During World War II, with apocalypse imminent, a group of well-known Jewish scientists and artists sidestepped despair by challenging themselves to solve some of the most difficult questions posed by our age. Many had just fled Europe. Others were born in the United States to immigrants who had escaped Russia's pogroms. Alternately celebrated as mavericks and dismissed as eccentrics, they trespassed the boundaries of their own disciplines as the entrance to nations slammed shut behind them. In Stargazing in the Atomic Age, Anne Goldman interweaves personal and intellectual history in exuberant essays that cast new light on these figures and their virtuosic thinking. In lyric, lucent sentences that dance between biography and memoir as they connect innovation in science with achievement in the arts, Goldman yokes the central dramas of the modern age with the brilliant thinking of earlier eras. Here, Einstein plays Mozart to align mathematical principle with the music of the spheres and Rothko paints canvases whose tonalities echo the stark prose of Genesis. Nearby, Bellow evokes the dirt and dazzle of the Chicago streets, while upon the heels of World War II, Chagall illuminates stained glass no less buoyant than the effervescent notes of Gershwin's Rhapsody in Blue. In these essays, Goldman reminds readers that Jewish history offers as many illustrations of accomplishment as of affliction. At the same time, she gestures toward the ways in which experiments in science and art that defy partisanship can offer us inspiration during a newly divisive era.

Stargazing in the Atomic Age: Essays (Georgia Review Books)

Biographies & Memoirs

Goldman, Anne

Historical

Georgia Review Books

Conscientious Thinking: Making Sense in an Age of Idiot Savants (Georgia Review Books Ser.)

In Conscientious Thinking, David Bosworth cuts through all the noise of today's political dysfunction and cultural wars to sound the deeper causes of our discontent. Americans are living, he argues, in a profoundly transitional era, one in which the commonsense beliefs of the first truly modern society are being undermined by the still crude but irreversible forces set loose by technology's drastic revision of our everyday lives. He shows how this disruptive conflict between modern and post-modern modes of reasoning can be found in all advanced fields, including art, medicine, and science, and then traces its impact on our daily actions through such changes as the ways in which friends relate, money is made, crimes are committed, and mates are chosen. Just as feudal values had to give way to a modern worldview that more effectively contained the new social reality generated by the printed book, so must our democracy reimagine itself in ways that can domesticate - civilize rather than merely ""monetize"" - a post-modern scene radically transformed by our digital machines. To that end, Conscientious Thinking supplies not only the means to make sense of our contentious times but also a provisional sketch of what a desirable post-modern America might look like.

Conscientious Thinking: Making Sense in an Age of Idiot Savants (Georgia Review Books)

Literature & Fiction

Bosworth, David

Essays & Correspondence

Hysterical Water is a collection of fierce, funny, feminist poems, prose poems, and essays with poems woven through them, all connected by threads associated with female ?hysteria? and motherhood. Hannah Baker Saltmarsh troubles the historic pseudodiagnostic term hysteria as both a constraining mode used to contain and silence women and as a mode that oddly freed women to behave outside the bounds of social norms. The poems in this collection question the way maternal thinking, sexuality, affect, and creativity have been dismissed as hysterical. Saltmarsh reclaims the word hysteria by arguing that women poets might, in art as in life, celebrate incongruous emotional experiences. Drawing on and reshaping an intriguing array of source materials, Saltmarsh borrows from the language of uncontrollable emotion, excess, cure, remedy, and cult-like obsession to give shape not only to the maternal body but also to a hysterical textual one. She revisits selective silence and selective speech in everyday crises of feelings, engages meaningful ?anticommunication? through odd gestures and symbols, and indulges in nonsensical dream-speak, among other tactics, to carve a feminist poetics of madness out of the masculinist discourse that has located in the woman the hysteric.

Hysterical Water: Poems (Georgia Review Books)

Saltmarsh, Hannah Baker

Poetry

Hong Kong without Us is a decentralized book of revolutionary poetry. Drawn directly from the voices of Hong Kong during its anti-extradition protests, the poems consist of submitted testimonies and found materials--and are all anonymous from end to end, from first speech to translated curation. This collected poetic documentation of protest is thus an authorless work that brings together many voices. The editors themselves are anonymous poets acting through the Bauhinia Project, an organization created to bring Hong Kong's struggles to the stage of transnational activism through lyric and language, in the same spirit of leaderlessness as the protests. This book is a glimpse into the movement's lives and voices. The poems here were either submitted as testimonies to the Bauhinia Project at an encrypted email address or collected as "found poems" from testimonies and protest materials on the streets, on social media, and on the news. Each was from an anonymous source in Chinese. They are a people's poetry: nameless, lowbrow, temporally bound, squeezed out from moments of gravity and strife. They are meant to reach out across the silence of oceans, through differences in language and culture.

Hong Kong without Us: A People's Poetry (Georgia Review Books)

History & Criticism

This Impermanent Earth: Environmental Writing from The Georgia Review (Georgia Review Books Ser.)

Review\nMultitudinous writers have been rattling the shakers and clanging the cymbals for a long time to bring attention to the natural world, especially its plights. With this collection The Georgia Review establishes its history as a venue for these prophetic and prescient voices, especially in opening dialogues to those who have been too long excluded. This is fine reading―so many ideas, so much truth, so much power packed in here. This is a book I’ll reach for again and again. -- Janisse Ray ― author of Ecology of a Cracker Childhood and Drifting into Darien\nWith its thirty-three essays, This Impermanent Earth charts the course of the American literary response to the twentieth century’s accumulation of environmental deprivations. Arranged chronologically from 1974 to the present, the works have been culled from The Georgia Review, long considered an important venue for nonfiction among literary magazines published in the United States.\nThe essays range in subject matter from twentieth-century examples of what was then called nature writing, through writing after 2000 that gradually redefines the environment in increasingly human terms, to a more inclusive expansion that considers all human surroundings as material for environmental inquiry. Likewise, the approaches range from formal essays to prose works that reflect the movement toward innovation and experimentation. The collection builds as it progresses; later essays grow from earlier ones.\nThis Impermanent Earth is more than a historical survey of a literary form, however. The Georgia Review’s talented writers and its longtime commitment to the art of editorial practice have produced a collection that is, as one reviewer put it, “incredibly moving, varied, and inspiring.” It is a book that will be as at home in the reading room as in the classroom.

This Impermanent Earth: Environmental Writing from The Georgia Review (Georgia Review Books)

History

Americas

Review\nMultitudinous writers have been rattling the shakers and clanging the cymbals for a long time to bring attention to the natural world, especially its plights. With this collection The Georgia Review establishes its history as a venue for these prophetic and prescient voices, especially in opening dialogues to those who have been too long excluded. This is fine reading―so many ideas, so much truth, so much power packed in here. This is a book I’ll reach for again and again. -- Janisse Ray ― author of Ecology of a Cracker Childhood and Drifting into Darien\nThe standout quality of this expansive collectionexpansive collection is its diversity of voices and ideas in America and the often surprising trails on which they take the reader, eventually tying back to how deeply interconnected everything is. -- Anuradha Prasad ― Split Rock Review\nWith its thirty-three essays, This Impermanent Earth charts the course of the American literary response to the twentieth century’s accumulation of environmental deprivations. Arranged chronologically from 1974 to the present, the works have been culled from The Georgia Review, long considered an important venue for nonfiction among literary magazines published in the United States.\nThe essays range in subject matter from twentieth-century examples of what was then called nature writing, through writing after 2000 that gradually redefines the environment in increasingly human terms, to a more inclusive expansion that considers all human surroundings as material for environmental inquiry. Likewise, the approaches range from formal essays to prose works that reflect the movement toward innovation and experimentation. The collection builds as it progresses; later essays grow from earlier ones.\nThis Impermanent Earth is more than a historical survey of a literary form, however. The Georgia Review’s talented writers and its longtime commitment to the art of editorial practice have produced a collection that is, as one reviewer put it, “incredibly moving, varied, and inspiring.” It is a book that will be as at home in the reading room as in the classroom.

Beloved by lovers of poetry across the globe, José Watanabe (1946-2007) is one of Peru's most celebrated twentieth-century poets. Of his variegated repertoire, which includes articles, screenplays, and children's books, Watanabe is best known for his seven original books of poetry, of which Natural History is the first to be rendered into English. Here, the starkly lyrical poems are presented in dual-language format and alongside pen-and-ink drawings by the Lima-based artist Eduardo Tokeshi, which appeared in the original Spanish-language volume. This book is an essential contribution to global discussions about nature writing, Spanish-language poetry, the literary and physical landscapes of Peru, Indigenous culture, and Asian migration across the Americas. Excerpt from "In the Dry Riverbed" But I walk with odd levity, neither wounded nor guilty, up the riverbed from whose high walls bulge roots of willows. I chew them and their bitter flavor is the one resistance I come across as I move against the current

Natural History: Poems (Georgia Review Books Ser.)

Watanabe, José

Marylyn Tan's debut volume complicates ideas of femininity, queerness, and the occult. Theoretically informed, imaginatively reckless, and politically fierce, these poems gaze back at visual arts, literature, and everyday life to present a feminine grotesque that subverts the patriarchal viewpoint that has structured these terrains of thought and life. GAZE BACK, ultimately, is an instruction book, a grimoire, a call to insurrection to wrest power back from the social structures that serve to restrict, control, and distribute it among those few privileged above the disenfranchised. It is a poetic call to arms. This book rocked Singapore literature upon its publication, winning the Singapore Literature Prize in English Poetry in 2020 and making Tan the first woman to earn the nation's premier English-language poetry prize. Excerpt from "Nasi Kang Kang" the idea is witchcraft comes naturally to women but which witch women

GAZE BACK: Poems (Georgia Review Books Ser.)

Computers & Technology

Tan, Marylyn

Programming

David Lloyd's poetry abides in a lineage of poetic modernism, often in dialogue with poets like César Vallejo, Paul Celan, and Mahmoud Darwish. The poems in The Harm Fields are rich in imagery, their language a fluent mix of registers, from colloquial idioms to technical language and literary citation, and replete with multilingual puns and portmanteaux. These poems carry forward the musical values and the questioning project of the modernist lyric, but their concerns are contemporary, haunted by the ongoing brutality of the times, from Ireland to Palestine, and reaching for a language adequate to mourning, persistence, and utopian possibility.

The Harm Fields: Poems (Georgia Review Books)

Lloyd,David

Tripas: Poems (Georgia Review Books Ser.)

Finalist for the National Book Award, 2023\nWith Tripas, Brandon Som follows up his award-winning debut with a book of poems built out of a multicultural, multigenerational childhood home, in which he celebrates his Chicana grandmother, who worked nights on the assembly line at Motorola, and his Chinese American father and grandparents, who ran the family corner store. Enacting a cómo se dice poetics, a dialogic poem-making that inventively listens to heritage languages and transcribes family memory, Som participates in a practice of mem(oir), placing each poem’s ear toward a confluence of history, labor, and languages, while also enacting a kind of “telephone” between cultures. Invested in the circuitry and circuitous routes of migration and labor, Som’s lyricism weaves together the narratives of his transnational communities, bringing to light what is overshadowed in the reckless transit of global capitalism and imagining a world otherwise―one attuned to the echo in the hecho, the oracle in the órale.

Tripas: Poems (Georgia Review Books)

Som, Brandon

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