Memorial, 29 June

Tine Hoeg

Lolli Editions

Tityrus

Literature & Fiction

Duncan Wiese

Literary

My Work

After giving birth, Anna is utterly lost. She and her family move to the unfamiliar, snowy city of Stockholm. Anxiety threatens to completely engulf the new mother, who obsessively devours online news and compulsively buys clothes she can’t afford. To avoid sinking deeper into her depression, Anna forces herself to read and write.\nMy Work is a novel about the unique and fundamental experience of giving birth, mixing different literary forms – fiction, essay, poetry, memoir, and letters – to explore the relationship between motherhood, work, individuality, and literature.

Olga Ravn

all this here, now

Anna Stern

A Leopard-Skin Hat

Anne Serre

An exquisite, lyrical reimagining of Wittgenstein's philosophical work of 1922, from a rising star on par with Inger Christensen Ludwig Wittgenstein's Tractatus Logico-Philosophicus, often noted as the most important philosophical work of the 20th century, had a broad goal: to identify the relationship between language and reality, and to define the limits of science. Following on from Wittgenstein 100 years later, Signe Gjessing updates and reimagines the Tractatus, marrying poetry with philosophy to test the boundaries of reality. Stunning, knowing, and revitalising, and glinting with stars, silk, and ecstasy, this is poetry which exacts the logical consequence of philosophy, while locating beauty and significance in the 'nonsense' of the world which Wittgenstein dismissed.

Tractatus Philosophico-Poeticus

Signe Gjessing

Poetry

Thread Ripper is a double-stranded novel about weaving, programming, and pioneering women. A tapestry-weaver in her thirties embarks on her first big commission: a digitally woven tapestry for a public building. As she works, devoting all her waking hours to the commission, she draws engrossing connections between the stuff that life is made from – DNA, plant tissue, algorithms, text, and textile – and that which disrupts it – radiation, pests, entropy, and doubt. In the novel’s second strand, we meet Ada Lovelace, the 1830s mathematician and pioneer of computer programming, and mythical figures such as Penelope, the faithful wife of Odysseus, who wove and unpicked a shroud to put off her 108 suitors. 'A mesmerizing choreography of textile and technology, archive and memory. With cellular precision, Amalie Smith weaves connective tissue between selfhood and history through vital, tactile accumulations of affect and imagery. Innovative, intricate and achingly bodily, Thread Ripperis a rare treasure'– Elinor Cleghorn , author ofUnwell Women

Thread Ripper

Amalie Smith

Contemporary

Walking through Palermo

Travel

Kohnen, Oskar

Specialty Travel

Eighteen international writers respond to the open-ended period of social distancing, closures, and illness caused by Covid-19. Compiled during the initial lockdown in Europe, this special collection is a meteoric publishing project with contributions from some of the most exciting and innovative authors working today.\nMeditating on notions of distance and closeness, sameness and alterity, extinguishing and kindling, Tools for Extinction considers how a common pause might give rise to new modes of domesticity and shift experiences of time. What gestures and actions are we willing to perform to make ourselves, and each other, feel at ease or at work? What tools and objects are useful, or unprecedentedly useless, to us in the process? And as our species' trademark proclivity for projecting ourselves into the future is disrupted, might we come to see the buildings, animals, plants, and foodstuffs around us in a new light?\nThe anthology takes its name from Steven Brand's Whole Earth Catalog, a 1960s counterculture compendium of product reviews, essays, and articles on the themes of self-sufficiency, ecology, and alternative education. By giving access to tools , a new social order and a more sustainable Earth was imagined.\nCompiled, edited and with a foreword by Denise Rose Hansen.

Tools for Extinction

Olivia Sudjic

Vi Khi Nao

Enrique-Vila-Matas

Joanna Walsh

Naja Marie Aidt

Jeaan-Baptiste del Amo

Christina Hesselholdt

Mara Coson

Jakuta Alikavazovic

Sevastopol contains three distinct narratives, each burrowing into a crucial turning point in a person’s life: a young woman gives a melancholy account of her obsession with climbing Mount Everest; a Peruvian\-Brazilian vanishes into the forest after staying in a musty, semi\-abandoned inn somewhere in the haunted depths of the Brazilian countryside; a young playwright embarks on the production of a play about the city of Sevastopol and a Russian painter portraying Crimean War soldiers. Inspired by Tolstoy’s The Sevastopol Sketches, Emilio Fraia masterfully weaves together these stories of yearning and loss, obsession and madness, failure and the desire to persist, in a restrained manner reminiscent of the prose of Anton Chekhov, Roberto Bolaño, and Rachel Cusk.

Sevastopol

Fraia

Emilio

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