Fiction. "In THE HIEROGLYPHICS, a novel(la) in prose poems, Michael Stewart tackles nothing less than a radical revision of creation myths that comments darkly on the ancient stories we have received & the future we may be facing. Stewart's language is spare & haunting, the allusions resonating, in this work that 'reminds us how pale are the achievements of men'"—Wendy Barker.

The Hieroglyphics

Literature & Fiction

STEWART, Michael

Poetry

Mud Luscious Press

Poetry. Nominated for the 2011 PEN/Joyce Osterweil Award for Poetry. "Entwining the trance that is childhood around the hallucination that constitutes adulthood, Molly Gaudry's WE TAKE ME APART is a bewitching and carefully barbed tale. A cross between silence and a fairy tale, Gaudry's Beckettian narrative sews bright bits to near-faint whispers, slowly swaddling us in quiet and darkness"—Brian Evenson.

We Take Me Apart (Novel(la))

Gaudry, Molly

Fiction. "My advice: those who are to read Sasha Fletcher's delightful enjoinder WHEN ALL OUR DAYS ARE NUMBERED should go into an empty house of an afternoon, shut themselves in a backroom closet on a low shelf, and read straight through without stopping"—Jesse Ball. "Sasha Fletcher, with his dream catastrophes and immense loves, can wand us into a new world. Here is a story that glistens"—Deb Olin Unferth.

When All Our Days Are Numbered Marching Bands Will Fill the Streets & We Will No (Novel(la))

Fletcher, Sasha

Fiction. "AN ISLAND OF FIFTY is a new literary bomb, resulting in the shrapnel of gold, ships, ocean, chandeliers, dreams, blood, and flame. Old and stale literature won't know what just hit. This is something new masking itself in the old and I'm so so so excited"—Shane Jones. "Ben Brooks is popping quarks with AN ISLAND OF FIFTY, spilling new flavors of literature on the swampy bookstacks of old. Call it new political, new ecological, new sociological, new poetic activism, or even new imaginary creationism. This book builds up to tear down and tears down to build up. Desire as melancholia, progress as slippage, and wanting for wanting's sake. The floodgates crumble. I relish the shape of this new wordspace, the play of noise and whisper, the unfamiliar voices, and the ache of nihilism paradoxically juxtaposed with the gleam of hopeful invention"—Christopher Higgs.

An Island of Fifty (Novel(la))

Brooks, Ben

Fiction. "In this joyful critique of a Randian, post-industrial society, Mathias Svalina comments on both the compulsive desire to make the inconsumable and the often intangible recalcitrance of our attempts to create something useful in a world increasingly characterized by a manufactured sense of lack, anomie and disaffection, where we are daily beset by 'a kind of numbness, a shadow of desire or fear offset against a blank world.' Svalina refuses this numbness and offers something else, something completely stunning, in its place"—Gabriel Gudding. "This is a subversive and necessary book: the quixotic entrepreneurial spirit of individualist American capitalism is revealed as an inherently poetic construct, one that rests on theater, liminality, imaginative drive, contradiction, and failure. I AM A VERY PRODUCTIVE ENTREPRENEUR is poignant and brilliant; it's worth the investment"—Christian Hawkey.

I Am a Very Productive Entrepreneur

Svalina, Mathias

Poetry. Loosely or not so loosely based on the iconic computer game The Oregon Trail, THE OREGON TRAIL IS THE OREGON TRAIL chronicles the journey of a family on their way out West. Along the way, they fight dysentery, a racist Mel Gibson, syphilis, and consumption while learning that letting go is sometimes easier than starting over. Read the book, play the game, and never welcome the small pox welcome wagon. We have done bad things, and we will pay for them.

The Oregon Trail Is the Oregon Trail

Sherl, Gregory

Genre Fiction

Fiction. Beset with environmental disaster, animal-like children, and the failure of traditional roles, the twenty-six fathers of Cataclysm Baby raise their desperate voices to reveal the strange stations of frustrated parenthood, to proclaim familial thrashings against the fading light of our exhausted planet, its glory grown wild again. As the known world disappears, these beleaguered and all-too-breakable men cling ever tighter to the duties of an unrecoverable past, even as their children rush ahead, evolve away. Unflinching in the face of apocalypse and unblinking before the complicated gaze of parental love, Matt Bell's Cataclysm Baby is a powerful chronicle of our last days, and of the tentative graces that might fill the hours of our dusk.

Cataclysm Baby (The Mud Luscious Press Novel(la))

Science Fiction & Fantasy

Bell, Matt

Science Fiction

Fiction. From Ken Sparling's intro: "When someone asked me what DAD SAYS HE SAW YOU AT THE MALL was about, it felt like I'd seen a beautiful tree and struggled to describe it to someone, only to have that someone say: 'Yes, but what is the tree about?' You wouldn't know how to answer that question. It isn't the right question. The tree wasn't ever about anything. It was just beautiful."

Dad Says He Saw You at the Mall

Sparling, Ken

Fiction. Robert Kloss's THE ALLIGATORS OF ABRAHAM is a fever dream built from the fly strewn corpses of armies, the megalomania of generals, the madness of widows, the fires of mourning, the fury of the poor, the indifference of the wealthy, and the ravenous hissing of those alligators who have ever plagued the shores of our national nightmares. With a cover design and interior illustrations by Matt Kish (author of Tin House's Moby-Dick in Pictures), this is a Civil War epic unlike any other. "In The Alligators of Abraham, Robert Kloss drops us into the darkness of the Civil War, showing a culture perpetually on the edge of extinction. Yet out of that murky world, hazed and fogged, rise the clear and distinct shapes of a people not ready to surrender to their own haunting. A novel as lyrical as it is precise in its depiction of the struggle to maintain dignity." - Adam Braver, author of Mr. Lincoln's Wars and November 22, 1963 "Robert Kloss's words gnaw into the collective-dark-underbelly-unconsciousness of the 19th century which, in many ways, we've never entirely gotten over in America. They get how the 'you' of America is both masculine and tender, how it's powered by craziness and wounds, and how it longs to liberate and yet remains enslaving and enslaved. They understand how war roils in the guts. There is a terrible, terrible movie in which Shirley Temple meets Abraham Lincoln. This book is a gristly bloody opposite of that; it reeks of the truth." - Rebecca Brown, author of American Romances

The Alligators of Abraham

Kloss, Robert

Fiction. MICHAEL KIMBALL WRITES YOUR LIFE STORY (ON A POSTCARD) started as a writing performance—with strangers lined up to share the intimate details of their lives while he wrote their biographies for them as they waited. In the end, more than 10,000 years of life was condensed into just over 300 postcard life stories. Besides the complicated and beautiful lives of so many people, there are postcard life stories for cats, dogs, a rooster, an apple, a bar of soap, a t-shirt, a chair, and a horse. There are life stories everywhere. Michael Kimball reminds us that it is so difficult to be alive and so wonderful too.

Michael Kimball Writes Your Life Story (on a postcard) (Novel (La))

Kimball, Michael

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