This interview collection takes us back into the roaring 1980s, when the home video market changed the whole world of film making. For a short time, everything seemed possible, and in a way everything was possible. Shapiro Glickenhaus Entertainment was in the right place at the right time. Although SGE closed its doors in 1995, films like THE EXTERMINATOR, BLACK ROSES, SHAKEDOWN, MOONTRAP, RED SCORPION, NO RETREAT NO SURRENDER II, BASKET CASE II &amp; III, FRANKENHOOKER, MANIAC COP and several others remain cult favorites today. Enlightening interviews with business legends and producers are combined with extended conversations with well-known genre filmmakers. On top of this are the voices of all the key people that marketed and sold the SGE movies to the world, managed the productions, or ran the office during this fast forward period of maverick film making. Neither Jim Glickenhaus nor Leonard Shapiro have ever opened up this much about their fantastic careers in the film industry. Includes a foreword by Charles Band. All Interviewees: Leonard Shapiro, James Glickenhaus, Stephen A. Roberts, Nadia Bruce Rawlings, Lewis Horwitz, Ted Rosenblatt, Sonoko Sakai, John Alexander, William Lustig, Frank K. Isaac, Frank Henenlotter, Kevin Tent, Jefferson Richard, Cynthia Cirile, Andi Elliot, Christian Ingvordsen, Jalal Merhi, Jacqueline Palmiere, Cynthia Rothrock, Joseph Zito, Stephanie Denton, Bob Berney, Marilyn Moore, Robert Chapin

The Untold, In-Depth, Outrageously True Story of Shapiro Glickenhaus Entertainment

Arts & Photography

Siedelmann, Marco

Bruce-Rawlings, Nadia

Roberts, Stephen A.

Photography & Video

Editions Moustache

In American pop art, gangster rap, punk rock, and gay filmmaking, there is a Continental Divide between East Coast and West Coast culture typified by New York and California. This esthetic regionalism may be a moot point to today’s international viewers of twenty-first-century gay porn which is more “corporate meat loops” than it is the “personal” kind of visionary film narrative made by the pioneer directors. They created gay cinema. They built their box-office fame with their stories and style, and with their superb casting back in the day when the porn stars they discovered were hot guys with real personalities they knew would make audiences hard no matter what coast or country or continent: Jack Wrangler, Casey Donovan, Peter Berlin, and a host of others. No matter the coast or country, Hot is hot. Some things are universal. Essential. Everywhere. Including interviews with J. Brian, Gavin Geoffrey Dillard, Roger Earl, David "Old Reliable" Hurles, Jim West, a guest article by cult filmmaker Toby Ross and numerous pages of pictures and photo art by Mark Hemry, Tom Bianchi, David Pearce, John J. Krause, Tom of Finland, Tom Kellie, and other iconic gay artists.

California Dreamin': West Coast Directors and the Golden Age of Forbidden Gay Movies

FRITSCHER, JACK

Ross, Toby

The films of Jack Deveau and his production company Hand In Hand once were praised both by audience and critics as the perfect symbiosis of legit feature films, underground avant-garde and explicit all-male adult movies. During the Golden Age of Porn, Hand In Hand was an essential and acclaimed part of the New York art circles and its Independent film scene. The early death of Jack Deveau, the AIDS-crisis and the video revolution changed the porn film industry forever. All this happened at the same time and within a couple of years the Hand In Hand heritage – which should be recognized today as an important chapter of the upcoming queer film movement - was almost forgotten. This book bundles very personal interviews with most of the remaining people that worked as cast and crew members on the films of Hand In Hand, or somehow have been part of the circle around Jack Deveau. GOOD HOT STUFF tells the story of Hand In Hand in fragments, carefully put together from many - totally different - perspectives and memories. It is a story about a filmmaker who had a vision way ahead of his time and the freedom to develop an individual auteur style within the limitations of the early gay adult film industry. Besides the actual conversations, the reader can also learn about the production process and the history of the films - based on hundreds of images, most of them never published in public before; among them original artworks, company ephemera, behind the scenes footage, private snapshots, and numerous magazine articles.

Good Hot Stuff: The Life and Times of Gay Film Pioneer Jack Deveau

Don't Stand So Close (The Collected Novels of Eric Red)

Red, Eric

Literature & Fiction

A desperate mother. Her abducted daughter. A ruthless kidnapper. An impossible ransom.\nDevoted mother Stephanie Power is on a road trip in Houston, Texas with her teenage daughter, Libby. They stop at a gas station to refuel, and when Stephanie comes back from paying, she finds her daughter and their RV have suddenly vanished. Ilsa Bakke, a dangerous female bank robber on the run, just pulled an armored car heist that netted 60 million dollars in bearer bonds. She murdered her own gang, escaping in a getaway car with the Texas cops hot on her tail. She switched out her car with the mother’s at the gas station and kidnapped Libby, leaving her getaway car with the keys in it. Stephanie gets a call from Ilsa on her cell, ordering her to get into the bank robber’s getaway car and drive on the highway at high speed and keep driving or Ilsa will kill Libby – if Stephanie stops or gets caught by the cops, her daughter is dead. If she stays alive and uncaptured for one hour, Ilsa promises to release Libby safely. The desperate mother has no choice, jumping in the getaway car and leading police on a high-speed chase, the female bank robber using her as a decoy for the cops while she makes her escape in the opposite direction with Libby and the stolen loot. The game of automative cat-and-mouse shifts into high gear as Stephanie Power drives for her daughter’s life, struggling to stay alive and elude the cops, knowing she must somehow catch up to the RV with Libby and Ilsa so she can rescue her kid and take down the real perpetrator the police are after.

Stopping Power (The Collected Novels of Eric Red)

Mystery, Thriller & Suspense

Thrillers & Suspense

How did you get into the business? Did you find that it was easy to get a hard-on in front of a camera as in front of an audience? Had you ever appeared nude in any way before that? What do you think of your dick? Do you remember the day you lost your virginity? Do you remember the first time you saw pornography? What was your childhood like? How long did it take you to film the scene? When did you first have sex with a man? Was the idea of anal sex fascinating to you? Is your family religious? Did you fuck or get fucked first? How did your versatility evolve? – Filmmaker, writer and historian Jerry Douglas asks for all the stuff you always wanted to know about your favorite gay porn star. This compilation includes all the conversations he did for the magazines Stallion and Manshots through a period of nearly two decades. Among the interviewees you can find legends of the business such as Peter Berlin, Leo Ford, Richard Locke, Tim Lowe, Sam Dixon, Ken Ryker, Scott O’Hara, Kevin Williams, Johan Paulik, Logan Reed, Adam Hart, Cole Tucker, and several others. More than sixty performers of gay pornographic movies speak out about their life and career!

Close-Up: Interviews with the Performers of Gay Pornography (The Manshots Magazine Collection)

Humor & Entertainment

Douglas, Jerry

Movies

A CAREER-SPANNING INTERVIEW BOOK ABOUT THE BELOVED HOLLYWOOD DIRECTOR SAM FIRSTENBERG. A TRIP LOADED WITH UNIQUE BADASS FILM HISTORY! Sam Firstenberg is mostly recognized as one of the important in-house directors during the outrageously successful heyday of the legendary Cannon Group. The journey of this interview collection starts even before he made his way to direct box office hits just like REVENGE OF THE NINJA, NINJA III: THE DOMINATION, BREAKIN‘ II: ELECTRIC BOOGALOO, AMERICAN NINJA, and several others. The conversations shed light on his origins and influences, including childhood memories, private biographical chapters, his years as a film student in Los Angeles, and his early work as an assistant director and technician for people like Menahem Golan, Charles Band, Ephraim Kishon, Boaz Davidson, and many more. The interviews are not chronological, but focus on every career-step, just as well as on every single movie Firstenberg ever directed until his retirement in 2002. His memories about all the projects he was involved in are packed with adventurous stories about ninjas and breakdancers, about directing action entertainment in exotic countries, and about working with numerous stars, among them Michael Dudikoff, Eric Roberts, JonRhys Davis, Hulk Hogan, Grace Jones, Nick Cassavetes, Zachi Noy, Richard Roundtree, Steve James, Sho Kosugi, and many more. Thirty years of filmmaking: STORIES FROM THE TRENCHES is also a book about the early film industry in Israel, the Hollywood star system and the no longer existing mid-budget movies. It’s about the home video boom, about the uprising and the decline of Cannon, but it also discusses the rules and traditions of the industry. Other topics are the practical way a film was put together in that era, the technical changes through the years, the different market situation compared to nowadays – and last but not least it’s a inside story about the early years of Nu Image and how Avi Lerners company continued the spirit of Cannon, but under different circumstances and times.

Stories From The Trenches: Adventures in making High Octane Hollywood Movies with Cannon Veteran Sam Firstenberg

Imitation of Life: Cross-Cultural Reception and Remakes in Turkish Cinema

Gürata, Ahmet

History & Criticism

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