Pat Steir: Drawing Out of Line

[Pat Steir] Susan Harris, Jan Howard (texts)

Museum of Art, Rhode Island School of Design

Providence. 1985. Rhode Island School of desing. 26x22. 110p.

Americana from the Daphne Farago collection

Sanderson, Carol C

Book by Christopher P Monkhouse, Thomas S. Michie, John M. Carpenter

American furniture in Pendleton House

Christopher P Monkhouse

Thomas S. Michie

John M. Carpenter

Whistler to Weidenaar: American prints, 1870-1950 : gifts from the Fazzano brothers and other donors

Johnson, Deborah J.

Through the collector's eye: Oriental rugs from New England private collections

Hopkins, Mark

Bailey, Julia

Patterns and Poetry: No Robes from the Lucy Truman Aldrich Collection, Museum of Art, Rhode Island School of Design, is a beautiful and informative publication on the RISD Museum's collection of costumes for the Japanese No theater. This collection, arguably the finest in the United States, was assembled largely on the spot in Japan during the 1920's by Rhode Islander Lucy Truman Aldrich, sister-in-law of John D. Rockefeller, Jr. The 47 robes came to the Museum by gift and bequest from Miss Aldrich herself and represent all catagories of No costume. Four essays document the history of the collection, including Miss Aldrich's encounter with Chinese bandits; poetic allusion in the imagery of the robes; the traditional methods of making No robes; and the evolution of No costume over 650 years. Individual entries with color illustrations discuss each of the 47 objects.

Patterns and poetry: Nō robes from the Lucy Truman Aldrich Collection at the Museum of Art, Rhode Island School of Design

Arts & Photography

Rhode Island School Of Design

Collections, Catalogs & Exhibitions

Ties that bind: Fiber art by Ed Rossbach and Katherine Westphal from the Daphne Farago collection

Smith, Paul J.

Pressing On: The Graphic Art of Wilmer Jennings is the first publication to examine a large body of work of Wilmer Jennings (American, 1910-90), who studied under Hale Woodruff while earning a degree from Morehouse College, Atlanta.  Jennings then came to Rhode Island School of Design for further training as a jewelry designer, painter, and printmaker.  He stayed in Rhode Island and designed jewelry for Imperial Pearl Company while continuing to work on his art.  Jennings achieved artistic recognition primarily for his intimate wood engravings. He represents the third generation of African American artists active in the state.

Pressing On: The Graphic Work of Wilmer Jennings

Elliot, Claude

Masterfully conceived and crafted, the eleven pairs of objects designed by Jonathan Bonner to fit into an individual's trouser pockets are also completely preposterous in their functionality. Graphite and glass pocket balls pop out awkwardly from the leg, circular pocket magnets provide a novel way of carrying scissors, wrenches, and screwdrivers. Ice pocket mounds melt, pointy pocket weasels create holes, and pocket air bags bulge. In deadpan images that mock product photography and industrial publications, Bonner plays mischievously with the relationship of function to design, advertising to reality, sobriety of approach to hilarity of conception, proving himself much more interested in the long-standing relationship of hands to pockets and genitals than in the idea of usefulness.

Jonathan Bonner: Front Pockets

TANNENBAUM, Judith

Individual Artists

This is beautifully designed book looks at a close circle of artists and intellectuals portrayed by Edgar Degas in the late summer of 1885. On the heels of Ludovic Halevy's election to the Academie Francaise, Degas joined his close friend's family for a holiday on the Normandy coast. Inspired by group photographs, he staged an eccentric portrait composed of Halevy and his son, Daniel, young painters Jacques-Emil Blanch, Henri Gervex, and Walter Sickert, and an elusive man of taste, Albert Boulanger-Cave. Four essays examine the creation of the enigmatic portrait and narrate the intense and conflicting friendships it embodied. Maureen C.O'Brien presents the portrait as a performance of friendship: Jane Roberts explores Jacques Emil-Blanche's lifelong attachment to Dieppe: Anna Gruetzner Robins addresses the presence of British painter Walter Sickert: Linda Catano analyzes the physical construction of the large pastel portrait and its place in Degas's technical development of this medium. Aproximately 95 illustration - 55 which are color, 14 photographs

Edgar Degas: Six Friends at Dieppe

Maureen O'Brien

jane-roberts

Anna Gruetzner Robins

Linda Catano

See the best price to sell, buy or rent books by the Museum of Art, Rhode Island School of Design publisher. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Museum of Art, Rhode Island School of Design