An Introduction to Linguistics and Language Studies (Equinox Textbooks and Surveys in Linguistics)

This introductory textbook provides readers with a foundation in methods for analysing and understanding language from various theoretical perspectives within linguistics and language studies. Its novel approach introduces systemic functional linguistics, text and discourse analysis, and formal approaches to linguistics. It demonstrates applications of these approaches to reveal how we use language in society, how our brains process language, and how we learn language. Topics include phonetics, phonology, conversation analysis, morphology, semantics, functional and formal syntax, text linguistics, genre analysis, evaluative lexis in text, multimodal representations of meaning, language change and variation, animals and language, the brain and language, and first and second language development/acquisition. The main language focused on is English, while other languages are also drawn on to illustrate the principles, models and theories. Learning outcomes, exercises (with answer key), ideas for project work, and questions for reflection are provided throughout. A final chapter gathers explanations of various fields of practice within linguistics, written by linguists from around the world, including David Crystal (Clinical Linguistics), Frances Christie (Educational Linguistics), and Malcolm Coulthard (Forensic Linguistics). An Introduction to Linguistics and Language Studies offers an array of analytical tools for undergraduate students of language, communication, and education, and provides an overview of the field for those interested in further study in linguistics and applied language studies. Readers will come away with a heightened sensitivity to and appreciation of their own and other's use of language for creating meaning and for interaction.

Reference

Anne McCabe

Words, Language & Grammar

Equinox Publishing Ltd

Wynken de Worde's elegant black-letter handbook, long out of print, remains a major source of information on the serving and eating of meals and feasts in the great houses of late medieval and early Tudor England. Southover's reprint carries a facsimile of the original text from Cambridge University Library, with a modern interpretation facing each page. The book explains in detail the intricate rituals of setting and waiting at table, how to prepare the dishes to be served and exactly what was eaten at different times of the year, and was written as an instruction manual for well-born boys as part of their early education. It also tells the reader how to carve meat, fowls and fish and to sauce each dish with its appropriate accompaniments, some of them very sophisticated. A description is included of the chamberlain's duties in his lord's chamber, dressing him and preparing him for church, and for bed. There is an interesting section on the order of precedence on feast days and great occasions. Peter Brears writes an Introduction and provides a glossary and drawings to explain the complicated rituals, including the arrangement of cloths before and at the end of meals. His research into traditional domestic life, combined with extensive experience of cooking authentic meals in historic properties, has given him a unique knowledge of English food history. He was for twenty years director of York Castle as well as of Leeds City Museums. His books include The Gentlewoman's Kitchen (1984); Traditional Food in Yorkshire (1987); All the King's Cooks (1999), and The Compleat Housekeeper (2000).

The Boke of Keruynge (The Book of Carving) (Southover Press Historic Cookery and Housekeeping)

Cookbooks, Food & Wine

Wynken de Worde

Peter Brears

Cooking Education & Reference

Miles Davis was one of the musical giants of the twentieth century. In a career that spanned more than five decades, Miles transformed the face of jazz four or five times and his music resonates far beyond the bounds of his genre. Miles made the most famous album in the history of jazz, Kind of Blue, formed one of the greatest jazz quintets in the 1960s and fused jazz with rock. Including unique interviews with dozens of Miles' closest colleagues, many of whom have never before been interviewed about their time with him, The Last Miles concentrates on the final period of Miles' life, after he had emerged from a five-year lay-off from the world of music. Right up until the end of his life, he was still searching, still exploring and still refusing to play it safe. The focus is on the music Miles recorded and played, and how it evolved in the eyes of the musicians he played with. Those interviewed include, George Duke, Teo Macero, Tommy LiPuma, Marcus Miller, Darryl Jones and Easy Mo Bee. There are also interviews with musicians who played with Miles before the 1980s, including Dave Liebman, Pete Cosey, Michael Henderson and Mike Zwerin, who give their own assessment of the music Miles played during the final period of his life. Cheryl Davies, Miles' only daughter, is also interviewed. The Last Miles is full of fascinating new facts and stories about Miles. For the first time, every member of the group of young musicians from Chicago who helped bring Miles back into the music scene gives their story. Music journalist George Cole also reveals for the first time the full story behind a lost Miles Davis album recorded in 1985, tells you about a song Miles co-wrote for Mick Jagger, how he worked with Prince, and discovers new and unreleased music that Miles recorded. If you've ever wanted to know how Miles recruited his band members, what it was like working with Miles in the studio or to play with him on-stage, The Last Miles has the answers. There is at least one chapter devoted to each album that Miles recorded during this period. Full track-by-track descriptions contain many new and interesting tales behind the songs including how Sting came to record on one of Miles' tracks, why Prince dropped a song slated to appear on the Tutu album, how Gil Evans helped Miles compose many of the tunes on the album Star People, what Splatch means and who Ursula was.

The Last Miles: The Music of Miles Davis, 1980-1991 (Popular Music History)

Biographies & Memoirs

Cole, George

Arts & Literature

Lester Young was one of the great jazz masters, and his impact on the course of the art form was profound.  He fundamentally changed the way the saxophone was played--his long, flowing lines brought new levels of expressiveness and subtlety to the jazz language, setting the standard for all modern players.      In Being Prez, renowned British critic Dave Gelly follows Lester Young through his life in a rapidly changing world, showing how the music of this exceptionally sensitive man was shaped by his experiences. The reader meets a complicated, vulnerable, gentle individual who was brought up in his father's traveling carnival band.  His early career was spent in the nightclubs and dancehalls of Kansas City and the Southwest, and he made his landmark recording debut at the peak of the Swing Era.  But at the height of his powers, he was drafted into the US Army, where racism and his own unworldliness landed him in military prison.  Following these events, Young grew increasingly withdrawn and suspicious, changes in his character reflected in the darkening mood of his music. Gelly, himself a jazz saxophonist, examines many of Young's classic recordings in illuminating detail. He reveals how as a saxophonist--and as major contributor to the Count Basie band--Young created a strong personal voice, a cool modernism, and a new rhythmic flexibility in the freely dancing rhythms of 4-beat swing.        With his sax jutting oddly to one side, his bizarre oblique use of language, and his unique musical rapport with Billie Holiday (who famously nicknamed him "Prez"), Lester Young has become an icon and a cult figure.  This marvelous biography illuminates the life and work of this giant of jazz.

Being Prez (Popular Music History)

Gelly, Dave

Women Writers of Ancient Greece and Rome: An Anthology

Literature & Fiction

History & Criticism

Analyses the music of The Velvet Underground. This work examines the musical influences of the Velvets on punk, post-punk and subsequent rock movements, culminating in the group's reunion of 1993. It also indexes the variety of media constructions that the group endured through the years and how these affected Cale, Nico and Reed.

The Velvet Underground (Icons of Pop Music)

Witts, Richard

Humor & Entertainment

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