In art, eras rarely begin with new decades, and New York Cool proves that the years between 1955 and 1965 were at least as vital a phase as "the 60s." Taking a fresh look at a moment that has too long been viewed as a parenthesis between Abstract Expressionism and Minimalism/Pop art, this book documents the diversity of art made in New York during those years. James Lee Byars, Alex Katz, Yayoi Kusama, Agnes Martin, Kenneth Noland, Robert Rauschenberg and Frank Stella are presented here, alongside mentors such as Louise Bourgeois, Elaine and Willem de Kooning, Philip Guston, Robert Motherwell and poet Frank O'Hara.

New York Cool: Painting and Sculpture from the NYU Art Collection

Arts & Photography

Lange, Alexandra

Gumpert, Lynn

Karmel, Pepe

Collections, Catalogs & Exhibitions

Grey Art Gallery, New York University

Accompanying the Grey Art Gallery's exhibition of the same name, The Poetics of Cloth: African Textiles/Recent Art brings some 60 contemporary paintings, sculptures, videos and photographs by artists living in Africa and abroad into dialogue with a selection of mid-twentieth-century and recent African textiles. Artists include El Anatsui, Samuel Cophie, Viyé Diba, Sokari Douglas Camp, Groupe Bogolan Kasobane, Abdoulaye Konaté, Rachid Koraïchi, Atta Kwami, Grace Ndiritu, Nike Okundaye, Owusu-Ankomah, Yinka Shonibare, Malick Sidibé, Nontsikelelo "Lolo" Veleko, Rikki Wemega-Kwawu and Sue Williamson, while texts are by renowned Africanist scholar John Picton, Ghanaian poet Kofi Anyidoho and the Grey Art Gallery's Lynn Gumpert, among others.

The Poetics of Cloth: African Textiles/Recent Art

PICTON, JOHN

Anyidoho, Kofi

History & Criticism

Soto: Paris and Beyond, 1950–1970 accompanies the first large-scale exhibition dedicated to Jesús Soto to be held at a New York museum in more than 35 years. It highlights this major Venezuelan artist’s early career, following his relocation from Caracas to Paris in 1950, and offers a rare opportunity to trace Soto’s visionary trajectory and his influence upon, and exchanges with, other members of the avant-garde. Soto’s achievements in the field of interactive art established his reputation as both an international exponent of kinetic art and one of the most influential Latin American artists of the twentieth century. This fully illustrated catalogue includes essays by curator Estrellita B. Brodsky and art historian Sarah K. Rich.

Soto: Paris and Beyond, 1950-1970

Rich, Sarah

Brodsky, Estrellita

Toxic Beauty: The Art of Frank Moore is the most comprehensive presentation of work by a remarkable artist whose life was cut short by AIDS. Frank Moore (1953–2002) is best known for his large, highly detailed figurative paintings filled with fantastic and symbolic images. This catalogue includes a complete bibliography, chronology and excerpts from Moore’s own writings. It also features more than 50 color images of Moore’s paintings and works on paper, as well as approximately 40 reproductions of previously unpublished archival material--such as sketchbooks and documents--culled from the vast Frank Moore Papers housed at New York University’s Fales Library. An essay by Klaus Kertess considers Moore’s recurrent themes, situating the artist within the vibrant downtown scene; a contribution by Gregg Bordowitz relates Moore’s works to his passionate AIDS activism; and a piece by Susan Harris addresses the artist’s working methods.

Toxic Beauty: The Art of Frank Moore

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Books by Grey Art Gallery, New York University