Rock and Hard Places: Travels to Backstages, Frontlines and Assorted Sideshows

Arts & Photography

Mueller, Andrew

Music

Foruli Limited

"Sometimes I play a game in my head: name the five best American rock bands of the '60s. My list goes: The Velvet Underground, The Byrds, The Beach Boys, The Doors, and then I stall on the fifth. Creedence? The Band - although they're mostly Canadian. Simon and Garfunkel? Jefferson Airplane? The Lovin' Spoonful? But I plump for The Monkees."--Robert Forster Robert Forster was a Go-Between, and now has an acclaimed solo career, but in recent times he has also established himself as one of the finest music critics in the business. In The 10 Rules of Rock and Roll, Robert Forster takes readers on a roller-coaster ride through popular music - from Bob Dylan, AC/DC and Nana Mouskouri through to Cat Power, Franz Ferdinand, Nick Cave and the Bad Seeds and ... Delta Goodrem. Accompanying Forster's acclaimed writing for The Monthly are a short story about Normie Rowe and stunning new pieces in which he sets out the 10 Rules of Rock and Roll, ponders on 'The 10 Bands I Wish I'd Been In', reflects on the influence of The Velvet Underground, and gives a moving tribute his partner in The Go-Betweens, Grant McLennan. Funny and illuminating, The 10 Rules of Rock and Roll shows a great critic at work.

The 10 Rules of Rock and Roll: Collected Music Writings / 2005-09

Forster PT, Professor Robert

'Saturday's Kids' is a collection of photographs of the early 1980s Mod scene in Southern England, the majority previously unseen. Darren Russell's images capture the style, attitude and innocence of youth in a scene organised by those who participated and which was totally driven from within. Although generally ignored by outsiders at the time, Mod's influence is now firmly established in high street fashion, music and advertising imagery. Includes rare photographs of Paul Weller of The Jam.

Saturday's Kids: The 1980s British Mod Revival

Russell, Darren

Individual Artists

This book is a description of how one drummer, Bill Bruford of Yes, King Crimson, Genesis and U.K. fame, survived the lunacy that accompanies a professional musician's existence and still retained the desire to sit at the drumset and play. It is a compendium of 18 of Bruford's recorded works in notated form, together with scene-setting and some explanation of how and why he arrived at the end product. For the compulsive practisers amongst his readership he has included a few exercises that may or may not be related to the music which precedes them in the chapter. If the narrative casts a somewhat jaundiced eye on the reasons drummers play the things they play the author makes no apologies for that. Published by Foruli Classics - dedicated to bringing the best out-of-print music and popular culture books back into print.

When in Doubt, Roll!

Biographies & Memoirs

Bruford PhD, Dr. Bill

Arts & Literature

F.C Judd (1914-1992) was a pioneer in British electronic music, working in the 1950s and 1960s. His importance hinges on a wide range of electronic activities: from his compositions, self-built synthesizer and sound visualisation system to his books, magazine articles and radio broadcasts. He was a prime mover in disseminating electronic sounds and musique concrete to the public - not just encouraging them to listen, but also to experiment with tape recorders and tone generators. 'Electronics In Music' was originally published in 1972 and describes the principles behind early electronic musical instruments and synthesised sound, including circuit diagrams. Published by Foruli Classics - dedicated to bringing the best out-of-print music and popular culture books back into print.

Electronics in Music

Judd, F. C.

Few pioneers are philosophical, liberal, intelligent and violent all at the same time - but then there is only one Ice Cube. Rapper, actor, industry mogul and entrepreneur, the LA-born gangsta-rap founder has risen from the ranks of NWA - the 'most dangerous band in the world', as those who feared them claimed - to forge a solo career unlike any other. Cube is an outspoken critic of American society and government, and in his earliest, still-shocking hit with NWA (the infamous 'F**k Tha Police') and his many solo hits, the rapper has never been afraid to voice his opinion. It's an unpredictable, epic tale and one which 'Ice Cube: Attitude' explores to the limit.

Ice Cube: Attitude

McIver, Joel

In the early 1970s, an era of grand gestures in rock, no band could match the scale of Emerson, Lake and Palmer. Boasting an impressive pedigree in previous bands, Keith Emerson, Greg Lake and Carl Palmer were huge from the off, the ultimate progressive rock group. Their eponymous 1970 debut album mixed new band compositions with reinterpretations of classical pieces, an approach that reached its apogee with the 1973 concept album 'Brain Salad Surgery'. The band live were a spectacle like no other, with their giant quadrophonic PA and a shirtless Emerson hurling knives into his Hammond organ - but when punk happened ELP abruptly fell out of fashion, splitting in 1978. Subsequent reformations culminated in a final gig at London's High Voltage festival in celebration of the band's 40th anniversary. 'The Show That Never Ends ... Encore', first published in 2000 and now fully revised and updated, chronicles the epic ELP saga. Drawing on interviews with band members and associates, and a host of archive sources, it is a gripping account of ego, band politics, period detail and sweeping musical ambition. Foruli Classics - classic music and popular culture books reborn.

Emerson, Lake and Palmer: The Show That Never Ends ... Encore

George Forrester

Martyn Hanson

Frank Askew

Marillion first formed, as Silmarillion, in 1978. Casual observers might believe the band fell into obscurity after the departure of vocalist Fish in 1988. However Marillion thrive to this day, prospering outside the mainstream and enjoying a perhaps uniquely close relationship with a devoted audience. This meticulously researched biography explores Marillion's refusal to compromise either music or ideals, and the continued popularity of one of Britain's most enduring rock bands.

Marillion: Separated Out ... Redux

Collins, Jon

Bill Bruford, once called the godfather of progressive-rock drumming, has been at the top of his profession for four decades. This is his memoir of life at the heart of prog rock, art rock, and modern jazz, playing with Yes, King Crimson, Genesis, Earthworks and many more. It is an honest and entertaining account of life on the road and in the studio, rubbing shoulders with the famous, the less famous, and the infamous, and creating an impressive tally of great music. A rock musician with the temperament of a classical musician who became a jazz musician, Bruford defies all the clichés about drummers. He says: "You write what you have to write, you play what you have to play, because you cannot sleep at night. If you can sleep at night, you shouldn't be doing this anyway." From time to time, at polite dinner parties, someone will ask Bill what he does. He replies that he is a musician. "Yes, but what do you really do?" retorts the enquirer. This unusual, funny and insightful music memoir answers that question.

Bill Bruford: The Autobiography. Yes, King Crimson, Earthworks and More.

Bill Bruford

Andy Vella has been observing Robert Smith and The Cure since 1981. He has designed the majority of the artwork for The Cure's record releases, either as one half of Parched Art or working solo, and has photographed the band in its multiple incarnations. 'Obscure' is a unique collection of rare and unseen photographs of The Cure in the studio and in performance. This visually stunning and beautifully designed volume has been compiled with the full cooperation and input of Robert Smith, who has also written the foreword.

Obscure: Observing the Cure

Vella, Andy

Photography & Video

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