The Pink Triangle: The Nazi War Against Homosexuals

History

Plant, Richard

World

New Republic Books

Diary Of An Artist

Raphael Soyer

Book by Willard Wirtz, National Manpower Institute

Boundless Resource: A Prospectus for an Education-Work Policy

Politics & Social Sciences

Willard Wirtz

National Manpower Institute

Sociology

In Diary Of An Artist, Soyer eloquently reminisces about his travels throughout Europe; his impressions of great paintings hung in the museums of Paris, London, Rome, Florence, and the Soviet Union; and his affection for the works of Rembrandt, Degas, Cezanne, Eakins, and other art geniuses. His conversations with his colleagues of twentieth-century art, including Edward Hopper, Jack Levine, Leonard Baskin, and Henry Moore, elicit rarely articulated philosophies behind their work. And in the most autobiographical section, Soyer acknowledges the profound influence his family and friends have had on his work, as he recounts his emigration from Russia and his training and development as an artist.

Diary of an artist

SOYER, Raphael

First Edition, Deluxe Edition with a limited edition (number 89 of 150) signed self portrait etching laid in. This book is clean and bright, with no creases, no tears, and no markings, with the etching in mint condition. The dustjacket is also in excellent condition; clean & bright, with no creases or tears. The slipcase shows a little discoloration in a few small areas, otherwise it's also in fine condition, no bumps or tears or rubs, structurally sound.

The encyclopedia of world soccer

Henshaw, Richard

Reference

A portrait of cereal tycoon C. W. Post's only child reveals the way she commanded her inherited wealth down to her death at age eighty-six, examining her enormous estates and Manhattan apartment, extensive art treasures, business and diplomatic accomplishments, and marriages

Heiress: The Rich Life of Marjorie Merriweather Post

Wright, William

Social Sciences

Free, adult, uncensored: The living history of the Federal Theatre Project

First edition. Good+. Ex-library, but only signs are a call number on the jacket spine and written on the front endpaper and, on the rear endpaper, evidence of the removal of the card pocket and "DISCARDED" stamped thereon. Otherwise the book is very sharp. The cloth is unblemished, the corners are only the least bit bumped if at all, and the pages are bright and clean. The jacket has light edge wear, except for the top of the spine, which is bumped with two small tears.

An oral history of the Federal Theatre Project (1935-1939) with a profuse collection of related ephemera and photographs. Edited by John O'Connor and Lorraine Brown; foreword by John Houseman. 228 pages; 48 color plates and 250 b&w illustrations; 10.25 x 9 inches.

I don't want to be brave anymore

Turkow-Kaminska, Ruth

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