Verdi Falstaff

Arts & Photography

giuseppe-verdi

Music

Hal Leonard Books

Broadway musicals, show by show

GREEN, Stanley

Ever since his father gave him a disc recorder at the tender age of 10, Bruce Swedien has known what he wanted to do for the rest of his life. The names of the people he has worked with are too many to list, but when one mentions musicians like Count Basie, Duke Ellington, Oscar Peterson, Sarah Vaughan, Eddie Harris, Quincy Jones, Jennifer Lopez, and even Michael Jackson, a great deal is immediately understood. In this book, Swedien generously gives away detailed information from his lifetime in the studio-from a musical, technical, and very personal perspective. This book has something for everyone who is interested in music, especially those curious about the stories behind the scenes of some of the best music to ever come out of the recording studio.

Make Mine Music

Bruce Swedien

On February 13, 1914, a group of the nation's most distinguished and popular songwriters gathered together in New York City to support the mission of ASCAP, a new organization for publishers and songwriters. A few years later, ASCAP received its mandate from the Supreme Court to collect royalties for the public performance of copyrighted material. Over the course of the next century, ASCAP has been as prominent a force for the advancement and nurture and financial well-being of songwriters as any record label or publishing outfit one would care to name. With a responsive board of directors made up entirely of songwriter/composer and publisher members, ASCAP has defended creators' rights at every turn against those who would seek to devalue music. Today, with copyright under renewed assault, its mission is as resonant and vital as ever, along with its relatively new role as a nurturer of the young artists who represent the future of music. Award-winning music writer Bruce Pollock explores the growth and changes within this complex society and its relationship to emerging technologies, in the context of 100 years of an ever-evolving music business, to see how ASCAP has become, for those who hope to make a living making music, now more than ever, “a friend in the music business.”

A Friend in the Music Business: The ASCAP Story

Pollock, Bruce

Humor & Entertainment

The Bruce Swedien Recording Method is an incredibly timely and timeless reference for anyone interested in capturing and mixing the best possible music recordings. From the Michael Jackson albums (Off the Wall, Thriller, Bad, Dangerous, Invincible, and HIStory), to many Quincy Jones hits (The Dude, Back on the Block, Q's Jook Joint, and many more), to classic greats from Count Basie, Duke Ellington, the Brothers Johnson, and Natalie Cole, Bruce Swedien's impact on popular music has been undeniable. Engineers at all levels still use Swedien's recordings as a standard by which they judge the sonic validity of their own work. In The Bruce Swedien Recording Method, Swedien explains many of the techniques he has used to get award-winning drum, bass, guitar, keyboard, vocal, string, and brass sounds. On the accompanying DVD-ROM, he further reveals what he looks for in a recording and the steps he takes to imprint his characteristic world-class sonic signature on the music he mixes. Throughout this book, Swedien consistently pinpoints the most important considerations in the recording process, with such insights as: You don't listen to the equipment, you listen through the equipment... Nobody ever walked out of the studio whistling the console... The sound has to be so good to start with that it gives you goosebumps – the list goes on and on!

The Bruce Swedien Recording Method (Music Pro Guides)

Gibson, Bill

Consider this: Cubase is a program that will turn your computer into a complete recording studio. That is, Cubase can create virtually every button, knob, switch, and fader found in a “real” studio, including a few components that don't exist in the hardware realm. Imagine the challenge of sitting at a large mixing desk and being expected to use all that technology to produce professional recordings. Well, by installing Cubase on your computer, that's exactly what you've expected of yourself. Knowing how daunting that task sounds, it's easy to get overwhelmed, if not disillusioned. The Power in Cubase: Tracking Audio, MIDI, and Virtual Instruments will help you get started so that you can use Cubase to your full benefit. It is specifically written to allow a new user to quickly get started with Cubase while avoiding a myriad of pitfalls. First, you'll learn the process of installation and proper studio configuration. Next, you'll learn the foundations of rudimentary Cubase operations. You'll also learn how to avoid common mistakes that can ruin a recording. Finally, you'll learn how to properly record MIDI, instrument, and audio tracks. Whether they're your own tracks or those of a client, you'll achieve recordings in your own home or project studio that were recently considered unobtainable without a big studio. And you'll discover Cubase is easier to learn than you may have expected.

The Power in Cubase: Tracking Audio, MIDI and Virtual Instruments (Quick Pro Guides)

Hepworth, Matthew Loel T.

Cubase provides the user with many more tracks than bands from the '60s, '70s, and '80s ever had at their disposal. Many iconic records were produced on 2-, 3-, and 4-track recorders, whereas the track count of Cubase 6 is limited only by the power of the host computer. After the tracks have been recorded, they must be mixed and mastered to sound polished and professional. But for the new user, the processes of editing, adding effects, EQ, mixing, and mastering can be challenging. Mixing and Mastering with Cubase was written with the new user in mind. It starts by teaching you how to manipulate all the tracks and events in the Cubase Event Window. You'll learn how to use volume and pan controls to create depth and audibility, add EQ to help every track sit in the mix, and add effects such as compression and reverb to produce smooth and polished results. Finally, you'll learn how to add mastering treatments for a punchy, shiny, and loud mix that will compete with the pros. In the end, you might know the project was mixed and mastered in your home, but no one else has to. Cubase has been used to create countless hit records. With what you learn in this book and a little luck and hard work, yours could certainly be next.

Mixing and Mastering with Cubase (Quick Pro Guides)

Cubase is a program that transforms your computer into a complete recording studio. It creates every button, knob, switch, and fader found in a hardware-based studio, including a few components that don't exist in that realm. Cubase 7 provides virtually unlimited tracks for musicians, producers, and music enthusiasts alike, limited only by the power of the host computer. But with all that power and all of the options that it provides, the processes of composing, recording, editing, mixing, and mastering can be challenging. Power Tools for Cubase 7 was written with the new user in mind. First, you'll learn the process of installation and proper studio configuration. Next, you'll learn the foundations of rudimentary Cubase operations; how to avoid common mistakes; how to properly record and edit MIDI, instrument, and audio tracks; and how to use techniques that produce smoothly polished results. Finally, you'll learn how to add mastering treatments for a punchy, shiny, and loud mix that will compete with the pros. In the end, you might know the project was mixed and mastered in your home, but no one else has to.

Power Tools for Cubase 7: Master Steinberg's Power Multi-platform Audio Production Software

The world loves to sing. From barbershop groups to madrigal choirs to vocal rock bands, there are tens of thousands of vocal groups in America. The success of mainstream television programs such as Glee and The Sing-Off not only demonstrates the rising popularity of vocal music; it reflects how current trends inspire others to join in. In addition, through various online and on-the-ground vocal music societies, the “a cappella market” is well defined and well connected. Like singing itself, a cappella is a global phenomenon. At the heart of every vocal group is the music it performs. This often means writing its own arrangements of popular or traditional songs. This book is the long-awaited definitive work on the subject, wide ranging both in its scope and in its target audience – which spans beginners, music students, and community groups to professional and semi-professional performers, vocal/instrumental songwriters, composers, and producers – providing genre-specific insight on a cappella writing. The tone of the book is instructive and informative, yet conversational: it is intended to stand alongside any academic publication while remaining interesting and fun. A Cappella Arranging is a good textbook – and a “good read” – for every vocal arranger, whether amateur or professional; every vocal music classroom, and any professional recording studio.

A Cappella Arranging (Music Pro Guides)

Sharon, Deke

Bell, Dylan

(Music Pro Guides). The term "soundtrack of our lives" is one commonly tossed around by artists, fans, critics, and historians in discussing rock 'n' roll's timeless hits, spanning every subgenre, from pop to hard rock, heavy metal to new wave. In the pages of Behind the Boards: The Making of Rock 'n' Roll's Greatest Records Revealed , the first definitive rock record-producers' anthology of its kind, readers are taken inside the studio, into the creation of the generations of classic records that collectively make up that soundtrack of our lives. The book appeals to both fans and academic audiences interested in the art of sound recording/record producing, providing a rich demographic spread of potential niche and mainstream markets. This is the first definitive record-producers' anthology to cross every one of rock's subgenres, featuring intimate, first-hand accounts of how the making of many of rock 'n' roll's greatest hits were created, via exclusive interviews with the producers who recorded them. Some of the songs discussed are "Every Breath You Take" by the Police, "Comfortably Numb" by Pink Floyd, "In the Air Tonight" by Phil Collins, "Smells like Teen Spirit" by Nirvana, "Beautiful Day" by U2, "One" by Metallica, "You Shook Me All Night Long" by AC/DC, "Sabotage" by the Beastie Boys, "Jane Says" by Jane's Addiction, "Sledge Hammer" by Peter Gabriel, and "Sweet Emotion" by Aerosmith, among countless others by legends like Bob Dylan, the Rolling Stones, Kiss, Led Zeppelin, Bob Marley, the Red Hot Chili Peppers, Soundgarden, the Pixies, The Who, Jimi Hendrix, Journey, Judas Priest, Motley Crue, Sting, Tom Waits, Smashing Pumpkins, Pink, John Mellencamp, the Black Crowes, New Order, Ministry, Fleetwood Mac, Foreigner, and many more.

Behind the Boards: The Making of Rock 'n' Roll's Greatest Records Revealed (Music Pro Guides)

Brown, Jake

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