Where some painters emerging in the late 1950s struggled with the disparities between Abstract Expressionist and Pop styles, often electing to choose one or the other, Nicholas Krushenick (1929–1999) solved the problem by choosing both--that is, by evolving his own unique style, in his own resolutely independent trajectory. This monograph--the first since 1972--offers a retrospective view of Krushenick’s work from the 1960s to the 1990s, from the loose geometries and web-like forms of his early paintings to the artist’s groundbreaking experiments in Pop abstraction, which have lost none of their relevance, freshness and energy. Also included is a selection of collages and preparatory drawings, many of which have never been reproduced, plus essays by critics and admirers. The volume is published on the occasion of a survey exhibition at Gary Snyder Gallery in September 2011.

Nicholas Krushenick: A Survey

Arts & Photography

YAU, John

Burckhardt, Tom

Butterly, Kathy

Individual Artists

Gary Snyder Gallery

Ralph Humphrey (1932–1990) was one of the foremost exponents of postminimalist painting in 1960s New York. As much a sculptor as a painter, Humphrey created surfaces of almost absurd tactility using casein and modeling paste: thick slabs of knobby, brightly hued pigment, arranged in fat lozenges, grids or squares. These works loom out at the viewer with both gravity and humor, insisting on a measured encounter; as the artist wrote in a journal entry, “Space coming forward is more of a confronting, more like an experience, but an experience that calls attention to its own time … I find that when the painting starts coming back at me I know I’m going to get to the observer.” This volume provides a detailed view of Humphrey’s work from 1973 to 1984, along with critical reflections on his process and his reputation.

Ralph Humphrey

Born in Detroit, Al Loving (1935–2005) studied painting at the University of Michigan, before moving to New York in 1968, where he found himself among a milieu that included artists Robert Duran, Alan Shields, Richard Van Buren and the dancer and choreographer Batya Zamir. A year later, in 1969, Loving famously became the first African-American to have a one-person show at the Whitney. In works such as “Self-Portrait #23,” Loving combines hundreds of pieces of torn fabric into an abundance of overlapping shapes. Their rich array of colors stretches irregularly, extending to the floor and encompassing the surrounding space. Accompanying the first exhibition devoted to Loving’s work since his death in 2005, this volume provides an in-depth look at the artist’s work from 1973 to 1985. It includes five of the artist’s fabric wallhangings, and a selection of handmade paper collages, many of which have never before been reproduced.

Al Loving: Torn Canvas

Siegel, Katy

See the best price to sell, buy or rent books by the Gary Snyder Gallery publisher. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Gary Snyder Gallery