The Acropolis of Athens (Greek: Ακρόπολη Αθηνών) is an ancient citadel located on a high rocky outcrop above the city of Athens and containing the remains of several ancient buildings of great architectural and historic significance, the most famous being the Parthenon. The word acropolis (pl. acropoleis) comes from the Greek words ἄκρον (akron, "edge, extremity") and πόλις (polis, "city"). Although there are many other acropoleis in Greece, the significance of the Acropolis of Athens is such that it is commonly known as "The Acropolis" without qualification.The Acropolis was formally proclaimed as the preeminent monument on the European Cultural Heritage list of monuments on 26 March 2007.

The Acropolis (Archaeological Guides)

History

Andronicos, Manolis

Ancient Civilizations

Ekdotike Athenon

A traveller's guide to the sites, monuments and history.

The Peloponnese

Arts & Photography

Karpodini-Dimitriadi, E.

History & Criticism

National Museum (of Greece)

Delphi is part of the volume entitled "treasures of the Greek Museums" which introduces the reader to the priceless works of art housed in the museums of Greece. The texts, written by experts, furnish details of the historical and cultural context of these masterpieces. The most important achaeological sites are also presented, with exclusive aerial photographs and other lavish illustrations.

Delphi

Manolis Andronicos

From the remote Neolithic period the soil of Crete has lovingly protected priceless treasures, which have been, and are continually being brought to light by archaeological excavations.These masterpieces of Cretan, and especially of Minoan civilization, are now displayed in the Herakleion Museum, and form a collection of unique value.The publication of the Guide to the Herakleion Museum by Ekdotike Athenon is intended to help the visitor to become acquainted with the treasures of Cretan art in a scientific and methodical way, and, through the exhibits, to trace the evolution of the civilization of the island throughout the many centuries of its history.The structure and composition of the book has been designed with these aims in mind, and the relevant photographs are set out alongside the text. The visitor thus has the opportunity to come into contact, room by room, with the great artistic achievements of Minoan civilization, and to form an idea of the character of its unique cultural heritage.

Herakleion Museum: Illustrated Guide (Ekdotike Athenon Travel Guides)

Sakellarakis, J. A.

Olympia is part of the volume entitled "treasures of the Greek Museums" which introduces the reader to the priceless works of art housed in the museums of Greece. The texts, written by experts, furnish details of the historical and cultural context of these masterpieces. The most important achaeological sites are also presented, with exclusive aerial photographs and other lavish illustrations.

Olympia - The Archaeological Site and the Museums

Chatzidakis scrutinizes the first evidence for Mystras, before the Frankish Conquest of 1249; the city's acme, under the Franks (from 1249 to 1262), and subsequently, in the days of the Kantakouzenoi and the Palaiologoi; and again when, as capital of the Despotate of the Morea (from 1348 to 1460), Mystras became "the centre and very soul of the Peloponnese", a city in constant communication, politically and culturally, with the capital of the Byzantine Empire, Constantinople itself. And indeed the rich decoration of Mystras' churches - the Metropolis, the Aphendiko, the Peribleptos, or the Pantanassa, for instance - is a brilliant example of Constantinople's art at its greatest. Chatzidakis also has a chapter about each of the monuments and its architecture, painting, and sculptured decoration, with notes on the minor chapels. The Castle, the walls, the palaces, and the houses - the indispensable framework for a better understanding of the art of Byzantine Mystras - are examined in the last part of the book.This new edition retains the author's original text in its original form, comprising a detailed study of the monuments and the city over the centuries. All that is new is the additions and adjustments made necessary by recent findings, the result of conservation and restoration work on the archaeological site by the Fifth Ephorate of Byzantine Antiquities (Sparta). Essential additions have also been made to the chapter on the Museum: these are due to the recent new exhibition on display since 2001, and in particular to the conservation and study of the dress of the Byzantine princess. This edition also has the benefit of new photographs of the site and the monuments.

Mystras - The Medieval City and Castle

Chatzidakis, Manolis

Europe

From legend to history; Monasticism on Mount Athos; Mount Athos today; The government of Mount Athos; The life of the monks on Athos; Work; Food; Karyes - the Protaton; Great Lavra; The monastery of Vatopedi; The monastery of Iveron; The monastery of Chelandari; The monastery of Dionysiou; The monastery of Koutloumousiou; The monastery of Pantokrator; The monastery of Xeropotamou; The monastery of Zographou; The monastery of Docheiariou; The monastery of Karakalou; The monastery of Philotheou; The monastery of Simonopetra; The monastery of St Paul; The monastery of Stavronikita; The monastery of Xenophontos; The monastery of Gregoriou; The monastery of Esphigmenou; The monastery of St Panteleimon; The monastery of Kastamonitou; The art of Mount Athos; Architecture; Sculpture; Painting; Monumental art; Portable icons; Illuminated manuscripts; Miniature art; Vestments and gold - embroidered fabrics; Other treasures; Epilogue; Glossary.

Mount Athos - An Illustrated Guide to the Monasteries and Their History

Kadas, Sotiris

Excerpt from the prologue written by the author MANOLIS ANDRONICOS, "It has been necessary to try to produce a text which will serve the needs of the specialist without ignoring those of the general reader. Such attempts are far from easy in execution and not infrequently succeed only in sacrificing academic integrity without providing adequate information for the non-specialist. It is not for me to say if I have achieved what I set out to do. Nevertheless, in addition to the text, there are the illustrations to the book which I believe contribute to the success of its purpose as I have defined it. A picture is always the best means - after the objects themselves - for every reader, specialist or not, to gain a closer idea of archaeological finds. Once I had decided to write the book I considered it essential not to limit myself to the recent impressive finds from the royal tombs, but to set before the reader a synoptic but solid account of all the archaeological finds in the area. In this way its considerable interest becomes comprehensible - an area which has yielded graves containing hand-made prehistoric pottery and bronze jewellery, a magnificent architectural complex dating to the last years of the fourth century, the theatre of a city, a small temple and a series of monumental Macedonian tombs with unique painted compositions of the classical period, masterpieces of jewellery made by Greek goldsmiths, of miniature sculpture and the most magnificent products of Greek metalworking. The brilliance of the latter sheds new light on the older finds so that these acquire their proper perspective. In addition to all this, the finds from Vergina provide new information about Macedonian Hellenism, our knowledge of which so far is based almost exclusively on literary sources emanating from Athens. It is natural that that city, the only serious political rival to Macedonia, should frequently distort its enemy's true face and denigrate its historical contribution to the development of Hellenism, at least before the meteoric rise of Alexander the Great."

Vergina: the Royal Tombs

Andronicus, Manolis

Two major historical events have led to Patmos being called 'the holy island of the Aegean'. The first is the arrival there in A.D. 95 of the Evangelist, Saint John the Theologian, who wrote the Book of Revelation on the island; and the second is the foundation in 1088, at the beginning of the second millenium of the Christian era, of the Monastery of Saint John the Theologian by the monk Christodoulos, armed with three chrysobulls from the Byzantine emperor, Alexios I Comnenos. During the nine centuries of its life, the Monastery on Patmos has assembled and preserved many precious treasures of art and culture, and, along with the Patmian School, it has supplied the Orthodox Church with patriarchs and other enlightened prelates, and the State and the intellectual world with distinguished personalities. Patmos, Treasures of the Monastery contains chapters on the various kinds of works of art housed in the Monastery from the Byzantine and modern Greek popular traditions, and also on the rare manuscripts and valuable editions in the Library, the richest in the Aegean. These chapters, each lavishly illustrated, deal with the architecture of the fortress-like complex of the Monastery, the outstanding wall paintings and icons, the masterpieces of gold-embroidery and church silver, the exquisite miniatures in the manuscripts, and the other treasures in the Library and the archive.

Patmos - Treasures of the Monastery

Glykatzi, Helen

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Books by Ekdotike Athenon