Jack Tworkov: Paintings and Drawings [exhibition: Jan. 12-Feb. 26, 2000]

Barry Walker

Michael Craig-Martin

Mitchell-Innes & Nash

Arp is perhaps b est known for his sculpture but it is the books intention to create as richly nuanced an exhibition as possible. This draws upon not only his three dimensional pieces but also Arp's less frequently seen painting, drawing and work in relief.

Arp: Line and form

Jean Arp

Walburga Krupp

David Douglas Duncan photographs Picasso

DUNCAN, David Douglas

This catalog is the first to examine in depth Willem de Kooning's use of vellum and charcoal transfers in his artistic process. The way de Kooning copied from his own drawings and paintings to create new works of art is ingeniously illustrated through vellum overlay inserts.

Willem De Kooning: Vellums

Arts & Photography

RICHARDSON, Brenda

DE KOONING, Willem

History & Criticism

While teaching at the Pratt Institute of Art, New York and at Bennington College, Vermont in the late 50s and early 60s, Tony Smith turned his attention toward the development of a geometric language expressed through sculpture. During the same time, his most creative period, he translated this language into two dimensions, using painting as a medium for the interplay between space and form. Many of the paintings included herein have never before been published. Richard Tuttle, once an assistant to Smith, offers an insider's view into the late artist's work.

Tony Smith: Paintings And Sculpture, 1960-1965 (MITCHELL-INNES)

Cross a Saturday-night special with the Saturday-morning cartoons and you get a sense of the shady-sweet flavor of this Atlanta-based artist's paintings. Crayola-colored refugees from the toy chest--Teddy bears, elephants, and rag dolls--don human garb and star in ambiguous narratives laced with menace. A green horse holds a gun to the head of an orange bear while a blasa yellow doll checks his watch; a red elephant offers candy to a reticent purple bear cub in knee socks. Over all, Griffin gives us a sense of compassion, which is not to say hope, for his hapless menagerie. --The New Yorker This is the first catalog devoted to the work of Kojo Griffin, an up-and-coming artist whose work was featured in Freestyle at the Studio Museum in Harlem, New York.

Kojo Griffin: New Work

Sirmans, Franklin

Griffin, Kojo

Whiz! Bang! Pop! Blam! Roy Lichtenstein has rendered everything from a comic-book cell and a warplane to a country landscape and a turkey in his trademark style drawn from printed advertisements and cartoons. A master mixer of popular culture and high art, Lichtenstein's painterly use of Benday dots and heavy outlines turned oil paintings into something they had never before come close to. This catalogue chronicles the evolution of his brushstroke and painterly style from the late 50s through the 90s, complete with photographs of the artist at work, and reproductions of paintings, drawings, and sculptures. Critic and scholar Dave Hickey's highly original and compelling personal essay challenges the way we traditionally think about Lichtenstein's art.

Roy Lichtenstein: Brushstrokes, Four Decades

Hickey, Dave

LICHTENSTEIN, Roy

Stephen Sollins: Dwelling

Finch, Beth

Sollins, Stephen

Individual Artists

The artistic development of Willem de Kooning is explored here through a focus on his early drawings, many of which have never before been published, and most of which have not been on public view in decades. An accompanying text and chronology provide insight into de Kooning's ideas and the exhibitions and artists that might have influenced him during the 1930s-1950s.

The Artist's Hand: Willem De Kooning Drawings, 1937 To 1954

“Through the ages,” recounts Britain's foremost sculptor, Anthony Caro, “civilizations have often been subjected to unexpected assaults from warrior tribes. This happened when the Tartars overran Asia and the Huns and Goths plundered Rome. My Barbarians allude to this history.” Comprised of six life-size figures on horseback and one female figure in a chariot, Caro's recently-completed sculpture evokes an epic scale of history. Made of wood, leather, steel and ceramic elements, The Barbarians marks a new departure in the artist's distinguished career.

Anthony Caro: Barbarians

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