Video Course Manual : Digital Signal Processing

ALAN V. OPPENHEIM

Prisms, essays in cultural criticism and society, is the work of a critic and scholar who has had a marked influence on contemporary American and German thought. It displays the unusual combination of intellectual depth, scope, and philosophical rigor that Adorno was able to bring to his subjects, whether he was writing about astrology columns in Los Angeles newspapers, the special problems of German academics immigrating to the United States during the Nazi years, or Hegel's influence on Marx.  In these essays, Adorno explores a variety of topics, ranging from Aldous Huxley's Brave New World and Kafka's The Castle to Jazz, Bach, Schoenberg, Proust, Veblen's theory of conspicuous consumption, museums, Spengler, and more. His writing throughout is knowledgeable, witty, and at times archly opinionated, but revealing a sensitivity to the political, cultural, economic, and aesthetic connections that lie beneath the surfaces of everyday life.  Theodor W. Adorno (1903-1969) was a student of philosophy, musicology, psychology, and sociology at Frankfurt where he later became Professor of Philosophy and Sociology and Co-Director of the Frankfurt School. During the war years he lived in Oxford, in New York, and in Los Angeles, continuing to produce numerous books on music, literature, and culture.  Prisms is included in the series, Studies in Contemporary German Social Thought, edited by Thomas McCarthy.

Prisms

Politics & Social Sciences

Adorno, Theodor

Samuel Weber (Introduction)

Philosophy

Science in History: Volume 2 the Scientific and industrial Revolutions

Science & Math

J. D. Bernal

History & Philosophy

Thomas Bewick (1753-1828) has long been considered the finest of English wood engravers. No one has ever better expressed the feeling of the English landscape and its homely incident than Bewick in his meticulously rendered scenes of countryside and wildlife. His innovations transformed the medium of engraving for a hundred years, and first distinguished the technique as an art. John James Audubon pronounced him the greatest delineator of nature of his time. This natural focus on Bewick the engraver has overshadowed his accomplishments as a watercolourist and draftsman of major rank. Over a thousand of his drawings and watercolours survive, but until the publication of these volumes only a handful have ever appeared in print before, and none in modern times. They are reproduced here in accordance with the most exacting standards. The first volume presents an illustrated biographical account of Bewick and explains his working methods in metal engraving and in the transfer of drawings to the wood block. It also discusses the organization of his workshop and ascribes to the hands of apprentices through stylistic exegesis a number of works previously believed to be Bewick's own. A catalog of 200 monochrome subjects drawn from the Quadrupeds, British Birds, Fables of Aesop and the unpublished Fishes is followed by appendices recording collections now holding Bewick's drawings. The second volume contains the watercolours and drawings alongside the engravings for which they were prepared, in addition to major watercolours for which there are no extant engravings. Over 200 color subjects are presented in this volume, together with a further 192 drawings and engravings. A production note: the slipcases containing the two volumes were handmade, and the paper, Bewick Cartridge, was especially made for these books. They were designed by Peter Guy and printed by the Westerham Press in England. The MIT Press is offering a limited edition of 500 sets to American readers and collectors. Iain Bain is publisher at the Tate Gallery, London, and an authority on the history of book production and hand presses as well as on the work of Thomas Bewick. He personally oversaw the production of these volumes.

Watercolours and Drawings of Thomas Bewick and His Workshop Apprentices (2 Volumes)

Arts & Photography

BAIN, Iain ed.

Graphic Design

Karl Gerstner is one of Switzerland's—and therefore the world's—best and best-known graphic and typographic designers. His high ambition in this book, first published in German in 1972, is to provide a complete and systematic taxonomy of writing, a programmed investigation into the underlying structure of script and type; Gerstner writes that his book is meant to "encompass the aspects and possibilities of the alphabet in their totality." It is this systematic and programmatic approach that sets the book apart. Most studies of typography and its larger graphic setting and context are concerned with the history of the development of writing and printing, or are collections of typographic models or typical examples, or are textbooks on layout and design. This one is organized into five sections that take up, in turn, Script and Speech—the relation between writing and language, different alphabets, reading directions (the eye follows directions and moves in a direction), style; Manual Graphics or craft—materials, tools, methods, procedures, reproductive techniques; Images—letter pictures, word pictures, sentence pictures, handwriting, size, proportion, type weight, form, harmony, texture, brightness, color; Function—as effected through dimensioning, spacing, grouping, layout, integration; and Expression—as achieved through coordination, articulation, emphasis, diversion, and the spirit of play. As a physical object, the book is more than a passive repository of examples of typographic display. It makes a dynamic and integrated typographic statement of its own and as a whole as it progresses and develops in accordance with its internal program. The book is nearly square and opens vertically rather than horizontally. Type is printed on only one side of the sheets, which are folded back on themselves along the outer edge to form double leaves, so that there is no distracting show-through "noise." There are words printed in blind embossing and stencil cutouts. And color is used with an elegant restraint, appearing only at the book's mid-section climax—its very sparseness amid the prevailing sharp black and white contributes a luxurious effect.

Compendium for Literates

History

GERSTNER, Karl

Historical Study & Educational Resources

Perceptrons -- the first systematic study of parallelism in computation -- has remained a classical work on threshold automata networks for nearly two decades. It marked a historical turn in artificial intelligence, and it is required reading for anyone who wants to understand the connectionist counterrevolution that is going on today.Artificial-intelligence research, which for a time concentrated on the programming of Von Neumann computers, is swinging back to the idea that intelligence might emerge from the activity of networks of neuronlike entities. Minsky and Papert's book was the first example of a mathematical analysis carried far enough to show the exact limitations of a class of computing machines that could seriously be considered as models of the brain. Now the new developments in mathematical tools, the recent interest of physicists in the theory of disordered matter, the new insights into and psychological models of how the brain works, and the evolution of fast computers that can simulate networks of automata have given Perceptrons new importance.Witnessing the swing of the intellectual pendulum, Minsky and Papert have added a new chapter in which they discuss the current state of parallel computers, review developments since the appearance of the 1972 edition, and identify new research directions related to connectionism. They note a central theoretical challenge facing connectionism: the challenge to reach a deeper understanding of how "objects" or "agents" with individuality can emerge in a network. Progress in this area would link connectionism with what the authors have called "society theories of mind."

Perceptrons: An Introduction to Computational Geometry

Computers & Technology

Marvin Minsky, Seymour Papert

Computer Science

The Reconfigured Eye: Visual Truth in the Post-Photographic Era

An explanation of a new digital technology that is revolutionizing the art of photography describes how computers can synthesize or alter images and explains how this capability may present dangerous questions of veracity for photojournalism.

THE RECONFIGURED EYE. VISUAL TRUTH IN THE POST-PHOTOGRAPHIC ERA.

Mitchell, William

Photography & Video

Elements of System Dynamics Method

The architecture of Frank Lloyd Wright,: A complete catalog

STORRER, William Allin

Architecture

The pioneering linguist Benjamin Whorf (1897--1941) grasped the relationship between human language and human thinking: how language can shape our innermost thoughts. His basic thesis is that our perception of the world and our ways of thinking about it are deeply influenced by the structure of the languages we speak. The writings collected in this volume include important papers on the Maya, Hopi, and Shawnee languages as well as more general reflections on language and meaning.

Language, Thought and Reality: Selected Writings of Benjamin Lee Whorf

Reference

Whorf, Benjamin Lee

Words, Language & Grammar

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