Suspense, politics, war, humor and intergalactic finance. A towering masterwork of science fiction adventure and one of the best-selling science fiction novels of all time, L. Ron Hubbard's Battlefield Earth opens with breathtaking scope on an Earth dominated for 1,000 years by an alien invader and man is an endangered species. From the handful of surviving humans a courageous leader emerges Jonnie Goodboy Tyler, who challenges the invincible might of the alien Psychlo empire in a battle of epic scale, danger and intrigue with the fate of the Earth and of the universe in the tenuous balance. "Tight plotting, furious action and have at'em entertainment." —Kirkus Review

Battlefield Earth: A Saga of the Year 3000

Literature & Fiction

HUBBARD

L. Ron

Genre Fiction

Galaxy Press (CA)

It’s 1806 and the United States is pushing westward. One white man raised by Indians—Yellow Hair—undertakes a treacherous adventure across the uncharted wilderness. Experience a panoramic journey across the pages of American history in this thrilling story of a proud, courageous man pushed to the limits of endurance. . . and of a country on the threshold of a bloody conflict that will change it forever. “Mr. Hubbard has reversed a time-honored formula and has given a thriller to which, at the end of every chapter or so, another paleface bites the dust.. . . [has] an enthusiasm, even a freshness and sparkle, decidedly rare in this type of romance.” —New York Times

Buckskin Brigades

Hubbard. L. Ron

United States

A crisp clean softcover, no markings throughout: The 19th installment in Hubbard's annual contest series contains more top-notch stories than last year's volume and is likely to satisfy science fiction and fantasy aficionados looking for fresh ideas and new twists on old conventions. Luc Reid's marvelous "A Ship That Bends" imagines a world that is literally flat, where seafarers try to maneuver around the edge and onto the other side. Joel Best's "Numbers," in which the essence of life can be boiled down to a single equation, has the detached, bleak feel of a Kubrick nightmare as well as the magnetism of one. Ken Liu's "Gossamer," an elegant twist on the first contact story, asks: what if we finally meet another life form, but have no idea how to communicate with them? The clear winner, however, is Jay Lake's "Into the Gardens of Sweet Night," a quirky meditation on personal freedom and responsibility that follows a cosmos-trotting pug named Wiggles as it leads a young boy on a surreal journey to the supposedly mythical Garden of the title; think William Burroughs meets Men in Black.

L. Ron Hubbard Presents Writers of the Future Volume 19

Disaster

Disaster (Mission Earth)

Humor & Satire

Six-Gun Cabellero

Carnival of Death: The detective is deep undercover at Shreve's Mammoth Carnival, when he discovers first one and then another headless body. While others believe the gruesome murders are solved after four tribal headhunters working for the show suddenly disappear, Bob Clark suspects someone else is the real killer. When he finds himself seized by the very same headhunters, Clark sincerely hopes his hunch is right, since the point of a very sharp knife is aimed at his neck! 
Bonus story: 
The Death Flyer: Can history be reversed to save a beautiful girl on the ghost train? Long before the Source Code movie with Jake Gyllenhaal, Jim Bellamy boards a ghost train, screaming through the night as he tries to save the life of a young lady who died in its wreckage ten years ago. A love story of an impossible nature, Jim tries to reverse time, on a train of phantoms long forgotten, yet stuck in time. 
"…consistently engaging, over-the-top performances that complement the colorful characters and equally vibrant carnival setting. Particularly entertaining are occasional screams of horror (from the women actors), a nice contrast to Meskimen’s interpretation of the solid federal agent. For pulp-fiction fans." —Booklist

The Carnival of Death: A Case of Killer Drugs and Cold-Blooded Murder on the Midway (Mystery & Suspense Short Story Collection)

Bob Sherman has a strength of character and purpose that would make Spencer Tracy proud. But signing on to the crew of the yacht Bonito, he’ll need every ounce of his strength and courage to overcome the forces arrayed against him—in Sea Fangs. He’ll take on the forces of nature—a hurricane smashing into the boat off the Venezuelan coast. He’ll stand up to the forces of ignorance—Bonito’s incompetent captain. He’ll defy the forces of corruption—the boat’s owner, who stripped him of his land years ago. And he’ll fight the forces of evil—a ruthless band of pirates who take all aboard, including the owner’s daughter, to the uncharted Island of Death. His fate intertwined with a woman whose father stole everything he valued, Sherman is about to discover that there’s one force as powerful, unpredictable and dangerous as the sea itself . . . the force of a beautiful woman’s love. Hubbard had vast experience at sea. By the time he’d written this story, he had traveled twice to China on Naval vessels, had signed on a twin-masted schooner plying the Chinese coast, and had organized a five-thousand mile expedition aboard a four-masted schooner. He had first-hand experience of the violence of the sea—and of the men who ply it—as he depicts in Sea Fangs. “A must for his legions of fans and an impressive tribute to his storytelling skills.” —The Midwest Book Review

Sea Fangs (Action Adventure Short Stories Collection)

A charming rogue cut from the same cloth as Robert Mitchum, American engineer Dan Courtney is learning fast that it takes more than a little charm to lay the groundwork for a railroad. Particularly when the plan is to build it across some of the roughest and most dangerous territory on earth. Courtney’s been hired to survey the land that would link up the Uganda Railway to the Anglo-Egyptian railroad. Running through desert, jungle and mountains, this is one line—and story—with more twists and turns than the New York City subway system. Diamond smugglers. A fearsome native tribe. A beautiful young American woman . . . and a man determined to kill her. Put them all together and you’ve got a world where All Frontiers Are Jealous. It’s up to Courtney to tame those frontiers—take on the tribe, save the woman, and save the future of the railroad . . . before his blood ends up on the tracks. L. Ron Hubbard based this story on the real-life history of the countless harrowing attempts in the late 19th and early 20th century to link up the two railroads. An experienced civil engineer and surveyor himself, Hubbard had worked in rough and dangerous terrain as part of the West Indies Mineralogical Expedition. All Frontiers Are Jealous may be a work of fiction, but as far as Hubbard was concerned, in his own life, the adventure couldn’t have been more real. “Terrific from beginning to end.” —Midwest Book Review

All Frontiers Are Jealous (Historical Fiction Short Stories Collection)

Take the law into your own hands, and you risk losing your grip on everything else—including your life. Lee Weston—a young Paul Newman with a Colt revolver at his hip—is as good-looking as he is quick tempered, and he’s got a lot to be angry about. His father murdered, his family ranch torched, he goes gunning for Harvey Dodge—the man who he’s convinced is the killer—and it’s Lee who ends up on the wrong side of the law. Shot in a gunfight, on the run and running out of time, he holes up in a mountain hideout and waits for death to come find him. But he wakes up in the arms of a beautiful woman who has beat death to his door and nursed him back to life. She’s the first and only woman he has ever fallen for, and her name is Ellen Dodge—Harvey’s daughter. Can a great loss lead to a great love? Can the search for revenge lead to redemption? The answers lie in the wild heart of the Wild West—in Branded Outlaw. L. Ron Hubbard was so prolific, and his stories so much in demand, he occasionally had to publish under a pseudonym to ensure that his name wouldn’t appear twice in a single issue of a magazine. Thus did Branded Outlaw originally appear as being written by a writer named Barry Randolph. But as is clear from the action and authenticity of the story, it was Hubbard behind the curtain pulling the levers. This is one of sixteen westerns Hubbard wrote in 1938—all influenced by a foray into New Mexico to round out his research. His unsurpassed knowledge of the West originated in his years growing up—and riding on—the range. “Packs a ton of action and some priceless shootout scenes.” —EZReader.com

Branded Outlaw (Western Short Stories Collection)

Children's Books

Detective Terry Lane is a standout homicide cop who thought he’d seen it all . . . until now. 
As tough as Kevin Costner as Eliot Ness of The Untouchables—and just as incorruptible—Lane has seen the darkest side of human behavior. But he’s never seen a murder spree like this, targeting the wealthy, the powerful and the privileged. For the evidence is clear: the killers have not emerged from the seamy underside of the city . . . but from six feet under it. They are the walking dead, spreading terror and showing no mercy.
Following a trail of drugs, blackmail, and the twisted clues of a seductive nightclub singer, Detective Lane will have to think outside the box…or he could end up inside one, buried alive.
In 1934, while living in New York, the heart of the publishing industry, Hubbard struck up a friendship with the city’s medical examiner—a relationship that started his education in undetectable crime and provided him with authoritative clinical background for his detective stories.
“A rollicking horror yarn [that] taps into the current craze for zombies. . . . heart-pounding.” —Publishers Weekly
*An International Book Awards Winner

Dead Men Kill: A Murder Mystery of Wealth, Power, and the Living Dead (Mystery & Suspense Short Stories Collection)

Literary

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