Summer Farms: Seasonal Exploitation of the Uplands from Prehistory to the Present (Sheffield Archaeological Monographs)

Summer farms occur throughout the world where there are rich pastures that can only be utilised for part of the year, mainly because they are under snow and ice during the winter. In Europe transhumance is often a major event when the cattle and other livestock leave their home villages and move up into the mountains, and likewise on their return. The best known sites in Europe are perhaps those found in the Alpine areas, but they occur everywhere where there are suitable highland areas to exploit. Traditionally they have been the subject of the studies of ethnographers and anthropologists, especially in the second half of the 20th century when technological and economic changes led to the gradual abandonment of the farms and to other ways of exploiting the highlands. The last of these farmers are gradually disappearing and with them the oral records and memories. Now it is archaeologists who are leading the recording of this material and also looking at the history of such farming from prehistory and from the Bronze Age with the rise in importance of 'Secondary Products' such as cheese which could be stored for use over winter. Much of the evidence can only be gathered by surface survey and by excavation, though in some cases there are good written sources which have yet to be fully exploited. This volume provides case studies, as well as brief summaries of other projects in Europe, extending from the Black Sea in the east to northern Spain and Iceland in the west, though with a concentration on the Alpine area. One thing that emerges is the very varied nature of these sites in terms of their chronology, who went to the farms, the distances travelled, and the other activities associated with transhumance such as mining. In some cases the products were primarily for the subsistence of the agricultural population, but in other cases they were traded and could produce a large amount of profit. This is the first overview of these sites in Europe written from an archaeological point of view.

Summer Farms (Sheffield Archaeological Monographs)

History

Ancient Civilizations

Equinox Publishing (UK)

Scouse Pop (Popular Music History)

Scouse Pop is a journey into the personalities and music of the successful pioneering Liverpool pop bands of the late seventies and eighties. It examines their motivations, their uniqueness and the routes to success which made them into enduring musical innovators. It looks at the reasons why art-pop bands such as OMD, China Crisis, Echo and the Bunnymen, Black and Frankie Goes to Hollywood managed to combine art and commerce with such spectacular success. The bands experienced their own 'revolutions in the head, ' internal revolutions than eventually made many of them household names. The development of these suburban romantics from Liverpool represented a period of intensive creativity and musical romanticism that still resonates today. The spirit of (internal) revolution at the heart of these bands retains a strong fascination for those interested in artistic creation and popular culture. Given the bleak and uninspiring context within which the bands surfaced, how did these musicians achieve great success? Scouse Pop explores this question in detail, and examines the factors that facilitated the transformation of Liverpool teenage dreams into commercial and cultural impact. The music industry, radio and DJs, producers and engineers, the record-buying public and the bands themselves comprise the heart of this account.

Arts & Photography

Skillen, Paul

Music

Over the past 25 years, Icelandic music has been gaining considerable international attention. This is attested to by the international success of such acts as the Sugarcubes, and then Bjáeork as a solo artist, followed by the worldwide success of Sigur Rãaos, and more recently Of Monsters and Men. And these artists reveal themselves to be 'the tip of the iceberg', once one delves further into the music of Iceland and the myriad of genres that are thrive there. That such a small country can produce so much music of quality, value and acclaim is a fascinating situation that has boosted Icelandic tourism and made the country the 'hippest' place in the world. This is a book of wide-ranging essays on different aspects of Icelandic music, from the ancient traditional chants of rãaimur to the large output of classical music by nationalist composer Jãaon Leifs and others, to the plethora of Icelandic rock and pop groups that have already made an impact on the world as well as more idiosyncratic and genre-bending musicians now emerging from the Reykjavik music scene. --

Sounds Icelandic: Essays on Icelandic Music in the 20th and 21st Centuries

Biographies & Memoirs

Arts & Literature

Ancient clay cooking pots in the southern Levant are unappealing, rough pots that are not easily connected to meals known from ancient writings or iconographic representations. To narrow the gap between excavated sherds and ancient meals, the approach adopted in this study starts by learning how food traditionally was processed, preserved, cooked, stored, and transported in clay containers. This research is based on the cookware and culinary practices in traditional societies in Cyprus and the Levant, where people still make pots by hand.Clay pots were not only to cook or hold foods. Their absorbent and permeable walls stored memories of food residue. Clay jars were automatic yogurt makers and fermentation vats for wine and beer, while jugs were the traditional water coolers and purifiers. Dairy foods, grains, and water lasted longer and/or tasted better when stored or prepared in clay pots. Biblical texts provide numerous terms for cookware without details of how they looked, how they were used, or why there are so many different words. Recent studies of potters for over a century in the southern Levant provide a wealth of names whose diversity helps to delineate the various categories of ancient cookware and names in the text.Ancient Cookware from the Levant begins with a description of five data sources: excavations, ancient and medieval texts, 20th century government reports, early accounts of potters, and ethnoarchaeological studies. The final section focuses on the shape, style, and manufacture of cookware for the past 12,000 years. For archaeologists, changes in cooking pot morphology offer important chronological information for dating entire assemblages, from Neolithic to recent times. The survey of pot shapes in Israel, Palestine, and Jordan presents how different shapes were made and used.

Ancient Cookware from the Levant (Worlds of the Ancient Near East and Mediterranean)

Cookbooks, Food & Wine

LONDON

Cooking Education & Reference

Being Viking: Heathenism in Contemporary America (Contemporary and Historical Paganism)

Contemporary Paganism has been a growing segment of American religiosity for over forty years and is composed of a variety of groups, practices, and ideologies. Ásatrú (Asatru), a movement that seeks to revive the practice of pre-Christian Norse religion, remains one of the least studied of these Pagan movements despite its growing prominence in the Pagan community. 
Being Viking provides a rigorous ethnographic account of the Asatru religion in America, also known as Heathenry or Heathenism. Arising from five years of original ethnographic fieldwork among American Asatru adherents, the book expands our understanding of this religious movement by providing a comprehensive analysis as part of the American religious context. Asatru is a reconstructionist form of contemporary Paganism, deriving its sacred stories, polytheism, and religious culture from an interaction with the ancient Paganisms of pre-Christian northwestern Europe. Yet, contemporary tributaries shape the movement’s reception of the past and its enactment of the ideas and practices discovered there. American Asatru encompasses a diversity of approaches and offers a distinctive counterpoint to some of the characteristic patterns of religious life found in other forms of contemporary Paganism. Being Viking examines the complex interaction of new and old that influences Asatru symbolism, spirituality, and social organization. 
In addition to describing its rich religious ideology, Being Viking sets the movement within the context of contemporary American culture. Scholars have recognized that new religions offer alternative solutions to the felt tensions of society. Using this paradigm, Asatru is seen as a movement that provides creative religious solutions to the tensions experienced by modern Americans. This study addresses several of those points, including the socially isolating effects of modernity, women’s roles, epistemology, and human relationships with nature. Asatru draws on ancient Norse ideas and practices to create new modes of living in the modern world that seek to create meaning and deepen the lived experience of its contemporary adherents. Asatru is in the process of emerging as a viable and complex religion that achieves a degree of cultural continuity by reinvigorating certain American values. In this light, Asatru is a new American religion that incorporates and adapts important cultural values while at the same time challenging some scholarly assumptions about new religions.

Politics & Social Sciences

Calico, Jefferson F.

Anthropology

Contemporary Paganism has been a growing segment of American religiosity for over forty years and is composed of a variety of groups, practices, and ideologies. Asatru (Asatru), a movement that seeks to revive the practice of pre-Christian Norse religion, remains one of the least studied of these Pagan movements despite its growing prominence in the Pagan community. Being Viking provides a rigorous ethnographic account of the Asatru religion in America, also known as Heathenry or Heathenism. Arising from five years of original ethnographic fieldwork among American Asatru adherents, the book expands our understanding of this religious movement by providing a comprehensive analysis as part of the American religious context. Asatru is a reconstructionist form of contemporary Paganism, deriving its sacred stories, polytheism, and religious culture from an interaction with the ancient Paganisms of pre-Christian northwestern Europe. Yet, contemporary tributaries shape the movement's reception of the past and its enactment of the ideas and practices discovered there. American Asatru encompasses a diversity of approaches and offers a distinctive counterpoint to some of the characteristic patterns of religious life found in other forms of contemporary Paganism. Being Viking examines the complex interaction of new and old that influences Asatru symbolism, spirituality, and social organization. In addition to describing its rich religious ideology, Being Viking sets the movement within the context of contemporary American culture. Scholars have recognized that new religions offer alternative solutions to the felt tensions of society. Using this paradigm, Asatru is seen as a movement that provides creative religious solutions to the tensions experienced by modern Americans. This study addresses several of those points, including the socially isolating effects of modernity, women's roles, epistemology, and human relationships with nature. Asatru draws on ancient Norse ideas and practices to create new modes of living in the modern world that seek to create meaning and deepen the lived experience of its contemporary adherents. Asatru is in the process of emerging as a viable and complex religion that achieves a degree of cultural continuity by reinvigorating certain American values. In this light, Asatru is a new American religion that incorporates and adapts important cultural values while at the same time challenging some scholarly assumptions about new religions.

"The overarching aim of The Sheep People is to examine what happens to the understanding of past societies when animals are perceived as sentient beings, agents with the ability to impact human lives. Not only are the agentive powers and potential of animals recognised, but also how this shaped prehistoric societies. Throughout, animals are considered as themselves, not as props, tools or consumables for human societies. A thorough review of recent research that supports the agential potential of animalsfrom Human-Animal Studies and the social sciences, as well as ethology, biology and neurology is given, and discussed in light of the archaeological case study. In the Early Bronze Age in Northern Europe, a transition from building two-aisled to three-aisled longhouses as the primary farm dwelling took place. In Rogaland, southwestern Norway, this architectural change happened as the result of intensified human-sheep relationships, born from greater engagement and proximity needed to utilise wool. Evidence from landscape changes, settlements, mortuary practices and rock art give an in-depth understanding of the life-world of Bronze Age human and non-human agents and the nature of the choices they made. A rock art panel portraying sheep, man and dog demonstrates the entangled choreography of sheep herding"--Provided by publisher.

The Sheep People: The Ontology of Making Lives, Building Homes and Forging Herds in Early Bronze Age Norway

Oma, Kristin Armstrong

Textbook Violence

Facing issues of violence and conflict, authors of textbooks for Religious Education (RE) choose a range of different strategies. While some try to write as non-controversially as possible about such issues, other authors choose to leave them completely out. Even in the academic study of religions, a well-established perspective is that religion is primarily something good, and important for societies as well as for human development. Such basic presumptions/perspectives are often nurtured by an apologetic orientation to the representation of religion. In some cases, religious violence and conflict are therefore considered disruptive forces that destroy what is "true," "authentic" and "valuable" in religion. Textbook Violence offers critical perspectives on how textbooks deal or not deal with issues of conflict and violence in religions. The volume's contributions provide examples from textbooks for university level as well as from RE in schools, and include discussions of conflict and violence in a range of different religious traditions. The contributors bring issues of religious violence and conflict into focus through such questions as: In what way is violence and/or conflict treated? Who are the authorial voices? What are their aims? Who is the reader being addressed? How are the representations of religions framed by value judgments? Beyond certain obvious ideological considerations (e.g., nationalism; the interests of religious pedagogues who contribute to textbooks in some countries), there are a number of different factors shaping representations of religions in textbooks - from commercial considerations and statutory stipulations to situations where publishers and national examination boards work closely together to produce textbooks with contents keyed to national exams. This means that authors have to face different expectations and considerations when writing textbooks. Textbook Violence will also include reflections on the choices such authors are facing.

Religion & Spirituality

Religious Studies

Graham Collier's career in jazz lasted over five decades. He was a bassist, a band-leader, a composer, an educator and an author, who wrote extensively about the music. His working life was littered with 'firsts'. Amongst his many achievements, he was the first British jazz musician to study at the Berklee School of music in Boston and the first to receive an Arts Council grant. In 1985, Collier began teaching at the Royal Academy of Music, where he later established the first full-time jazz degree course in the UK in 1987. Mosaics draws extensively on Collier's personal archive, as well as on interviews with fellow musicians, ex-students and colleagues from the Royal Academy of Music. It locates Collier and his work within the social and cultural changes which occurred during his life and, particularly, in relation to developments in British and European jazz of the 1960s and 70s. Collier's work as a composer-bandleader represented an attempt to resolve the paradoxes inherent in jazz between composition and improvisation, familiarity and spontaneity and change and tradition. In this regard, Mosaics compares Collier's work with other composers such as Duke Ellington, Charles Mingus, Gil Evans, Mike Westbrook, Stan Tracey, Barry Guy and Butch Morris. Throughout, Collier emerges as a contradictory figure falling between several different camps. He was never an out-and-out musical, cultural or political radical but rather an individualist continually forced to confront the contradictions in his own position - a musical outsider working within a marginalised area of cultural activity; a gay man operating in a very male area of the music business and within heterosexist culture in general; a man of working class origins stepping outside traditionally prescribed class boundaries; and a musician-composer seeking individual solutions to collective problems of aesthetic and ethical value.

Mosaics: The Life and Works of Graham Collier (Popular Music History)

Heining, Duncan

See the best price to sell, buy or rent books by the Equinox Publishing (UK) publisher. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Equinox Publishing (UK)

See the best price to sell, buy or rent books by the Equinox Publishing (UK) publisher. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Summer Farms (Sheffield Archaeological Monographs)

Scouse Pop (Popular Music History)

Sounds Icelandic: Essays on Icelandic Music in the 20th and 21st Centuries

Ancient Cookware from the Levant (Worlds of the Ancient Near East and Mediterranean)

Being Viking: Heathenism in Contemporary America (Contemporary and Historical Paganism)

Being Viking: Heathenism in Contemporary America (Contemporary and Historical Paganism)

The Sheep People: The Ontology of Making Lives, Building Homes and Forging Herds in Early Bronze Age Norway

Textbook Violence

Textbook Violence

Mosaics: The Life and Works of Graham Collier (Popular Music History)