"The best book about politics ever written for children." —The Washington Post 
50th Anniversary Edition, now in paperback DO YOU KNOW THE HISTORY OF THE PUSHCART WAR? THE REAL HISTORY? It’s a story of how regular people banded together and, armed with little more than their brains and good aim, defeated a mighty foe. Not long ago the streets of New York City were smelly, smoggy, sooty, and loud. There were so many trucks making deliveries that it might take an hour for a car to travel a few blocks. People blamed the truck owners and the truck owners blamed the little wooden pushcarts that traveled the city selling everything from flowers to hot dogs. Behind closed doors the truck owners declared war on the pushcart peddlers. Carts were smashed from Chinatown to Chelsea. The peddlers didn’t have money or the mayor on their side, but that didn’t stop them from fighting back. They used pea shooters to blow tacks into the tires of trucks, they outwitted the police, and they marched right up to the grilles of those giant trucks and dared them to drive down their streets. Today, thanks to the ingenuity of the pushcart peddlers, the streets belong to the people—and to the pushcarts. The Pushcart War was first published more than fifty years ago. It has inspired generations of children and been adapted for television, radio, and the stage around the world. It was included on School Library Journal’s list of One Hundred Books That Shaped the Twentieth Century, and its assertion that a committed group of men and women can prevail against a powerful force is as relevant in the twenty-first century as it was in 1964.

The Pushcart War (New York Review Children's Collection)

Children's Books

Merrill, Jean

Literature & Fiction

NYRB Kids

Now in paperback Once upon a time, in a gloomy castle on a lonely hill, where there were thirteen clocks that wouldn’t go, there lived a cold, aggressive Duke, and his niece, the Princess Saralinda. She was warm in every wind and weather, but he was always cold. His hands were as cold as his smile and almost as cold as his heart. He wore gloves when he was asleep, and he wore gloves when he was awake, which made it difficult for him to pick up pins or coins or the kernels of nuts, or to tear the wings from nightingales. So begins James Thurber's sublimely revamped fairy tale, The 13 Clocks, in which a wicked Duke who imagines he has killed time, and the Duke’s beautiful niece, for whom time seems to have run out, both meet their match, courtesy of an enterprising and very handsome prince in disguise. Readers young and old will take pleasure in this tale of love forestalled but ultimately fulfilled, admiring its upstanding hero(“who yearned to find in a far land the maiden of his dreams, singing as he went…and possibly slaying a dragon here and there”) and unapologetic villain (“We all have flaws,” the Duke said. “Mine is being wicked”), while wondering at the enigmatic Golux, the mysterious stranger whose unpredictable interventions speed the story to its necessarily happy end.

The 13 Clocks (New York Review Books Children's Collection)

THURBER, JAMES

Action & Adventure

An emergency meeting of the Mortimer Square Garden Committee has been convened to discuss a most alarming matter: Someone has been digging in the garden and making off with buckets of dirt. Miss Angela Chesney is sure that a gang of boys from run-down Catford Street is to blame. But Angela’s sister, Olivia, isn’t so sure. Olivia has always wondered why the neighborhood children—the “sparrows” she sometimes watches from the window of her house—are kept out of the private garden. Don’t they have a right to enjoy the place, too? But neither Angela nor Olivia has any idea what sent the neighborhood waif Lovejoy Mason and her few friends in search of good, rich earth. Still less do they imagine where their investigation of the incident will lead them—to a struggling restaurant, a bombed-out church, and at the heart of it all, a hidden garden.

An Episode of Sparrows (New York Review Children's Collection)

Teen & Young Adult

GODDEN, Rumer

Historical Fiction

Now in paperback   The Magic Pudding is a pie, except when it’s something else, like a steak, or a jam doughnut, or an apple dumpling, or whatever its owner wants it to be. And it never runs out. No matter how many slices you cut, there’s always something left over. It’s magic.   But the Magic Pudding is also alive. It walks and it talks and it’s got a personality like no other. A meaner, sulkier, snider, snarlinger Pudding you’ve never met.   So Bunyip Bluegum (the koala) finds out when he joins Barnacle Bill (the sailor) and Sam Sawnoff (the penguin bold) as members of the Noble Society of Pudding Owners, whose “members are required to wander along the roads, indulgin’ in conversation, song and story, and eatin’ at regular intervals from the Pudding.” The Magic Pudding rivals The Stinky Cheese Man as one of the craziest books ever written for young readers.

The Magic Pudding

LINDSAY, NORMAN

“She saw: first, a square opening, about eight inches wide, in the lowest step…finally, she saw that there was a walnut shell, or half one, outside the nearest door…. She went to look at the shell—but looked with the greatest astonishment. There was a baby in it.” So ten-year-old Maria, the orphaned mistress of Malplaquet, discovers the secret of her deteriorating estate: On a deserted island at its far corner, in the temple long ago nicknamed Mistress Masham’s Repose, lives an entire community of people—“the People,” as they call themselves—all only inches tall. With the help of her only friend—the absurdly erudite Professor—Maria soon learns that this settlement is no less than the kingdom of Lilliput (first seen in Gulliver’s Travels) in exile. Safely hidden for centuries, the Lilliputians are at first endangered by Maria’s well-meaning but clumsy attempts to make their lives easier, but their situation grows truly ominous when they are discovered by Maria’s greedy guardians, who look at the People and see only a bundle of money.

Mistress Masham's Repose (New York Review Children's Collection)

WHITE, T.H.

Classics

Miss Bianca is a white mouse of great beauty and supreme self-confidence, who, courtesy of her excellent young friend, the ambassador’s son, resides luxuriously in a porcelain pagoda painted with violets, primroses, and lilies of the valley. Miss Bianca would seem to be a pampered creature, and not, you would suppose, the mouse to dispatch on an especially challenging and extraordinarily perilous mission. However, it is precisely Miss Bianca that the Prisoners’ Aid Society picks for the job of rescuing a Norwegian poet imprisoned in the legendarily dreadful Black Castle. Miss Bianca, after all, is a poet too, and in any case she is due to travel any day now to Norway. There Miss Bianca will be able to enlist one Nils, known to be the bravest mouse in the land, in a desperate and daring endeavor that will take them, along with their trusty companion Bernard, across turbulent seas and over the paws and under the maws of cats into one of the darkest places known to man or mouse. It will take everything they’ve got and a good deal more to escape with their own lives, not to mention the poet. Margery Sharp’s classic tale of pluck, luck, and derring-do is amply and beautifully illustrated by the great Garth Williams.

The Rescuers (New York Review Books Children's Collection)

SHARP, Margery

Animals

A Carnegie Medal winner, this delightful fantasy will appeal to children who love Alice in Wonderland and The Wind in the Willows. In the English village of Midmeddlecum, Major Palfrey asks his two daughters to behave themselves while he is off at war. Sighing, Dinah says, “I think that we are quite likely to be bad, however hard we try not to be,” and her sister, Dorinda, adds helpfully, “Very often, when we think we are behaving well, some grown-up person says we are really quite bad. It’s difficult to tell which is which.” Sure enough, the mischievous sisters soon convince a judge that minds must be changed as often as socks, stage an escape from the local zoo (thanks to a witch’s potion that turns them into kangaroos), and—in the company of a golden puma and silver falcon—set off to rescue their father from the tyrant of Bombardy. A tale of hilarity and great adventure, The Wind on the Moon is also a work of high seriousness; after all, “life without freedom,” as the valiant puma makes clear, “is a poor, poor thing.”

The Wind on the Moon

LINKLATER, ERIC

A time-travel story that is both a poignant exploration of human identity and an absorbing tale of suspense. It’s natural to feel a little out of place when you’re the new kid, but when Charlotte Makepeace wakes up after her first night at boarding school, she’s baffled: everyone thinks she’s a girl called Clare Mobley, and even more shockingly, it seems she has traveled forty years back in time to 1918. In the months that follow, Charlotte wakes alternately in her own time and in Clare’s. And instead of having only one new set of rules to learn, she also has to contend with the unprecedented strangeness of being an entirely new person in an era she knows nothing about. Her teachers think she’s slow, the other girls find her odd, and, as she spends more and more time in 1918, Charlotte starts to wonder if she remembers how to be Charlotte at all. If she doesn’t figure out some way to get back to the world she knows before the end of the term, she might never have another chance.

Charlotte Sometimes (New York Review Children's Collection)

FARMER, Penelope

By the author of The Big Orange Splot, The Neddiad, and Adventures of a Cat-Whiskered Girl Things Victor loves: pizza with anchovies, grape soda, B movies aired at midnight, the evening news. And with his parents off at a resort and his older sister shirking her babysitting duties, Victor has plenty of time to indulge himself and to try a few things he’s been curious about. Exploring the nearby city of Hogboro, he runs into a curious character known as the Chicken Man (a reference to his companion, an intelligent hen named Claudia who lives under his hat). The Chicken Man speaks brilliant nonsense, but he seems to be hip to the lizard musicians (real lizards, not men in lizard suits) who’ve begun appearing on Victor’s television after the broadcast of the late-late movie. Are the lizards from outer space? From “other space”? Together Victor and the Chicken Man, guided by the able Claudia, journey to the lizards’ floating island, a strange and fantastic place that operates with an inspired logic of its own.

Lizard Music (New York Review of Books Children's Collection)

Pinkwater, Daniel

If you think Babar is the only storybook elephant with a cult following, then you haven’t met Uncle, the presiding pachyderm of a wild fictional universe that has been collecting accolades from children and adults for going on fifty years. Unimaginably rich, invariably swathed in a magnificent purple dressing-gown, Uncle oversees a vast ramshackle castle full of friendly kooks while struggling to fend off the sneak attacks of the incorrigible (and ridiculous) Badfort Crowd. Each Uncle story introduces a new character from Uncle’s madcap world: Signor Guzman, careless keeper of the oil lakes; Noddy Ninety, an elderly train conductor and the oldest student of Dr. Lyre’s Select School for Young Gentlemen; the proprietors of Cheapman’s Store (where motorbikes are a halfpenny each) and Dearman’s Store (where the price of an old milk jug goes up daily); along with many others. But for every delightful friend of Uncle, there is a foe who is no less deliriously wicked. Luckily the misbegotten schemes of the Badfort Crowd are no match for Uncle’s superior wits. Quentin Blake’s quirky illustrations are the perfect complement to J.P. Martin’s stories, each one of a perfect length for bedtime reading. Lovers of Roald Dahl and William Steig will rejoice in Uncle’s wonderfully bizarre and happy world, where the good guys always come out on top, and once a year, everybody, good and bad, sits down together for an enormous Christmas feast.

Uncle

MARTIN, J.P.

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