“The Yellow Wallpaper” by Charlotte Perkins Gilman is a feminist classic, a haunting critique of the isolation treatment for female hysteria wrapped up in a superb psychological horror story. Over a century later women are still battling gender bias in the treatment of mental illness. Here are 15 stories of very different women who have in common the fact that they are fighting for control of their worlds and of their minds. Traci Orsi's "Waiting for Jordan" finds Julia hallucinating at home when her husband is shipped off to Iraq. Leah Chaffin's "Last Caress" delves into the sad and savage story of a rare female serial killer while in "An Obedient Girl" Amy Bridges relates her experience as an average girl who has a singular experience with a lobotomized woman. Age, religion, motherhood, sex and work life are all explored in these gripping stories of women who remain Behind the Yellow Wallpaper, battling valiantly and sometimes viciously to break free by any means necessary. Each story is paired with original photographic art by Loreal Prystaj. Prystaj’s dark, gripping art evoke the same despair, fear, anger, hopelessness, heartache, and fight for survival that make up these extraordinary New Tales of Madness.

Behind the Yellow Wallpaper: New Tales of Madness

Literature & Fiction

Bridges, Amy

Frank, Gabriela Denise

Crawford, R.

Ahamed, Farah

Chaffins, Leah

Yndigoyen, Rose

Bensussen, Henri

Day, Judith

Hartenberger, Laura

Literary

New Lit Salon Press

Southern Gothic: New Tales of the South is an anthology like no other. Featuring over 15 stories and poems by new and veteran authors, the writing reflects a diverse range of Southern experience. From the post-Katrina New Orleans of Rose Yndigoyen’s “Long Gone Girls” and the deep-rooted family of Hardy Jones’ “Visitin’ Cormierville” to the racial tension of Eryk Pruitt’s “Them Riders” and Shane K. Bernard’s “The Phrenologist,” the anthology represents a new interpretation of the long-established Southern Gothic genre. Each story is paired with original art by Nathan Mark Phillips. Phillips’ images pull at the underside of the stories and bring a thoughtful level of interpretation to each work. Poking at the heart of Southern distinctiveness, these writers and artists make a bold statement about the south in the 21st century.

Southern Gothic: New Tales of the South

Arts & Photography

Pruitt, Eryk

Adams, Heather Bell

Beacham, Charles J.

Bernard, Shane K.

Carpenter, A.G.

Cauley, Caitlin

Garrison, A.A.

Honey, Zachary

Isaacson, Emily Ruth

Jones, Hardy

History & Criticism

Emerging as the dark side of Romanticism, horror is one of literature’s oldest genres. Its history is so diverse it’s sometimes difficult to define. Are moody stories about ghosts and vampires related to gory tales of beasts and zombies? And what about the more realistic terrors of murderous rogues and diabolical doctors? The emotion of fear unifies the 14 stories in First Came Fear: New Tales of Horror. But fear is legion in its varieties. The authors skillfully navigate terror of all types. M.P. Diederich’s “Dressage for Beginners” and Christopher Calix’s “The Wedding Gift” are fine examples of the ghoulish humor tradition while J.P. Whitmer’s “Loved to Death” will frighten you in a stunningly visceral way. Oliver Ledesma’s “Atabey” and Samantha Pilecki’s “Roser and the Guide to the Inexplicable” impart fear through non-traditional storytelling and Sarah K. Stephens’ “The Factory” shows how effectively, and chillingly, horror can tackle social issues. All the stories are accompanied by Luke Spooner’s dramatic art, which combines Gothic macabre with echoes of classic horror illustration. The entire collection will have you gripping the edge of your seat or biting your fingernails, yet leave you longing for more!

First Came Fear: New Tales of Horror

Humor & Entertainment

Lothian, Jack

Ellis, Casey

Diederich, M.P.

Huerta, Andrew L.

Calix, Christopher

Byrne, Charlotte

Gooding, Daniel

Ledesma, Oliver

Martine, Dwayne

Humor

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