Shanghai, Forever Lost is a nonfiction book based on the true stories and events of both my grandmother and mother from 1920's Shanghai to 1950's Peking. Shanghai, Forever Lost reflects the bond between mother and daughter in turmoil of war, political takeover and human tragedies. It's a book of oral history that could serve as a witness of Chinese history from the 1920's to the 1950's. With many actual photos of the time, Shanghai, Forever Lost will resonate with its readers who have an interest in mother and daughter relationship as well as life and history of China.传记文学《上海浮生若梦》记录了老上海的大时代背景下小人物的人生经历，通过作者的姥姥与母亲二十年代到四十年代在上海以及五十年代在北平的亲身经历，描绘出上海的过去往事，历史的演变对人生造成的影响和冲击。这是一本凝缩了上海及北平历史大时代辉映下平凡人的传记，打开它，如同打开一个时间的胶囊，让时光再现，让历史讲话，让往事复活。

Shanghai Forever Lost: A Biography of My Grandmother and Mother (Chinese Edition)

Biographies & Memoirs

Hu, Sonia

Community & Culture

Long Publishing Corp

China's so-called unprecedented Cultural Revolution was indeed a rare event in history. The darkest part of it was categorizing people with labels. Such labels had the most impactful colors and clear meaning as love and hate, the only two emotions associated with people during the Cultural Revolution. Although these labels had many names such as hired farmers, poor farmers, lower-middle farmers, middle farmers, upper-middle farmers, rich peasants, landlords, capitalists, city poor, rightists, counter-revolutionaries, reactionary academic authorities ... but there were only two colors: red and black. Red was the pride of the communist party flag flying in the sky. Black was the darkest long night without stars and moons. The book is about the fate of two girls Er Juan and Pei Min, who were best friends being labeled black, and their survival in the Ocean of Red. The backdrop of the story began with the Anti-Rightist Movement in 1957 when China entered into an era that the people's voices were stifled. It was the prelude phase of the Cultural Revolution. The story ended at the beginning of the 1990s, with the fall of the Gang of Four when the country began to revive from the chaos via economic reform. It seemed that the Cultural Revolution was ended, but somehow it was never over.

Children of The Revolution: The Red and The Black: 红黑时代的青春 (Chinese Edition)

Literature & Fiction

Guang, Zhi

World Literature

"Fu Sheng Shanghai" is the new version of Sonia Hu's biography book "Shanghai Forever Lost". It's a book about the life of her mother and grandmother in Shanghai and Peking between the 1920s' to 1950s'. The book reveals the personal journey of the author's mother and grandmother under the regimes of both the Nationalist government and the Communist government. It portraits how the power change and the Thought Reform right after 1949 impacted the course and fate of their lives.
Originally, it was contracted by Jiangsu Phoenix Literature and Culture Publishing House in 2018 to release in China. However, due to the ideological issues, it did not pass the political censorship, and the publishing contract was terminated in 2019 due to Force Majeure.
《浮生上海》是华裔作家胡桃的非虚构传记文学《上海浮生若梦》的最新版本。 该书于2018年与江苏文艺出版社签约，改名为《浮生上海》，后因"意识形态问题"无法通过审查于2019年以不可抗力因素解约。
《浮生上海》讲述了一对母女所经历的1949年前的上海和1949年后的北平，并通过她们的经历以白描的手法描述了这对母女从1925年到1952年前后从上海到北平这段二十多年人生的变迁，精彩地回顾了老上海时期的殖民地生活，以及上海沪江大学的生活，包括了许多不为人知的历史，如华北人民革命大学，知识分子的早期思想改造以及抗美援朝前后的参军经历。

浮生上海: Shanghai Forever Lost (Chinese Edition)

桃, 胡

Arts & Photography

Bone 51: A collection of Chinese Poetry (Chinese Edition)

Yan, Li

Lin, Xiaoyan

Hong, Junzhi

Poetry

Pandemic: Effects On Latin America And the Interactions With China

Education & Teaching

Matta, Fernando Reyes

Schools & Teaching

A collection of select Chinese literary works, An Anthology of Works by Chinese Writers in North America (2019) features 40 published works, including short stories, essays, poetry, and literary criticism. Carefully selected by the Editorial Committee of the American Association of Chinese Writers (AACW), this anthology covers a broad range of subjects, including cultural conflicts and integration between the East and the West, historical accounts and personal recollections, and cultural observations and perspectives on North American life. Each author included here brings a wealth of experience, dedication, and accomplishments to the reading public.

An Anthology of Works By Chinese Writers in North America: 2019 北美中文作家作品选 (Chinese Edition)

Liu, Qian

Literary

The book documents the retrospective view of a photojournalist's three journeys to Afghanistan and Iraq - an area oftentimes linked to the battlefield, blood, and sweat. As the unprecedented Chinese embedded photographer working with the U.S. Army, it can be easily imagined how the book about the incredible experiences, such as the bullet that was one inch away, the nearly missed bomb, as well as the sheer joy from ordering spicy beef from a Chinese cook using hometown dialect, could become a real page-turner. Not only is this a documentary literature and a photo album, but it is also a handy reference containing plenty of detailed technical parameters disclosed in a book by the author.

The Rock And The Palm Tree: 岩石與棕櫚樹 (Chinese Edition)

Liu, Jin

Photography & Video

顧月華的詩，又有一種渾然天成的詩情畫意，這一點恐怕與她曾經專攻美術與油畫的人生閱歷有 關。請看《迷思》 "總有一個影子/左右不離/且生且滅，且滅且相隨"，詩中嵌畫，畫中蘊詩，人與影不離 不棄，相伴相生，始終相隨。《日落》 "輝煌霞光拉開華麗帷幕/寂靜和黑暗是閉幕後/真正的結局"，更是黃昏的晚霞斑斕輝煌之後化為大塊黑暗的底色，將天光的結局(這何嘗不也是人生的結局)演繹成了可感可觀的圖像。\n詩集的名字叫《宿命》，充滿了生命回首的味道。每一個場景，每一個瞬間，都如同是前世的約定。她的三言詩雖短，卻如同瞬間的靈光，照亮了一縷縷生命的軌道，也照亮了她自己的所思所想。作者說有愛 才能寫詩，這種愛是博大的，是包括萬物的。寫詩的人心裡，既有烈焰的噴薄，也有柔情的纏繞，它是生命 的情緒，也是人間的感悟，無論是宣洩，抑或是挑戰，都包裹在她彩色的詩裡，讓人回味無窮。

宿命: Predestination (Chinese Edition)

Gu, Yuehua

這是一本史料詳實的帶你參觀紐約大都會博物館的中文書籍，作者是在紐約居住的美術學博士時向東。正如他所言：大都會博物館的收藏像是一部人類文明的"並置"，這些"文明"和"智慧"的並置恰似一部百 科全書，生動的解釋了從造物到造神，從繪畫、雕塑到材料、工藝、技術和審美時尚的變化。這種"並 置"就是一部體現時間、地域縱橫交流的立體的藝術對比史，讓人從中感受到文明在不同民族間 相互流動和影響的腳印。\n時博士透過對實物的觀察以及對背景資料的研究，以聽得懂、看得明白、圖文相濟的方式， 以中文來記錄出他對大都會博物館發現和感受。\n這本書里的內容只是時博士所寫參觀"心得"的一小部分，不僅記錄了個人的困惑、發現和思考，也可以為研究者、感興趣的 遊客提供新鮮的角度和觀賞的臺階。如果讀者在參觀大都會博物館以前先看看這本書，相信是非常有幫 助的，最起碼你不會錯過精品，如果你讀得細緻，也許可以和作者產生許多精神和文化上的共鳴。

時博士講大都會博物館: Tour The Metropolitan Museum of Art with Dr Shi (Chinese Edition)

向東, 時

Shi, Xiang Dong

顧月華的詩，又有一種渾然天成的詩情畫意，這一點恐怕與她曾經專攻美術與油畫的人生閱歷有關。請看《迷思》 "總有一個影子/左右不離/且生且滅，且滅且相隨"，詩中嵌畫，畫中蘊詩，人與影不離不棄，相伴相生，始終相隨。《日落》 "輝煌霞光拉開華麗帷幕/寂靜和黑暗是閉幕後/真正的結局"，更是黃昏的晚霞斑斕輝煌之後化為大塊黑暗的底色，將天光的結局(這何嘗不也是人生的結局)演繹成了可感可觀的圖像。\n詩集的名字叫《宿命》，充滿了生命回首的味道。每一個場景，每一個瞬間，都如同是前世的約定。她的三言詩雖短，卻如同瞬間的靈光，照亮了一縷縷生命的軌道，也照亮了她自己的所思所想。作者說有愛才能寫詩，這種愛是博大的，是包括萬物的。寫詩的人心裡，既有烈焰的噴薄，也有柔情的纏繞，它是生命的情緒，也是人間的感悟，無論是宣洩，抑或是挑戰，都包裹在她彩色的詩裡，讓人回味無窮。

月華, 顧

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