Organ method book for the serious student or professional

Organ Technique: An Historical Approach

Soderlund, Sandra

Hinshaw Music

Developing Piano Performance--- A Teaching Philosophy by Camp, Max W. (1981) Paperback

Arts & Photography

Camp, Max W.

Music

(Hinshaw Sacred). Improve tone production, artistic sensibilities, and musical understanding. Offers specific exercises for posture, breathing, voice building, and use of voice training in rehearsal.

Voice Building for Choirs (The Westminster Library)

Wilhelm Ehmann

Frauke Haasemann

Boulus is beginning his millimeter card game again

Creative Hymn Singing

Parker, Alice

An interesting look at the history of music!

One Does Not Spell Mozart With A T

Shannon, John R.

This text is designed to introduce you to the art of singing and to increase your awareness of singing as a valuable inroad to a better "you". All types of singers are welcome to this study. The basic mechanics are the same for everyone. Style is explored as a means to achieving your own special kind of performance. The singer anxious to perform is challenged; the beginner afraid to stand and make a sound is given tools to increase self-confidence. It is hoped that this boo will become your friend, that in tears to come, you will refer to it and grow in your understanding of its contents, and that it will lead you to new avenues of vocal growth beyond its scope. Contents: 1. Singing Is You; 2. The Singer's Brain; 3. Posture and Exercise; 4. The Creation and Care of Vocal Sound; 5. Breathing; 6. Breath Support; 7. Find Your Singing Voice; 8. Resonance; 9. Voice Registers Range Classifications; 10. Vowels Consonants Words; 11. Prepare to Perform; 12 The Performance; 13. The Private Teacher; 14. Is a Singing Career in Your Future?. With self-tests, vocal control vocalizes, warm-ups for the voice, music reading primer, scat-singing primer, American folksong repertoire, solo repertoire, vocabulary, bibliography, and form for evaluation of vocal solos as appendices.

You, the Singer

Barbara Harlow

There isn't a choral conductor alive who doesn't have something to learn from Howard Swan about the choral craft - or its passengers. He knows so much about what makes a conductor good and a chorus great - and how to get there from here - that it's absolutely mystifying why both things don't happen more often. If you're interested in being a better conductor - or even a better person - buy the book. If you don't notice an immediate improvement, you'll at least know where the trouble lies.

Conscience of a Profession: Howard Swan, Choral Director and Teacher

Fowler, Charles

Swan, Howard

In Quest of Answers: Interviews With American Choral Conductors

Carole Glenn

Howard Swan

Group Vocal Technique

Jordan, James Mark

Haasemann, Frauke

300 ring bound 8.5x5.5 inch cards (each double-sided where applicable) with vocal exercises, including Relaxation, Posture, Inhalation, Exhalation, Diaphragm activity, Support, Resonance, Dynamics, Crescendo/Descrescendo, Messa di Voce, Register consistency, Range extension high, Range extension low, Flexibility, Leaps upward, Leaps downward, Legato, Martellato, Staccato and accents, Diction, Vowel modification, Head voice, Bright sound, Dark sound, Boys changing voice, Appendix.

Group Vocal Technique - Vocalist Cards

Haasman, Frauke, and Jordon, James, and Haasemann, Frauke

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