H. P. Lovecraft’s "Supernatural Horror in Literature," first published in 1927, is widely recognized as the finest historical survey of horror literature ever written. The product of both a keen critical analyst and a working practitioner in the field, the essay affords unique insights into the nature, development, and history of the weird tale. Beginning with instances of weirdness in ancient literature, Lovecraft proceeds to discuss horror writing in the Renaissance, the first Gothic novels of the late 18th century, the revolutionary importance of Edgar Allan Poe, the work of such leading figures as Nathaniel Hawthorne, Ambrose Bierce, and William Hope Hodgson, and the four “modern masters” -- Arthur Machen, Lord Dunsany, Algernon Blackwood and M. R. James. In this first annotated edition of Lovecraft’s seminal work, acclaimed Lovecraft scholar S. T. Joshi has supplied detailed commentary on many points. In addition, Joshi has supplied a comprehensive bibliography of all the authors and works discussed in the essay, with references to modern editions and critical studies. This edition should be invaluable both to devotees of Lovecraft and to enthusiasts of the weird tale.

The Annotated Supernatural Horror in Literature

Literature & Fiction

Lovecraft., H.P

Genre Fiction

Hippocampus Pr

In the wilds of the Trans-Himalayan region, a quartet of adventurers led by Dr. Walter T. Goodwin stumbles upon a tribe of human primitives forgotten since the age of Alexander the Great, and an awesome being of living metal commanded by the exiled Norhala. As Norhala’s guests, Goodwin and his team witness the mind-boggling marvels that are the Metal Monster’s way of life, and the unspeakable horrors it commits when Norhala takes it to war against her persecutors.A. Merritt’s second published novel, The Metal Monster was first serialized in a pulp fiction magazine in 1920. Its exotic setting and extravagant scientific speculations make it a landmark of lost-race fantasy fiction. Dissatisfied with its writing, Merritt kept his story from book publication until 1946, revising and reshaping it for more than twenty years. This edition reprints for he first time the tale as it was originally published, restoring close to 10,000 words of text Merritt cut from the original. This definitive edition features cover artwork and a frontispiece by famed fantasy artist Virgil Finlay.

The Metal Monster (Lovecraft's Library)

Science Fiction & Fantasy

Stefan Dziemianowicz

A. Merritt

Fantasy

At the age of fourteen, Clark Ashton Smith wrote an Arabian Nights adventure novel called The Black Diamonds. At nearly 90,000 words, it is the longest work of fiction he would ever write in his long career. The thrilling and fast-paced story of seventeenth-century Bagdad deals with two mysterious black diamonds and the conflict they engender between an Arab family and the powerful thief who seeks to regain them. Kidnapping, piracy, and even a possibly supernatural “Lake of Fire” are all involved in this vibrant and well-crafted narrative. Although a work of Smith’s youth, The Black Diamonds can withstand comparison with any of his later tales of Zothique, Hyperborea, and Atlantis for compelling readability. This never-before published novel has been meticulously edited by leading fantasy scholar S. T. Joshi.

The Black Diamonds

Smith, Clark Ashton

Voted one of the top ten Science Fiction and Fantasy Books of 2001 by Cinescape Magazine.
"The Shadow out of Time" is H. P. Lovecraft's last major story. It was first published in Astounding Stories for June 1936. And yet, this text has never been published as Lovecraft wrote it—until now. The recent discovery of Lovecraft's handwritten manuscript allows readers to appreciate this magnificently cosmic story exactly as originally written.
All previous editions of the story contain hundreds of serious errors, including errors in paragraphing, omissions and mistranscriptions of many words and passages, and erroneous punctuation. Leading Lovecraft scholars S. T. Joshi and David E. Schultz have provided an exhaustive introduction and commentary on the story, elucidating names, places and other elements in this richly evocative story. A must for all devotees of Lovecraft and weird fiction!

The Shadow Out of Time

United States

R. H. Barlow (1918-1951) was in every way a remarkable individual. An enthusiast of fantasy and horror fiction since childhood, he came in touch with H. P. Lovecraft when he was only 13. He was already attempting to write short fantasy tales, and Lovecraft took considerable pains to tutor Barlow in the principles of fiction writing. This volume, which for the first time gathers Barlow’s substantial body of weird fiction and poetry, contains all six of Barlow’s collaborations with Lovecraft, including such celebrated works as "The Battle That Ended the Century" and "The Night Ocean" (which new research has shown to be almost entirely Barlow’s work). Barlow went on to write superb short stories without Lovecraft’s assistance, including "A Dim-Remembered Story," "The Root-Gatherers," and "Return by Sunset." In the 1940s, when Barlow moved to Mexico (where he became a noted anthropologist), he turned to poetry, producing such scintillating volumes as Poems for a Competition (1942) and View from a Hill (1947). Barlow’s life was tragically cut short by suicide, but this volume shows that he had already fulfilled the promise of his early work by producing tales of a substance, maturity, and depth that few of Lovecraft’s colleagues could match. The gathering together of his collected weird fiction and poetry is an event that should be welcomed by all lovers of the weird and fantastic.

Eyes of the God: The Weird Fiction and Poetry of R. H. Barlow

Barlow, Robert H.

Clark Ashton Smith could well be considered one of the great poets of the twentieth century, and much of his verse explores the realms of fantasy, terror, wonder, and the supernatural. In this volume—the first major selection of Smith’s poetry in more than thirty years—editors S. T. Joshi and David E. Schultz have presented an extensive array of poetic work that fully reveals Smith’s exotic language, imaginative range, and metrical precision. Including work from as early as the precocious Star-Treader and Other Poems (1912) and as late as the posthumously published The Hill of Dionysus (1962), The Last Oblivion features such celebrated works as "Nero," "Ode to the Abyss," and Smith’s exquisite elegies to his mentor George Sterling and to his colleague in fantasy, H. P. Lovecraft. Poems on Zothique, Averoigne, and Atlantis, realms in which many of his prose tales are set, are also featured. More than two dozen unpublished or uncollected poems, never previously included in any of Smith’s books, make The Last Oblivion a must for Smith devotees. Two full-color illustrations by Clark Ashton Smith and an exhaustive glossary of unusual words and names used in Smith’s poetry enhance the volume.

The Last Oblivion: Best Fantastic Poetry of Clark Ashton Smith

Poetry

H. P. Lovecraft was one of the most well-read authors of his time, and his personal library constitutes an intimate glimpse into his mind and imagination. This revised and enlarged edition provides comprehensive information on nearly 1000 books owned by Lovecraft. These books focus chiefly on four key areas that Lovecraft found particularly fascinating: ancient literature and history; the history and antiquities of New England; astronomy, chemistry, and other sciences; and, of course, the literature of weird fiction. S. T. Joshi has supplied full publication information, tables of contents for many titles, data on Lovecraft’s discussions of the volumes in his stories, essays, poems, and letters, and a wealth of other information. To know Lovecraft’s mind, one must first know his books.

Lovecraft's Library: A Catalogue, 2nd Edition

Reference

JOSHI, S.T.

Catalogs & Directories

Primal Sources: Essays on H. P. Lovecraft

S.T. Joshi

History & Criticism

Discovering the amateur press in 1914, Lovecraft immediately flooded the many small papers of his friends and colleagues with contributions discussing the nature, purpose, and future of amateur journalism. He also edited his own magazine, The Conservative (1915-23), filling it with additional essays. In these articles Lovecraft discusses the conflict between the United and the National Amateur Press Associations; the "halcyon days" of the amateur movement (1885-95); and the "needs and betterment" of the amateur cause. We read of Lovecraft's bitter feuds with his fellow amateurs; his exhaustive critiques of their writing; and, most poignant of all, his touching affirmation of "What Amateurdom and I Have Done for Each Other," in which he concludes simply: "What Amateur Journalism has given me is—life itself." H. P. Lovecraft has belatedly received world renown as the twentieth century’s premier author of supernatural fiction; but during his lifetime he wrote far more essays than stories. This edition gathers Lovecraft’s complete nonfictional output for the first time, arranged in broad thematic groupings. S. T. Joshi, the world's leading authority on Lovecraft, exhaustively annotates all texts, also providing critical and bibliographical notes.

Collected Essays of H. P. Lovecraft: Amateur Journalism

Essays & Correspondence

Lovecraft's writings in the realm of literary criticism are unfailingly acute and cover a surprisingly wide range. Besides his authoritative early essay on "The Literature of Rome" (1918), other works condemn free verse and simple spelling, and devote attention to neglected poets. Discovering weird fiction as his chosen field, he produced such scintillating essays as "Lord Dunsany and His Work" (1922) and "Supernatural Horror in Literature" (1927), along with essays on Frank Belknap Long and Clark Ashton Smith. Late in life Lovecraft codified his grasp of weird literature by writing such trenchant pieces as "Notes on Writing Weird Fiction" (1933) and "Some Notes on Interplanetary Fiction" (1934). One of his last writings, "Suggestions for a Reading Guide" (1936), is a comprehensive discussion of world literature. H. P. Lovecraft has belatedly received world renown as the twentieth century’s premier author of supernatural fiction; but during his lifetime he wrote far more essays than stories. This edition gathers Lovecraft’s complete nonfictional output for the first time, arranged in broad thematic groupings. S. T. Joshi, the world's leading authority on Lovecraft, exhaustively annotates all texts, also providing critical and bibliographical notes.

Collected Essays of H. P. Lovecraft: Literary Criticism

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