The Five Approaches to Acting Series by David Kaplan is a comprehensive acting approach that deals with theory and practice for both beginning and advanced actors. David Kaplan's The Five Approaches to Acting Series contains his five approaches to acting: identifying tasks, playing episodes, building images,learning the world of the play, and telling a story. Each approach has its own definition of what it means to act, what it means to act well, what it means to be a character in a performance on stage, and, by extension, what it means to be a person in "real" life. Each approach covers history, theory and examples of its practice.

The Collected Series: Five Approaches to Acting

Arts & Photography

Kaplan PhD, Senior Labor Market Specialist David

Performing Arts

Hansen Publishing Group, LLC

Getting to the Task, Part One includes practical exercises for class and rehearsals, techniques for analyzing a text for tasks, techniques for maintaining and deepening performances, examples from film to study, and a useful working vocabulary. It explains how other approaches might expand Stanislavsky's vision. Getting to the Task, Part One separates Stanislavsky from his inaccurate (and widely influential) translators and interpreters in America. Getting to the Task, Part One separates The System from "The Method" - itself the subject of Building Images, Part Three in the Five Approaches to Acting Series.

Getting to the Task, Part One of The Five Approaches to Acting Series

Shakespeare, Shamans, and Show Biz: An Impolite Guide to Theater History

In twenty-four chapters David Kaplan offers ideas, opinions, theories, and facts for someone who wants to be a theater artist today in hopes of creating their own vision of theater-making, one informed by, and in the context of, theater history. This book explores what theater artists have done before and what they, inspired by history, might do next.\nA non-lineal theater history, Shakespeare Shamans, and Show Biz explores theater as a shaman's vision, as a storyteller's heritage, as religious propaganda, as a mirror of life, as a critique of society, as a prompt for hard laughter, as fantasy, and as national epic, with plays as different (and the same) as the writings of August Wilson, Gertrude Stein, Shakespeare, and people who never made it into history.\nEach chapter explores a particular theme: "The Middle Ages as a State of Mind," "Commedia dell'arte and Molière," "Shakespeare-To Begin," "Euripides-Forever Modern," "Aeschylus-Writing in an Age of Certainty," "Sophocles and Aristotle-Defining Tragedy," "Greek Comedy," "Roman Theater," "Asian Classics and Rules" (Bunrakuken, Chikamatsu, Zeami), China-The Pear Garden and the Red Pear Garden," "Neoclassic Theater and Why There is Such a Thing," "Shakespeare's Classic," "Bad Boys Breaking the Rules" (Brecht, Ibsen, and Jarry), "Inside Outside" (Ibsen, Strindberg, Turgenev, Stanislavsky, Chekhov, Antoine), "Beyond Illusion" (Appia, Craig, Poel), "Melodrama and Popular Theater in America" (Aiken, Brice, Cohan, Stone, Tyler, Bert Williams), "American Classic: Eugene O'Neill and Martha Graham," "Expressionism to Epic" (Brecht, Meyerhold, O'Neill, Piscator, Treadwell), "American Agitprop: Overt and Disguised" (Adler, Clurman, Flanagan, Kazan, Le Gallienne, Miller, Odets, Robeson, Strasberg, Wilder), "Poetry of the Theater" (Artaud, Breton, Cocteau, Ionesco, Kharms, Stein), "Personal Mythology" (Genet, Lorca, Mishima, Strindberg), "Two Masters: Samuel Becket and Tennessee Williams," "Theater of Identity" (Baraka, Ensler, Kramer, Wilson), and "Missing from History" (Bonner, Fornés, Kennedy, Maeterlinck).

History

Kaplan, David

Americas

Kill Kitchener

In 1899, Fritz Duquesne, an aristocratic South African, is sent to England for his formal education. During his time there, tensions rise between the British and his homeland as the age of African colonialism peaks. A boiling point is reached between Fritz and his adopted brethren when he is sent back home--this time as a commissioned British army officer. Simultaneously, the screams for freedom are still being heard just on the other side of the Irish Sea. There John MacBride does anything to join the revolutionary Irish Brotherhood and end the British occupation of his island once and for all. With funding running low for their cause, MacBride is forced to seek financial backing from overseas. This leads him to South Africa where the recent discovery of gold has drawn the attention of everyone looking to exploit the newfound riches, including the ever-hungry British Empire.

Literature & Fiction

Blasco, Andrew Joseph

British & Irish

2014 Readers Favorite- Gold Medal Prize -Winner Best Western Fiction 2013 International Book Award- first place -Winner Best Western Fiction, 2013 National Indie Excellence Award -first place-Best Western fiction 2013 Global Ebook Awards first place-Winner Best Historical Fiction 2012 USA Best Book Award- first place- Winner Best Western Fiction First Place Goodreads Contest: "Best Book to be made into a Film" "Top 12 Best Western Books"--Goodreads Contest The Whip is inspired by the true story of a woman, Charlotte "Charley" Parkhurst (1812-1879) who lived most of her extraordinary life as a man in the old west. As a young woman in Rhode Island, she fell in love with a runaway slave and had his child. The destruction of her family drove her west to California, dressed as a man, to track the killer. Charley became a renowned stagecoach driver for Wells Fargo. She killed a famous outlaw, had a secret love affair, and lived with a housekeeper who, unaware of her true sex, fell in love with her. Charley was the first known woman to vote in America in 1868 (as a man). Her grave lies in Watsonville, California. This book contains strong language

The Whip: a novel inspired by the story of Charley Parkhurst

Karen Kondazian

Genre Fiction

2014 Readers Favorite- Gold Medal Prize -Winner Best Western Fiction 2013 International Book Award- first place -Winner Best Western Fiction, 2013 National Indie Excellence Award -first place-Best Western fiction 2013 Global Ebook Awards first place-Winner Best Historical Fiction 2012 USA Best Book Award- first place- Winner Best Western Fiction First Place Goodreads Contest: "Best Book to be made into a Film" "Top 12 Best Western Books"--Goodreads Contest The Whip is inspired by the true story of a woman, Charlotte "Charley" Parkhurst (1812-1879) who lived most of her extraordinary life as a man in the old west. As a young woman in Rhode Island, she fell in love with a runaway slave and had his child. The destruction of her family drove her west to California, dressed as a man, to track the killer. Charley became a renowned stagecoach driver for Wells Fargo. She killed a famous outlaw, had a secret love affair, and lived with a housekeeper who, unaware of her true sex, fell in love with her. Charley was the first known woman to vote in America in 1868 (as a man). Her grave lies in Watsonville, California.

Kondazian, Karen

Literary

Married to Hitler

Rockland, Michael Aaron

I-DJ is a story of Warren Peace aka Amado Guerrero Paz, a gay Mexican American youth who finds his calling as a DJ. He spins the soundtrack of his life on the dance floor by night and by day in a gay send-up of Shakesqueer's Ham-a-lot set to a dub-step beat of ecstasy, tainted love, Rollerena and Herb Alpert. When a younger DJ challenges him to a musical standoff, their stories and their music collide. Only one will emerge triumphant.I-DJ was a critical hit at the 2014 Frigid Fringe New York. NPR Theater critic Jeff Lunden hailed I-DJ as "original, witty and deeply moving."

I-Dj

Gregg Barrios

Dramas & Plays

Tennesse Williams in Provincetown is the story of Tennesse Williams' four summer seasons in Provincetown, Massachusetts: 1940, '41, '44 and '47. During that time he wrote plays, short stories, and jewel-like poems. In Provincetown Williams fell in love unguardedly for perhaps the only time in his life. He had his heart broken there, perhaps irraparably. The man he thought might replace his first lover tried to kill him there, or at least Williams thought so. Williams drank in Provincetown, he swam there, and he took conga lessons there. He was poor and then rich there; he was photographed naked and clothed there. He was unknown and then famous--and throughout it all Williams wrote every morning. The list of plays Williams worked on in Provincetown include The Glass Menagerie, A Streetcar Named Desire, Summer and Smoke, the beginnings of The Night of the Iguana and Suddenly Last Summer, and an abandoned autobiographical play set in Provincetown, The Parade. Tennessee Williams in Provincetown collects original interviews, journals, letters, photographs, accounts from previous biographies, newspapers from the period, and Williams' own writing to establish how the time Williams spent in Provincetown shaped him for the rest of his life. The book identifies major themes in Williams' work that derive from his experience in Provincetown, in particular the necessity of recollection given the short season of love. The book also connects Williams mature theatrical experiments to his early friendships with Jackson Pollack, Lee Krasner and the German performance artist Valeska Gert. Tennessee Williams in Provincetown, based on several years of extensive research and interviews, includes previously unpublished photographs, previously unpublished poetry, and anecdotes by those who were there.

Tennessee Williams in Provincetown

Biographies & Memoirs

David Kaplan

Arts & Literature

John DiLeo's Tennessee Williams and Company: His Essential Screen Actors examines the films based on the works Tennessee Williams. The focus is on the eleven actors who appear in more than one of the Williams movies, an unofficial stock company of repeat players. Several of these names, such as Marlon Brando and Geraldine Page, should come as no surprise, since they had performed roles by Williams on the stage. Others, such as Anna Magnani and Vivien Leigh, both foreign-born, could hardly have been foreseeable as brilliant interpreters of such a distinctly American writer. Also included are the two most famous screen-acting couples of Williams Hollywood heyday: Paul Newman and Joanne Woodward, and Elizabeth Taylor and Richard Burton. This critical look at these eleven actors, bonded by their sustained artistic and professional association with Williams. The results include some of the more remarkable performances in movie history, from Anna Magnani in The Rose Tattoo (1955) to Geraldine Page in Sweet Bird of Youth (1962). Everyone remembers how magnificent Marlon Brando and Vivien Leigh are in A Streetcar Named Desire (1951), but what about their second Williams appearances, Brando s in The Fugitive Kind (1960) and Leigh s in The Roman Spring of Mrs. Stone (1961)? Richard Burton is brilliant in The Night of the Iguana (1964), yet wretched in Boom (1968), while Elizabeth Taylor scores in Cat on a Hot Tin Roof (1958) but is just as awful in Boom as Burton is.

Tennessee Williams and Company: His Essential Screen Actors

John DiLeo

See the best price to sell, buy or rent books by the Hansen Publishing Group, LLC publisher. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Hansen Publishing Group, LLC

See the best price to sell, buy or rent books by the Hansen Publishing Group, LLC publisher. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

The Collected Series: Five Approaches to Acting

Getting to the Task, Part One of The Five Approaches to Acting Series

Shakespeare, Shamans, and Show Biz: An Impolite Guide to Theater History

Kill Kitchener

The Whip: a novel inspired by the story of Charley Parkhurst

The Whip: a novel inspired by the story of Charley Parkhurst

Married to Hitler

I-Dj

Tennessee Williams in Provincetown

Tennessee Williams and Company: His Essential Screen Actors