Magazine. Poetry. Women's Studies. LGBTQIA Studies. Art. Edited by Anja Dietmann. Within the format of a magazine, each page of PFEIL MAGAZINE represents the floor, walls, or ceiling which together create an imagined room displaying a printed exhibition. Each issue is dedicated to a specific word, and artists are invited and given space to work on and with this term, and to construct or deconstruct the architecture around it. Combined, the contributions transform into an organic display surrounding the leitmotif. Deriving from the Old French nature (being, principle of life; character, essence), in turn stemming from the Latin word natura (course of things; natural character, constitution, quality; the universe), this issue revisits the term Nature once again, with all its direct and indirect meanings. In times of global warming and the urgent necessity for active change, we deal with the effects of cultural mimicry, the language of trees, artificial yolk dye, how natural resources can change in their worth and meaning, and question how the theory of evolution would have manifested under a female lens in the 19th century. Contributions by Aseel AlYaqoub, Birte Brechlin, Christopher Weickenmeier, Constance DeJong, David Fletcher, David Reiber Ot·lora, Denise Bertschi, Emmett Walsh, Jocelyn Saidenberg, Katherine Lee, Katie Holten, Kinke Kooi, Leticia Ybarra Pasch, Marina Pinsky, Nadia Christidi, Nina Kuttler, Nora Schultz, Patricia Valencia, Rachel &#262;osi&#263;, Suné Woods, Till Krause, Volker Renner, Zane Fischer, Zlatko &#262;osi&#263;.

Pfeil Magazine 14: Nature

Reference

Montez Press

There is a story about a meatball which comes out of nowhere, hitting some people's heads and changing their lives forever. There is a mouse that gets caught while trying to find a cheesy snack. There has been a 100% increase in the cost of rent in Berlin in the past 10 years and no increase in my wages. A bag full of basmati rice. A teacher stuck at work waiting for students stuck at work. There is the price one pays to purchase organic underwear so that their intimate parts are not stifled from nine hours in the office chair. There are 10 missed calls from my mother. There are places to which one cannot return and cities where it is impossible to live. There are fertility treatments that send fish oil straight into the veins two days before and two days after ovulation. The feeling of a needle in the middle of the uterus, which could be due to pregnancy, or due to fear. There is a Master's thesis which is no Master's thesis. There is a book that was not intended to be published, that was not intended to be read. Eva &#270;urovec works as a software tester 40 hours per week and studies art at the same time. There are not enough hours in the day to complete everything, to comply with everything. And then there is also her desire to have children. The question: how can all of this be reconciled within the profession of artist? &#270;urovec investigates the possibilities that arise from different class formats, and asks what we produce and reproduce--with our bodies, through our routines, trapped between the recurring desires and cruelties of daily life. Fiction. Autofiction. Art.

New Mind Mapping Forms

Literature & Fiction

Ďurovec, Eva

Genre Fiction

Within the format of a magazine, each page of Pfeil represents the floor, walls, or ceiling which together create an imagined room displaying a printed exhibition. Each issue is dedicated to a specific word, with artists invited and given space to work on and with this term, and to construct or deconstruct the architecture around it.Combined, the contributions transform into an organic display surrounding the leitmotif. From its seeds to its crumbs, this issue focuses on the meaning of bread. One of the oldest human-made staples, rooted in the dawn of agriculture and the settling of land, its ingredients both unite and divide, create winners and losers. We deal with madness and explosives, coincidences and intoxication, distribution and possession--and cake. Contributors: Adnan Softi&#263;, Alice Creischer, Aseel AlYaqoub, Beat Bächi, Christian Parenti, Clara Alisch, Julien Fargetton, Lauralee Pope, Lexie Smith, Lila de Magalhaes, Lucia Graf, Maia Schall, Ma&#322;gorzata Fonfria-Pereda, Mirna Bamieh, Mladen Stilinovi&#263;, Nina Beier, Nina Kuttler, Peter Wächtler, Rustum Kozain, Schwester Ruth, Vincent Ramos. Fiction. Poetry. Literary Nonfiction. Art. Hybrid Genres. Anthology.

Pfeil Magazine 15: Bread

Literary

The Interjection Calendar 008

Fiction. LGBTQIA Studies. Tom Buckle is an ambitious young moderate Labour apparatchik, rising happily through the party bureaucracy on a diet of bottomless brunches, legitimate concerns and drug-fueled Blairite sex parties. That is until he meets Otto, a charismatic young radical whose urge for cocks, communism, and a mysterious plot for the victory of the holetariat opens his eyes to a changing world. Finding himself thrown into a chaotic new political landscape of pigfucking PMs, frog-frenzied neonazis and falafel-throwing communists, Tom has to pick a side. Will he manage to nd a third way to a safe seat, or will Corbyn's terrifying red horde make his moderate mission impossible? And can Tom resist the most seductive of all highs--pure, high-grade socialism, main-lined straight into London's clogged and throbbing veins? So much for a kinder, gentler form of politics!

RED TORY: My Corbyn Chemsex Hell

Lemmey, Huw

Poetry. Fiction. Hybrid Genre. Women's Studies. Art. "In Hannah Regel's brilliant collection, OLIVER REED, the figure of the horse becomes an object for language's brutality and the all too familiar subjugation of women's voices, bodies, and labour. An impressive hyperbolic pastiche of pleasurable misbehavior guides a girl named Sorry through her own undoing while naming new tools for calculated resistance. 'Kill the language. Kill it. Get the shovel. We're making a belt.' I would gladly do whatever she tells me to do and wouldn't think of doing otherwise. Regel creates a new order for the ecstatic wreckage of obedience."--Cassandra Troyan

Oliver Reed

Regel, Hannah

Poetry

Fiction. LGBTQIA Studies. YOUTH RAGE! YOUTH VIOLENCE! YOUTH ORGASMS! FEAR OF A GAY UNDERCLASS--ARMED--DANGEROUS--SICK FUCKS. Andy 'Chubz' Wilson is just another NEET on the street, spending his summer days sucking dick and chilling in the park, one hand on his touchscreen, the other down his pants. That is, until he meets charming left-wing journalist and cute crypto-twink Owen whilst trawling grindr for sex. But what starts as a quick, breathless hookup ends up changing Chubz--and London--forever. Whilst Owen battles poppers-mad PM Nigel 'Nige' Farage, our cock-hungry comrade wages his own 'ass' war, and is left wondering: just what exactly is it he's fighting for? Socialism? Barbarism? Or just cheap kicks?

Chubz: The Demonization of My Working Arse

Spitzenprodukte

Erotica

Pfeil Magazine 17: High

The Ginny Suite

Stacy Skolnik

The debut collection from Hannah Regel, whose forthcoming novel The Last Sane Woman is out this year with Verso. "In OLIVER REED, growing-up happens naturally, clip clip clop, at the same time as it requires someone or something--line break or literal incision--to break you in. OLIVER REED is about how a pony body gets trained and a pony mind gets educated, over and over and over again. Time, in this book, loops more than it progresses: 'Sorry attends her Birth' after 'Sorry is a Girl, Grown Up.' I wish I'd read OLIVER REED at fourteen or eighteen; then again, I sort of feel like I did. This we already know: if looking at young girls never gets old, writing about them doesn't, either."--from the introduction by Olivia Kan-Sperling "In Hannah Regel's brilliant collection, OLIVER REED, the figure of the horse becomes an object for language's brutality and the all too familiar subjugation of women's voices, bodies, and labour. An impressive hyperbolic pastiche of pleasurable misbehavior guides a girl named Sorry through her own undoing while naming new tools for calculated resistance. 'Kill the language. Kill it. Get the shovel. We're making a belt.' I would gladly do whatever she tells me to do and wouldn't think of doing otherwise. Regel creates a new order for the ecstatic wreckage of obedience." --Cassandra Troyan, author of Blacken Me Blacken Me, Growled "Regel doesn't really sound like anyone. OLIVER REED introduces a poetic sensibility that seems as at odds with convention as it is equal to the moment: fully formed, virtuosic, kind of lethal. These are pitiless, discomforting poems that explore our own creatureliness with a deadly curiosity. Each is a transformation: the actor becomes a strange muse and guiding presence, to 'smoulder a mobile furnace'; the horse, another of the book's recurring figures, becomes more than an emblem of eros, labour and suffering; the young girl's bratty insolence turns defiant and stricken. The voice wills these changes into being even as she 'wills herself barren'. As much as they trouble and seduce, the poems are also watchful, vigilant - they seem to offer a means of protection. OLIVER REED is an astonishing, masterful first book." --Sam Riviere, author of 81 Austerities Poetry.

See the best price to sell, buy or rent books by the Montez Press publisher. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Montez Press

See the best price to sell, buy or rent books by the Montez Press publisher. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Pfeil Magazine 14: Nature

New Mind Mapping Forms

Pfeil Magazine 15: Bread

The Interjection Calendar 008

RED TORY: My Corbyn Chemsex Hell

Oliver Reed

Chubz: The Demonization of My Working Arse

Pfeil Magazine 17: High

The Ginny Suite

Oliver Reed