Fifty years after Robert Frank’s The Americans, the German photographer André Lützen sets off on his own odyssey through everyday life in America. His road trip takes us from Colorado to Mississippi. The series radiates Lützen’s own singular style: documentary photography that derives its vitality from atmosphere and movement while also evoking aspects of self-imposed solitude. The mood here is a strange mix of poetic tranquility and aimless restlessness. Focusing on commonplace things, these images unflinchingly expose the depths and shallows of the American dream.
André Lützen’s work has received several awards and has been shown at numerous international festivals.

Before Elvis there was nothing

Arts & Photography

Photography & Video

Kehrer Verlag

This publication on Joan Mitchell (1925–1992) allows us to rediscover an artist whose life’s work—with its anarchistic conception, urge for freedom, and energy-filled gestures and colors—is every bit as compelling as that of her male peers. Between 1950 and 1955, Mitchell, as a recognized member of the abstract expressionist circle, found her independent pictorial language. The timeless motif of her painting is always life in its purest form: as movement, transformation, constant action, reaction, and observation.The publication includes works from important American and French collections as well as from the Joan Mitchell Foundation, New York.

Joan Mitchell

Ohlsen, Nils

Individual Artists

Unpublished works of the pioneer of sound art.

Stromzeichnungen / Electrical Drawings: Arbeiten / Works 1974-2008 (German and English Edition)

Herzogenrath, Wulf

de la Motte-Haber, Helga

Metzger, Christoph

Images of a haunting beauty of the rural life of Somerset.

Somerset Stories: Fivepenny Dreams

“Turning points, in-between states, a beautiful kind of limbo that tugs at the heart and suggests stories of loss and remembrance. That is what photographs are, after all, memorials that stop time and hold it for a moment, for our contemplation. If Backhaus’s photographs are partly memorials to lost combs and half-eaten apples, they surely allude, as well, to other things that have been lost along the way.“—Jean Dykstra
Following the success of Jessica Backhaus’ first book, Jesus and the Cherries, about life in rural Poland, What Still Remains is a photo series made up of fifty works created since 2006 in various locations. Backhaus, a German American photographer, now pursues in this new cycle of photographs the question of why things that have been forgotten or left behind pop up in specific places and then seem to take on a life of their own.
Jessica Backhaus, born in Germany in 1970, studied photography and visual communications in Paris. Here she met Gisèle Freund, who became her mentor. In 1995 her passion for photography drew her to New York. Her work has been shown in numerous solo and group exhibitions, including the National Portrait Gallery, London, and the Martin- Gropius-Bau, Berlin. Backhaus is represented by Yancey Richardson Gallery in New York and The Photographers’ Gallery in London.
Jean Dykstra, editor-at-large of Photograph magazine, is a Brooklyn-based photography critic and editor who contributes to a number of publications, including Art on Paper and Art in America.

What Still Remains

It was Thursday, the 5th November 1992. I had no idea that on this particular day I would meet the legendary photographer Gisèle Freund and that it would have such an impact on my life.
Jessica Backhaus’ book is a tribute to Gisèle Freund on what would have been her one hundredth birthday in December 2008, a testament to the friendship between the great photographer and the photography student in Paris during the 1990s. Intended as a posthumous birthday present, Backhaus compiled a collection of images that visually convey what the great artistic and intellectual figures of the twentieth century taught her.

One Day in November

Leigh Bowery

With Australian artist Leigh Bowery (1961–1994), this richly illustrated catalog devotes itself to one of the most colorful border-crossers of the London and New York club, fashion, and art scenes of the 1980s and 1990s. Bowery made his sexuality a means of aesthetic expression, and he consciously used his own body in excessive abundance as an artistic media. Leigh Bowery’s influence reached through the fashion, club, and art worlds to impact, amongst others, Alexander McQueen, Vivienne Westwood, Boy George, John Galliano, the Scissor Sisters, and David LaChapelle. He also inspired some of Lucian Freud’s most fascinating nude paintings.

Graphic Design

With Summer Heart, German photographer Thekla Ehling (born in 1968) keeps pace with the growing up of her children and friends. She documents situations and moods so that the viewers find themselves entangled in connotations and memories of their own childhoods. Ehling’s pictures often show moments of isolation, in which a young spirit seems to regard itself as if in a trance. There are preoccupied looks, evidently comparing a current event with one already experienced.In 2008, the book was presented successfully at the first New York Photo Festival and Photo Miami, and the series will be shown at the 2009 PULSE Contemporary Art Fair in New York.

Summer Heart: (Sommerherz)

This volume spotlights the genre of nude photography, presenting for the first time 220 original pictures on the theme from the photography collection of the Munich City Museum, spanning the years from 1845 to 2005.In the course of six chapters, Nude Visions recounts a cultural history of nude photography. Masters from the respective periods are brought together here—starting with photographs from the early nineteenth century inspired by sculpted and painted images. This period is followed by the symbolist art of the fin de siècle, in which the nude becomes a mirror of psychic moods. Naturist images come next, segueing into the heroic physical ideal of National Socialism, the dream of the femme fatale, or the Orient as a motif for displaying nakedness. Finally, we are treated to the abstract and surrealist experiments of the twentieth century, accompanied by diverse scenarios in which the undressed body is shown in fashion and lifestyle photography. The male nude is also explored as an expression of homoerotic emancipation in imagery.Featured photographers include: Auguste Bellocq, Guy Bourdin, Josef Breitenbach, Francis Bruguière, František Drtikol, Frank Eugene, Gertrude Fehr, André Gelpke, Heinz Hajek-Halke, Franz Hanfstaengl, Fritz Henle, Martha Hoepffner, Louis Igout, André Kertesz, Germaine Krull, Lehnert & Landrock, Helmut Lederer, Cheyco Leidman, Herbert List, Manassé, Guglielmo Marconi, Will McBride, Pierre Molinier, Eadweard Muybridge, Serge Nazarieff, Floris M. Neusüss, Helmut Newton, Dennis Oppenheim, Guglielmo Plüschow, Franz Roh, Otto Steinert, Bert Stern, Alfred Stieglitz, Sasha Stone, Juergen Teller, Wilhelm von Gloeden, Gerhard Vormwald, and Edward Weston.

Nude Visions: 160 Years of Nude Photography

"In the Kitchen explores family life, youth culture, and coming of age. . . . The kitchen is the place in the house where our daily dramas are enacted. It's where, together, we make a mess of things and do our best to clean it all up."—Dona Schwartz
"Brilliantly observed and captured vignettes of contemporary adolescence, organized around a single room."—Alison Nordström, curator of photography, George Eastman House
Dona Schwartz, based in Minneapolis, has shown her photographs at many international venues, including the National Portrait Gallery, London, England; Blue Sky Gallery, Portland, Oregon; Milwaukee Art Museum, Milwaukee, Wisconsin; Stephen Bulger Gallery, Toronto, Canada; the New Orleans Art Museum, New Orleans, Louisiana; and FotoFest 2010 Biennial, Houston, Texas.

In the Kitchen

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Books by Kehrer Verlag