The Artist's Hand celebrates two complementary and necessary aspects of the art world, the hand of the artist and the role of art institutions, through the Washington Art Consortium's collection of American prints and drawings. The book chronicles the history of the Consortium--founded in 1975 as a group of institutions throughout Washington State who would share a collection of work by contemporary artists.The Artist's Hand illustrates the original collection of ninety-seven works accompanied by biographies of the fifty-two artists--among them Jackson Pollock, Willem de Kooning, Jo Baer, Myron S. Stout, Jim Dine, Roy Lichtenstein, Agnes Martin, Robert Rauschenberg, Richard Serra, and Andy Warhol.

The Artist's Hand: American Works on Paper 1945-1975

Arts & Photography

Bruce, Chris

Wright, Virginia

History & Criticism

Museum Of Art Wash St Univ

<p>For four decades, Roger Shimomura’s paintings, prints, and theatre pieces have addressed sociopolitical issues of Asian America. He does this through a style that combines his childhood interest in comic books, American Pop Art, and traditions of Japanese woodblock prints, thereby evoking his Japanese ancestry while locating him firmly within modern American artistic developments. Through this artistic device, he is able to bring together a wild mixture of compositions that offer up patterns of criticism within visually compelling works of sumptuous color and lighthearted Pop directness.<br><br>In his recent work, under the banner, An American Knockoff (2009 to the present), Shimomura has taken on the long tradition of self-portraiture through the radical lens of cultural conflict. Two thematic directions – assimilation and resistance – are often fused together as the artist inserts himself as an aging Asian Everyman in various guises and situations, both funny and poignant.</p>

Roger Shimomura: An American Knockoff

Goodyear, Anne

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