Dancing Backwards

The brilliant new work from the bestselling author of ‘Miss Garnet’s Angel’ and ‘The Other Side of You’.
Violet Hetherington has taken the rash step of joining a transatlantic cruise ship to New York to visit Edwin, an old friend. As she makes the six day crossing, she relives the traumatic events that led to her losing Edwin's friendship, and abandoning her career as a poet, for the safety of marriage and domesticity.
Despite her natural reserve, she meets a rich variety of passengers travelling with her, who affect her understanding of her own past. Most significantly, she meets Dino, the dance host, whose motives in befriending Vi are shady, but who teaches her to ballroom dance - and inadvertently helps her to recover from her past.
Moving between the late sixties and the present day, ‘Dancing Backwards’ is written with the lightness of touch and psychological insight which characterise Salley Vickers' acclaimed work. This bittersweet novel is subtle, poignant and wonderfully entertaining.

Dancing Backwards. Salley Vickers

Literature & Fiction

VICKERS, Salley

Contemporary

Fourth Estate (GB)

The brilliantly original new novel from Michael Chabon, author of the Pulitzer prize-winning 'The Adventures of Kavalier and Clay' For sixty years Jewish refugees and their descendants have prospered in the Federal District of Sitka, a 'temporary' safe haven created in the wake of revelations of the Holocaust and the shocking 1948 collapse of the fledgling state of Israel. Proud, grateful and longing to be American, the Jews of the Sitka District have created their own little world in the Alaskan panhandle, a vibrant, gritty, soulful and complex frontier city that moves to the Yiddish beat. Now, after sixty years of federal neglect, the District is set to revert to Alaskan control, and their dream is coming to an end: once again the tides of history threaten to sweep them up and carry them off into the unknown. But homicide detective Meyer Landsman has enough problems without worrying about the upcoming Reversion. His life is a shambles, his marriage a wreck, his career a disaster. He and his half-Tlingit partner, Berko Shemets, can't catch a break in any of their outstanding cases. Landsman's new supervisor is the love of his life -- and also his worst nightmare. And then someone's got the nerve to commit a murder in the flophouse Landsman calls home. Out of habit, obligation and a half-cocked shot at redemption, he begins to investigate the killing of his neighbor, a former chess prodigy, and soon finds himself contending with all the powerful forces of faith, obsession, evil and salvation that are his heritage -- and with the unfinished business of his marriage to Bina Gelbfish, the one person who understands his darkest fears. At once a gripping whodunit, a love story, an homage to 1940s noir, and an exploration of the mysteries of exile and redemption, "The Yiddish Policemen's Union" is a novel only Michael Chabon could have written.

The Yiddish Policemen's Union

MICHAEL CHABON

Manhood for Amateurs: The Pleasures and Regrets of a Husband, Father, and Son

Michael Chabon, the Pulitzer Prize-winning author of 'The Adventures of Kavalier &amp; Clay' and 'The Yiddish Policemen's Union', offers his first major work of non-fiction, an autobiographical narrative as inventive, beautiful and powerful as his novels. A shy manifesto; an impractical handbook; the true story of a fabulist; an entire life in parts and pieces: 'Manhood for Amateurs' is the first sustained work of personal writing from Michael Chabon. In these insightful, provocative, slyly interlinked essays, one of our most brilliant and humane writers presents his autobiography and vision of life in the way so many of us experience our own: as a series of reflections, regrets and re-examinations, each sparked by an encounter, in the present, that holds some legacy of the past. What does it mean to be a man today? Chabon invokes and interprets and struggles to reinvent for us, with characteristic warmth and lyric wit, the personal and family history that haunts him even as it goes on being written every day. As a son, a husband, and above all as a father of four young children, Chabon's memories of childhood, of his parents' marriage and divorce, of moments of painful adolescent comedy and giddy encounters with the popular art and literature of his own youth, are like a theme played - on different instruments, with a fresh tempo and in a new key - by the mad quartet of which he now finds himself co-conductor. At once dazzling, hilarious and moving, 'Manhood for Amateurs' is destined to become a classic.

Hugo Hamilton, the internationally acclaimed author of 'The Speckled People' and 'Sailor in the Wardrobe', turns his hand back to fiction with a compelling drama tracing Berlin's central historical importance throughout the twentieth century. 1945. At the end of the second world war in Berlin, a young mother loses her two-year-old boy in the bombings. She flees to the south, where her father finds a young foundling of the same age among the refugee trains to replace the boy. He makes her promise never to tell anyone, including her husband - still fighting on the Russian front - that the boy is not her own. Nobody will know the difference. 2008. Gregor Liedmann is a Jewish man now in his sixties. He's an old rocker who ran away from home, a trumpet player, a revolutionary stone-thrower left over from the 1968 generation. On a single day spent gathering fruit in an orchard outside Berlin with family and friends, Gregor looks back over his life, sifting through fact and memory in order to establish the truth. What happened on that journey south in the final days of the war? Why did his grandfather Emil disappear, and why did the Gestapo torture uncle Max? Here, in the calmness of the orchard, along with his ex-wife Mara and son Daniel, Gregor tries to unlock the secret of his past. In his first novel since the best-selling memoir The Speckled People, Hugo Hamilton has created a truly compelling story of lost identity, and a remarkable reflection on the ambiguity of belonging.

Disguise

Romance

Hugo Hamilton

One night in a Parisian nightclub and the aftermath of a marriage provide the stories for these two novels by Frederic Beigbeder, award-winning author of 'Windows on the World'. Both novels, translated into English for the first time here, are narrated by Marc Marronier, a shallow, superficial, rich Parisian who works as an advertising executive, but concentrates much of his energy on frequenting the demimonde of Parisian clubs and bars. It's a world Beigbeder is all too familiar with, and his caustic observations are all the more accurate for it. In 'Holiday in a Coma', Marc Marronier is invited by his old friend, an American DJ, to the opening of a new nightclub called The Shitter (a satirical take on the famous Paris nightclub, Les Bains Douche). Taking place over a single unforgettable night, the novel documents everything from the pit-bull bouncer on the door, to the drugs, cocktails and wannabes who frequent the club. Marc has set his sights on seducing a catwak model -- any one will do -- and is trying to keep a clear head while all around are paying good money to lose theirs. A catalogue of degeneracy, drugs, sex and decibels, 'Holiday in a Coma' is written with a fury and passion that reflect the author's own relationship with a world and he both loves and loathes. In 'Love Lasts Three Years', our hero Marc has just been divorced and -- shallow opportunist that he is -- has decided to write a book about it. He has a theory that love lasts no more than three years, and here -- while recounting the highs and lows of his marriage and taking us through brash nightclubs, vainglorious offices and soulless designer apartments -- he brings to bear the theoretical and the empirical to prove his point. Both frightening and funny, the book reads like a diary: sometimes tender and real, sometimes fantastical and cruel, peppered with Beigbeder's acerbic one-liners and trademark wit.

Holiday in a Coma; And, Love Lasts Three Years: Two Novels

Frédéric Beigbeder

A brilliant new novel by Laurie Graham set in wartime London, which follows Kick Kennedy, sister of future US President JFK, as she takes London society by storm. Nora Brennan is a country girl from Westmeath. When she lands herself a position as nursery maid to a family in Brookline, Massachusetts, she little thinks it will place her at the heart of American history. But it's the Kennedy family. In 1917 Joseph Kennedy is on his way to his first million and he has plans to found a dynasty and ensure that his baby son, Joe Junior, will be the first Catholic President of the United States. As nursemaid to all nine Kennedy children, Nora witnesses every moment, public and private. She sees the boys coached at their father's knee to believe everything they'll ever want in life can be bought. She sees the girls trained by their mother to be good Catholic wives. World War II changes everything. At the outbreak of war the Kennedys are living the high life in London, where Joseph Kennedy is the American ambassador. His reaction is to send the entire household back across the Atlantic to safety, but Nora, surprised by midlife love, chooses to stay in England and do her bit. Separated from her Kennedys by an ocean she nevertheless remains the warm, approachable sun around which the older children orbit: Joe, Jack, Rosemary, and in particular Kick, who throws the first spanner in the Kennedy works by marrying an English Protestant. Laurie Graham's poignant new novel views the Kennedys from below stairs, with the humour and candour that only an ex-nursemaid dare employ.

The Importance of Being Kennedy

Laurie Graham

An epic cycling and coming-of-age novel about a young boy's painful relationship with his family and its past, The War Room embarks on a disturbing journey across America and deep into the world of modern competitive cycling and the enormous German influence on American culture. The War Room centers on a young boy and his increasingly difficult relationship with his father, a German immigrant who grew up in the war. As the boy prods his father over the years to learn more about his deceased grandparents and his father's past, his father becomes both violent and supportive, punishing his son physically while slowly opening up and revealing his past. Through a series of revelations, the son learns not only about his father's family history but also about his taciturn mother's past, a German descendant whose family settled in America generations earlier. Among the broader but not widely known public details he learns is that Germans are the largest ethnic group in the United States. But unlike the Anglos or Irish for example, who freely celebrate their cultures and thus appear larger, Germans disappear almost entirely and dissociate themselves from their ancestral homeland, which through two World Wars stood as the United States' pre-eminent enemy. As the boy grows and struggles with the painful details of his family's past and his larger ethnic culture, he is faced with the choice of embracing it or rejecting it forever. In the process of trying to reach a conclusion during his teenage years, he is taken by his older brother deep into another world that he had never intended to enter and from which he must fight for his life to free himself, so that he can find his missing father to confront the brutality he inflicted on them.

The War Room

Bryan Malessa

A hilarious and heartbreaking father-son road movie of a novel. Spencer Ludwig, idealist and filmmaker, is making one of his regular duty visits from London to New York City to tend to his declining but still fearsome father. Driving back from one of their doctors' appointments, Spencer decides not to take the turn to his father's apartment: instead, they hit the road. Ahead of them will be an emotional ride taking in police and prostitutes, film festivals and gambling in Atlantic City, as father and son try to make sense of each other's lives and hearts, and their own. To reach, Spencer hopes, a suitably cinematic conclusion.

Film by Spencer Ludwig

D. L. Flusfeder

Literary

THE ADDRESS BOOK starts with some of the fundamental questions asked by everyone, in every culture since the beginning of civilisation. Who am I? Where am I? Where am I going? Tim Radford attempts to answer them by drafting in a technique he first used as a school-boy, when he wrote his address in the inside front cover of his exercise book every term, starting with the house number, the street name, the town, and proceeding upwards through levels of scale - the hemisphere, the planet, the solar system, the galaxy - until he reached the final line, the universe itself.So - this is a book written on a vertical rather than a horizontal axis. We open with Tim in the present day, in Hastings, sitting at his desk, thinking about his house, his possessions, how they have shaped him and how he has affected them, how a house becomes part of our identity and what binds us to the objects in it. The next chapter deals with Hastings itself; the town as a unit of scale, why we associate ourselves with one place rather than another. And so on, upwards through levels of magnitude. As the units of space grow larger, so Tim himself dwindles and the bigger, colder forces of astronomy and astrophysics come into play. By the time we reach the address's final line we are beginning to understand that there is no final answer to the question "Where am I?" - behind every answer lies a new question, receding into unthinkable distance, to the spectacle of galaxies falling away from each other into nothingness.

Address Book

Tim Radford

This Little Britain

History

Bingham, Harry

Europe

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