With its roots (perhaps) in the prehistoric times, Tantra is a unique, highly complex spiritual tradition of India. Which is hard to define and still harder to be grasped by the non-initiated largely because of its occult and mysteriously ritualistic elements, often accompanied by equally mysterious mantras, yantras, kriyas and even sexual practices. As a religious philosophy, this esoteric cult of Shakti: the female principle, seeks to discover the source of cosmic power within the human body through intensely specialized yogic activity. And, like yoga, it transcends religious boundaries. Introducing this non-Vedic, esoteric cult in an altogether fresh perspective, the book looks at tantra: both as a philosophy and as a spiritual tradition in its own right, and how tantrism has, in the past, been an irresistible influence not only on major Indian religions (Brahmanical Hinduism, Buddhism, Jainism), but on arts as well. Dr. Mishra authenticates his findings with evidence from numerous Vaishnava, Shaiva, Shakta, Buddhist, and Jaina texts on religion, philosophy, art and iconography. The author, who has had long, personal interactions with some of the living tantrikas, also tries to dispel certain distortions woven around Tantric religion to contextually offer an unbiased account of its evolution, cultic variations, culture, philosophy, mysticism, and cardinal concepts and tenets. Together with relevant visual material, Dr. Mishra s work will, thus, evoke as much interest in discerning readers as in the scholars of Indian religions, traditional philosophy, arts and art history.

Impact of Tantra on Religion and Art

Mishra, T.N.

DK Print World

In India, philosophy and religion are linked intimately, inseparably. Barring the Carvaka s materialistic school, every other school has concentrated not just on the spiritual way of life in the here-and-now, but on the eventual spiritual salvation of man in relation to the universe. However, notwithstanding the centrality of its spiritual concerns, Indian philosophy has not altogether glossed over materialism; rather it has known it, overcome it, and has accepted idealism as the only tenable view -whatever specific form that idealism might take: mythological, popular or technical. Offering a brilliant prefatory discussion on the nature and thematic importance of the Vedas, the Upanishads, and the Bhagavad Gita, Padhis book tries to capture India s fabulous philosophic genius, with comprehensive, at once objective account of all the six classical systems: the Nyaya, the Vaisheshika, the Samkhya, the Yoga, the Purva Mimamsa, and the Vedanta; and, in addition, of the Carvakas: the crass materialists. And of their numerous texts and their exponents: classical, medieval, and modern. Also unfolding a panorama of the Hindu pantheonic divinities, the authors present Jainism and Buddhism: both as religions and philosophies -with focus on their world- views of ethics, major doctrines and significant metaphysical theories, among other aspects. Uninfluenced either by the idealistic/eulogistic studies of certain Indian scholars, or by the damaging critiques of their Western counterparts, the authors aim to achieve utmost objectivity in their presentation. Which, together with extensive bibliographic references and glossary of Sanskrit terms, makes the book an authentic guide for the discerning readers of Indian philosophy, religion and mythology.

Indian Philosophy and Religion; A Reader's Guide

Politics & Social Sciences

Bibhu Padhi

BIBHU, M. PADHI

Philosophy

The author analyses the Vedantic world view of the cyclic phenomenon of the origin and dissolution of the universe.

Cyclic Universe Cycles of the Creation, Evolution, Involution and Dissolution of the Universe (2 Volume Set)

Nrsimha Carana Panda

The book is a detailed exploration of various facets of Indian thought and life that make it a popular cultural tourist site for visitors from all over the world. It presents an account of India's people, history, national flag and national anthem, dance, drama, music, painting, textile, pottery, food and drink, and customs and lifestyle that comprise the multifaceted components of India's culture. It describes all the major places of pilgrimage and festivals and scenic beauty in India, and lists state-wise a number of historical cities and sites that stud the length and breadth of the country, its attractive monuments steeped in history and its museums laden with treasures from the past. It brings out the special attractions in India for the western tourist who is primarily interested in those aspects of Indian culture that give a deeper meaning to life at physical, spiritual, mental and moral levels. The work offers, for students of tourism, data on various aspects to cover their syllabus: national and international tourist flow, tourism-related organisations and conventions, eco-tourism, India's natural heritage as, for instance, its wildlife. It also gives an account of historical evolution of tourism in the world context. For professionals in tourism, there is information on organisation of package tours, tour circuits, tour planning, training of guides and marketing of tourism. Appendices discuss institutions where tourism is taught, tourist information centres in India and abroad, and tourism related periodicals.

Cultural Tourism in India (Reconstructing Indian History and Culture) (Hardcover)

Krishna Lal

S.P. Gupta

M. Battacharya

Social Sciences

The present monograph is unique in that it, for the first time, extensively treats the subject of Indian temple jalas or grilles together with an in depth discussion in the light of relevant medieval vastusastra passages in Sanskrit on Indian architecture. Besides identification, classification, and description of the different grille types as well as their forms, features, and ornamentation, it investigates their purpose and their relationship with the environment as well as their functional engagement with the building of which each example is an integral part. It likewise traces the origins or at least the earliest incidences together with the development, wherever discernible, of the Indian grilles. While maintaining the thrust of writing towards the ancient and medieval Indian grilles, it brings within its purview the Islamic screens and the Gothic traceries for comparing and contrasting their characteristics with the earlier Indian. In the process, it also dwells on the factors of concept, form, function and, above all, aesthetics. The visual appearance of the jalas developed in each of these three architectural systems considerably varies due to environmental, creedal, cultural, and hence stylistic differences. The text of the monograph is elucidated by carefully drawn 55 line drawings and 348 photo illustrations. Being scholarly and, as a result, of academic disposition, it will not have the privilege of the company and prestige of coffee table books. It likewise cannot be a companion book for the iconographers who in India dominate the field of ancient art and pass as art historians, nor is it useful to the modernists and lovers exclusively of contemporary arts and literature. What is more, in orientation, treatment of theme, and the tenor of discussion, it adheres to the methodology of art history proper and, by the same token, not that of neo-art interpretatory, a different and new discipline which their protagonists, the Newtrendians in the West and because of them the Newtrendianoids in India, claim and proclaim as New art history, just as they look down at the other/original one by qualifying it as conventional, traditional, old-fashioned, and outmoded. They are largely unconcerned about history and chronology, socio-religious and cultural background, and ignore style, inherent concepts, philosophy, metaphysics, and aesthetics.

The Indian Temple Traceries

M.A. Dhaky

One of the major centres of Buddhist art in ancient times, Kausambi provides evidence of an uninterrupted art tradition spanning centuries. Pointing to the scant attention Kausambi has received from scholars in the past, this work attempts to highlight its art treasures through a study of its stone sculptures. Based on scrutiny of stone sculptures found at various sites in Kausambi and its vicinity and housed in different museums, it presents perhaps the first extensive documentation of the Buddhist art of the region from the Mauryan to post-Gupta period. It examines in detail over 300 stone sculptures, paying special attention to their iconographic features, types of stone, techniques of carving, grinding and polishing and their aesthetic appeal. All this comes with a background throwing light on the history of Kausambi and its association with Buddhism, the early archaeological explorations in the region, and the individuality and uniqueness of Kausambi art as compared to Mathura and Sarnath schools. The book presents over 225 black-and-white and over 50 coloured photographs of Buddhist sculptures which are neatly classified and systematically analysed. It would prove invaluable to scholars and students of Buddhist art.

The Buddhist Art of Kausambi: From 300 BC to AD 550

Aruna Tripathi

Dictionary of Hindu Gods and Goddesses

Iyengar, T.R.R.

Reference

Deals with the evolution of Mughal architecture inspired and influenced from their invasion of India, with its old history culture and tradition.

Indegenous Mughal Architecture

Engineering & Transportation

R. Nath

Engineering

This book represents the text of the Ganapati Upanishad along with its transliteration in Roman script, followed by a detailed commentary on its meaning. This book will be useful to scholars of Vedantic thought.

Ganapati Upanishad

Tattvavidananda Saraswat Swami

Presents a tribute to Bettina Baumer, an eminent scholar of Indology and religious studies.

Samarasya: Studies in Indian Arts, Philosophy and Interreligious Dialogue

Sadananda Das

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