Eugene Atget 1857-1927

Arts & Photography

Borcoman, James

History & Criticism

National Gallery of Canada

Vatican Splendour: Masterpieces of Baroque Art

Johnston, Catherine

Shepherd, Gyde V.

Worsdale, Marc

A fascinating survey of the varied career of an inventive and influential 19th-century photographer, from allegorical montage to Darwin’s catalogue of emotions Oscar G. Rejlander (1813–1875) was a Swedish-born photographer who pioneered the genre of art photography. He is best known for combining negatives to form elaborate allegorical compositions and for his ability to communicate expression through his photographic studies and portraits. His influence shines in the works of other important photographers of the day. This catalogue accompanies the first major retrospective on this vital yet understudied figure and considers the whole range of his activities, including his work as a painter and printmaker. Lori Pauli introduces Rejlander with a comprehensive survey of his life and career. Three essays follow, from leading scholars in the field of 19th-century photography, with topics ranging from Rejlander’s engagement with Victorian painting, to his studio and working methods, to his artistic circle and work with Charles Darwin. Engagingly written and beautifully illustrated, this publication fills a void in scholarship on Rejlander; it also sheds light more broadly on the intersection of art and science and the uses of photography in Victorian culture, as well as the history of photography and its impact on Victorian culture.

Oscar G. Rejlander: Artist Photographer

Pauli, Lori

The first in-depth investigation of Gauguin’s portraits, revealing how the artist expanded the possibilities of the genre in new and exciting ways Paul Gauguin (1848–1903) broke with accepted conventions and challenged audiences to expand their understanding of visual expression. Nowhere is this phenomenon more evident than in his portraits, a genre he remained engaged with throughout all phases of his career. Bringing together more than 60 of Gauguin’s portraits in a wide variety of media that includes painting, works on paper, and sculpture, this handsomely illustrated volume is the first focused investigation of the multifaceted ways the artist approached the subject. Essays by a group of international experts consider how the artist’s conception of portraiture evolved as he moved between Brittany and Polynesia. They also examine how Gauguin infused his work with symbolic meaning by taking on different roles like the Christ figure and the savage in his self-portraits and by placing his models in suggestive settings with alluring attributes. This welcome addition to the scholarship on one of the 19th century’s most innovative and controversial artists reveals fascinating insights into the crucial role that portraiture played in Gauguin’s overall artistic practice.

Gauguin: Portraits

<div>An in-depth examination of the crucial role that Amsterdam played in Rembrandt's evolution as an artist Around the age of 25, Rembrandt van Rijn (1606-1669) moved from his hometown of Leiden to Amsterdam, which was the commercial capital of northern Europe at that time. Considered a bold step for a fledgling artist, this change demonstrates that Rembrandt wanted to benefit financially from Amsterdam's robust art market. He soon married the cousin of a successful art dealer, and came into frequent contact with wealthy and sophisticated patrons who eagerly commissioned him to paint their portraits. The artist's style quickly evolved from the small, meticulous panels of his Leiden period to the broadly brushed, dramatically lit, and realistically rendered canvases for which he is renowned. &nbsp; Rembrandt in Amsterdam explores this pivotal transition in the artist's career and reveals how the stimulating and affluent environment of Amsterdam inspired him to reach his full potential. Lavishly illustrated, this volume offers a fascinating look into Amsterdam's unparalleled creative community and its role in Rembrandt's development of a wide-ranging brand that comprised landscapes, genre scenes, history paintings, portraits, and printmaking.</div>

Rembrandt in Amsterdam: Creativity and Competition

pp. 374, color and b/w illustrations, 179 paintings are reproduced, the author reconstructs the period in which the Group of Seven was formed through examination of contemporary documents, heavy book additional postage will apply

The Group of Seven: Art for a Nation

Charles C. Hill

Bertram Brooker, 1888-1955, (Canadian artists monographs)

Reid, Dennis R.

Fontainebleau;: L'art en France, 1528-1610. Art in France, 1528-1610

Paul-Émile Borduas (Canadian artists series)

François-Marc Gagnon

This book is both the exhibition catalogue and catalogue raisonne. 47-page exhibition catalogue from the show held May 24 to July 6 which was comprised of 51 works never before exhibited. 188-page catalogue raisonne of 355 paintings,, objects, and wood-blocks made between August 1 1960 and July 1, 1974. Both sections have descriptions of each object. Profusely illustrated with over 400 black &amp; white reproductions. 32-page essay by Roberta Smith. 2-page chronology. 30-page list of exhibitions. 4-page selected bibliography. 5-page index of owners of work. Includes 1-page addenda and errata at end of book. All texts in both English and French. Book Condition: Pristine/ Like New. Dust Jacket Condition: Very Good. Spine shows fading, (as is typical), along with a few water spots, (not effecting book). Very slight rubbing to top and bottom of edges. Now protected in mylar sleeve.

Donald Judd: A catalogue of the exhibition at the National Gallery of Canada, Ottawa, 24 May-6 July, 1975 : catalogue raisonné of paintings, objects, and wood blocks, 1960-1974

Donald Judd

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