This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1852 edition. Excerpt: ...with your grave airs and your glum face. We are all hypocrites. O dear me! We are all alone, alone, alone," says poor Beatrix, her fair breast heaving with a sigh. "It was I that writ every line of that paper, my dear," says Mr. Esmond. "You are not so worldly as you think yourself, Beatrix, and better than we believe you. The good we have in us we doubt of; and the happiness that's to our hand we throw away. You bend your ambition on a great marriage and establishment--and why? You '11 tire of them when you win them: and be no happier with a coronet on your coach--" "Than riding pillion with Lubin to market," says Beatrix. "Thank, you, Lubin!" "I'm a dismal shepherd, to be sure," answers Esmond, with a blush; "and require a nymph that can tuck my bed-clothes up, and make me water-gruel. Well, Tom Lockwood can do that. He took me out of the fire upon his shoulders, and nursed me through my illness as love will scarce ever do. Only good wages, and a hope of my clothes, and the contents of my portmanteau. How long was it that Jacob served an apprenticeship for Bachel?" "For Mamma?" says Beatrix. "Is it Mamma your honour wants, and that I should have the happiness of calling you papa?" Esmond blushed again. "I spoke of a Kachel that a shepherd courted five thousand years ago; when shepherds were longer lived than now. And my meaning was, that since I saw you first after our separation--a child you were then..." "And I put on my best stockings, to captivate you, I remember, Sir..." "You have had my heart ever since then, such as it was; and, such as you were, I cared for no other woman. What little reputation I have won, it was that you might be pleased with it: and, indeed, it is not much; aud I think a hundred fools in the army have got and...

History of Henry Esmond

Literature & Fiction

THACKERAY, WILLIAM MAKEPEACE

British & Irish

Everymans Library

Twenty Years After (1845), the sequel to The Three Musketeers, is a supreme creation of suspense and heroic adventure. Two decades have passed since the musketeers triumphed over Cardinal Richelieu and Milady. Time has weakened their resolve, and dispersed their loyalties. But treasons and strategems still cry out for justice: civil war endangers the throne of France, while in England Cromwell threatens to send Charles I to the scaffold. Dumas brings his immortal quartet out of retirement to cross swords with time, the malevolence of men, and the forces of history. But their greatest test is a titanic struggle with the son of Milady, who wears the face of Evil. The only edition in print, David Coward sets both the author and his exciting tale in their historical and cultural contexts.

Twenty Years After

DUMAS, ALEXANDRE

Contemporary

Plutarch's Lives: Noble Greeks and Romans

Plutarch

Living at a time of religious strife and the decline of the intellectual optimism that had begun in the Renaissance, Michel Eyquem de Montaigne (1533-1592) expressed in his writings both a deep skepticism about human affairs and a wide-ranging intellectual curiosity reflective of the age. Having witnessed firsthand the bloody armed conflicts, fanaticism, and persecutions that arose out of religious differences between French Catholics and Protestant Huguenots, Montaigne was especially skeptical about human claims to knowledge. For this reason he published not systematic philosophy but mere attempts at knowledge, essays in understanding, or essais, as he called them in French. He thus inaugurated a new literary genre that proved to be very influential. Despite his skepticism, Montaigne realized that the intellectual horizon of his day was full of exciting new developments. The New World had only recently been discovered, and explorers to many parts of the hitherto undiscovered world were bringing back reports of strange lands, people, and customs. At the same time, the intellectual discoveries of the Renaissance had uncovered the powerful works of ancient Greek and Latin authors, and science, still in its infancy, was beginning to ask important new questions. The essays reflect all these interests, plus a refreshing honesty about the frailties of human nature. Montaigne writes about vanity, the value of friendship, constancy, idleness, liars, virtue, cowardice, prognostication, cannibals, the greatness of Rome, "That to Study Philosophy Is to Learn to Die," and a host of other topics. Filled with insights and keen observations that have inspired later writers as diverse as Shakespeare,Bacon, Voltaire, Rousseau, Flaubert, Virginia Woolf, and Roland Barthes, the Essays of Montaigne should be on the shelf of every student, scholar, and book lover.

Essays (Part 1)

MONTAIGNE, MICHEL DE

Literary

Living at a time of religious strife and the decline of the intellectual optimism that had begun in the Renaissance, Michel Eyquem de Montaigne (1533-1592) expressed in his writings both a deep skepticism about human affairs and a wide-ranging intellectual curiosity reflective of the age. Having witnessed firsthand the bloody armed conflicts, fanaticism, and persecutions that arose out of religious differences between French Catholics and Protestant Huguenots, Montaigne was especially skeptical about human claims to knowledge. For this reason he published, not systematic philosophy, but mere attempts at knowledge, essays in understanding, or essais, as he called them in French. He thus inaugurated a new literary genre that proved to be very influential.Despite his skepticism Montaigne realized that the intellectual horizon of his day was full of exciting new developments. The New World had only recently been discovered and explorers to many parts of the hitherto undiscovered world were bringing back reports of strange lands, people, and customs. At the same time the intellectual discoveries of the Renaissance had uncovered the powerful works of ancient Greek and Latin authors, and science, still in its infancy, was beginning to ask important new questions.The essays reflect all these interests, plus a refreshing honesty about the frailties of human nature. Montaigne writes about vanity, the value of friendship, constancy, idleness, liars, virtue, cowardice, prognostication, cannibals, the greatness of Rome, "That to Study Philosophy Is to Learn to Die," and a host of other topics.Filled with insights and keen observations that have inspired later writers as diverse as Shakespeare, Bacon, Voltaire, Rousseau, Flaubert, Virginia Woolf, and Roland Barthes, the Essays of Montaigne should be on the shelf of every student, scholar, and book lover.

Essays (Part II)

Classics

Essays (Part III)

<p>Provides a comprehensive picture of Dickens' early years, marriage and separation, friendships, and literary successes based on numerous letters and major biographical works</p>

Life of Charles Dickens: In 2 Volumes (Everyman's Library, 781)

Biographies & Memoirs

Forster, John

Arts & Literature

City of God

Religion & Spirituality

Augustine, Saint, Bishop of Hippo

Christian Books & Bibles

Puritanism and Liberty: Being the Army Debates 1647-9 from the Clarke Manuscripts With Supplementary Documents

Woodhouse

History

The Kilmarnock Poems (Poems, Chiefly in the Scottish Dialect, 1786)

Burns, Robert

Low, Donald A.

Poetry

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