Carbon/Book With Insert

Arts & Photography

Baumgarten, Lothar

Collections, Catalogs & Exhibitions

Marian Goodman Gallery

Anselm Kiefer: Bruch und Einung

Kiefer, Anselm

Richard Deacon

Peter Schjeldahl, Text

Juan Muñoz, April 26 - June 10, 2006

Unknown, Author

<p>Marian Goodman Gallery, 200652 Pages</p>

Freeing the Line

Catherine de Zegher

<p>Burning his early paintings and producing his 1970 "Cremation Project," John Baldessari embarked on a new quest to explore the relationships between painting and language, images and text, originality and authorship. This overview of his works up to the early 1980s, encompassing film, photography, and painting, show him rooting around with characteristic humor and poignancy.</p>

Richard Deacon: Sculptures, 1989-90

DEACON, Richard

Anselm Kiefer: Lilith

Gerhard Richter: Documenta IX 1992

RICHTER, Gerhard

Buchloh, Benjamin H.D.

Dan Graham is one of the most influential of the American Conceptual artists who first emerged in the mid 1960s as part of a generation that included the Minimalists Carl Andre, Dan Flavin and Sol LeWitt, with whom he was closely associated during that period. While their work offered a critique of the gallery's white club and of the value of material, Graham began to question the art system itself and decided to operate outside it. From 1965-69 he produced a series of texts such as "Schema" (1966) which he inserted into mass-market magazines. The periodical nature of magazine production and consumption was clearly related to the experience of time and change - a theme central to Graham's work ever since. In 1966-67 he also made a series of photographs showing details of suburban housing projects, new shopping precincts, truck depots and roadside diners, titled "Homes for America". Alongside the photos Graham's texts "deconstruct" social architectural spaces in ways which were far ahead of their time.  From 1969-78 Graham worked primarily with performance, film and video, focusing, for example, on the synchronization of speech and breathing patterns between the artist and his audience. From 1974, with the installation/performance "Present Continuous Past(s)", Graham began to use two-way mirror walls in relation to real reflections and time-delayed video projections. These works evolved into the socially-based architectural projects such as open air pavilions, for which Graham is most famous internationally. These have included a "Skateboard Pavilion" in Stuttgart in 1989 and in the same year "The Children's Pavilion" (with Jeff Wall) and the "Star of David Pavilion" (Vienna, 1991-96). All of Graham's projects are democratically rooted in everyday urban life and activity, particularly children's play. His work is thus as valuable to architects and town planners as to the art community

Dan Graham - Models to Projects

Graham, Dan

Alberro, Alexander

History & Criticism

The catalogue for an exhibition of the work of Gerhard Richter. Essay by Benjamin H.D. Buchloch. 148 pages; 59 color plates, printed recto only + 2 color portraits of the artist + 4 text illustrations; 9.25 x 11.75 inches. Biography, exhibition history, bibliography.

Gerhard Richter Paintings 1996-2001

Buchloch, Benjamin

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Books by Marian Goodman Gallery