a government office and living on 46 rubles a month. He's just waiting for the Soviet regime to collapse so he can make use of his stash, which he keeps hidden away in a suitcase.
Ilya Ilf (1897–1937) and Evgeny Petrov (1903–1942) were the pseudonyms of Ilya Arnoldovich Faynzilberg and Evgeny Petrovich Katayev, a pair of Soviet writers who met in Moscow in the 1920s while working on the staff of a newspaper that was distributed to railway workers. The foremost comic novelists of the early Soviet Union (invariably referred to as Ilf &amp; Petrov), the pair collaborated together for a dozen years, writing two of the most revered and loved Russian novels, The Twelve Chairs and The Golden Calf, as well as various humorous pieces for Pravda and other magazines. Their collaboration came to an end following the death of Ilya Ilf in 1937he had contracted tuberculosis while the pair was traveling the United States researching the book that eventually became Little Golden America.
Konstantin Gurevich is a graduate of Moscow State University and the University of Texas at Austin. He translates with his wife, Helen Anderson. Both are librarians at the University of Rochester.
Helen Anderson studied Russian language and literature at McGill University in Montréal. She translates with her husband, Konstantin Gurevich.

The Golden Calf

ILf, Ilya

Petrov, Evgeny

Humor & Satire

"Pilch's prose is masterful, and the bulk of The Mighty Angel evokes the same numb, floating sensation as a bottle of Zloldkowa Gorzka."—L Magazine
The Mighty Angel concerns the alcoholic misadventures of a writer named Jerzy. Eighteen times he's woken up in rehab. Eighteen times he's been released—a sober and, more or less, healthy man—after treatment at the hands of the stern therapist Moses Alias I Alcohol. And eighteen times he's stopped off at the liquor store on the way home, to pick up the supplies that are necessary to help him face his return to a ruined apartment.
While he's in rehab, Jerzy collects the stories of his fellow alcoholics—Don Juan the Rib, The Most Wanted Terrorist in the World, the Sugar King, the Queen of Kent, the Hero of Socialist Labor—in an effort to tell the universal, and particular, story of the alcoholic, and to discover the motivations and drives that underlie the alcoholic's behavior.
A simultaneously tragic, comic, and touching novel, The Mighty Angel displays Pilch's caustic humor, ferocious intelligence, and unparalleled mastery of storytelling.
Jerzy Pilch is one of Poland's most important contemporary writers and journalists. In addition to his long-running satirical newspaper column, Pilch has published several novels, and has been nominated for Poland's prestigious NIKE Literary Award four times; he finally won the Award in 2001 for The Mighty Angel. His novels have been translated into numerous languages.
Bill Johnston is Director of the Polish Studies Center at Indiana University and has translated works by Witold Gombrowicz, Magdalena Tulli, Wieslaw Mysliwski, and others. He won the Best Translated Book Award in 2012 and the inaugural Found in Translation Award in 2008.

The Mighty Angel

Pilch, Jerzy

"Frenzied in its imagination, unusually spirited, beautifully lyrical and furthermore, unexpectedly intense when the hero's sexual perversions hit the page. A pleasure to read."—NRC Handelsblad (Amsterdam)Rupert has been accused of a terrible crime, and his imagined defense begins the night he met the love of his life, Mira. By turns shockingly honest, incredibly funny, and clearly unhinged, Rupert's defense includes rants about the properly formed insult and men who wear comfortable sweaters. It also visits the memory-sites of Rupert and Mira's short-lived affair: her apartment, their favorite cafés and restaurants, and the city's public squares.With each story Rupert attaches to these places his defense becomes a little more outlandish, while he becomes increasingly convinced that his innocence is beyond doubt. When he reaches the end of his defense, delivering the decisive blow against his accusers and describing the scene of the crime, the full depth of Rupert's depravity is finally revealed.Rupert: A Confession is a brilliantly composed monologue that fully exposes—despite the misdirection and bizarre revelations of its teller—the innermost workings of a confused mind. Recalling Neil LaBute's In the Company of Men, Rupert: A Confession is simultaneously offensive, funny, and compelling, and it serves as a perfect introduction to one of the most talented and controversial writers at work in the Netherlands today.Ilja Leonard Pfeijffer is a poet, novelist, literary critic, and former Ancient Greek scholar at Leiden University. The winner of numerous prizes—he's the only Dutch author to have won both of the most coveted debut poetry and prose prizes in the Netherlands—Pfeijffer is the editor of the literary journal De Revisor and founder and editor of the poetry journal Awater. Rupert: A Confession is his first novel to be translated into English.Michele Hutchison studied at the Universities of East Anglia and Cambridge before taking a job in publishing. She lives in Amsterdam where she works as a translator and editor.

Rupert: A Confession

Pfeijffer, Ilja Leonard

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