The Translation of art: Essays on Chinese painting and poetry (A Renditions book)

WATT, James C. Y. (editor)

Distributed by University of Washington Press

Aquaculture in Southeast Asia: A historical overview (A Washington sea grant publication)

Science & Math

Ling, Shao-Wen

Nature & Ecology

Limited entry as a fishery management tool: Proceedings of a National Conference to Consider Limited Entry as a Tool in Fishery Management, Denver, ... 1978 (A Washington sea grant publication)

R. Bruce Rettig

Nomads of Eurasia

Politics & Social Sciences

Basilov, Vladimir N.

Zirin, Mary Fleming (Translated by)

Social Sciences

"Beginning in 1741 when European explorers first landed in Alaska, Western artists have attempted to capture the region's magnificent landscape and unique inhabitants. This lavishly illustrated, carefully researched volume explores the rich body of work produced by the visiting and resident artists of Alaska as represented in the remarkable collection of the Anchorage Museum of History and Art. Surveying more than two centuries of Alaskan drawing, painting, and printmaking, this landmark study introduces a long-overlooked chapter of art history." "The art of Alaska has evolved along with the territory: Charming, untutored sketches of Arctic scenes led to polished landscapes influenced by the latest European schools of painting. The first culturally biased images of Natives gave way to more sensitive, even romanticized, renderings of the inhabitants and their threatened way of life. Intrepid documentary artists who traveled north with scientific and commercial expeditions were followed by part-time artists attracted by gold and adventure." "A new era began in the late nineteenth century when trained painters as well as tourists cruised the Inside Passage. Successful artists from the East Coast and California, including the renowned painters Albert Bierstadt, Thomas Hill, and William Keith, found novel subjects in Alaska's stunning glaciers and imposing mountain ranges. And the wayfaring Rockwell Kent discovered timely inspiration on a remote island in Resurrection Bay." "Perhaps the most lasting images of Alaska were created by the four enormously popular resident painters Sydney Laurence, Eustace Ziegler, Theodore Lambert, and Jules Dahlager. Laurence's sublime mountain views were balanced by Ziegler's raucous scenes of fishermen and gamblers, while Lambert and Dahlager each helped reinforce the vision of a harsh but invigorating frontier. Prominent Native artists added an indigenous perspective to the growing number of northern scenes." "Alaska's relative isolation ended with the Great Depression and World War II. The landscape explored by one dozen WPA artists in 1937 was still unfamiliar to the wider world, but by the end of World War II, official military artists had publicized the islands and highways of Alaska. A thriving arts community and the state's colleges turned out a fresh generation of artists. Although some still find inspiration in the traditional subjects of whale hunts and dogsleds, others pursue a more modernist approach in the continuing quest to portray life in the North."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Painting in the North: Alaskan art in the Anchorage Museum of History and Art

Arts & Photography

Anchorage Museum of History and Art

Graphic Design

Ten papers from a symposium at Los Angeles County Museum of Art on the occasion of the exhibition "The Great Bronze Age of China" (1980-81) dealing with archaeology, bronze ritual vessels, and the Qin terra cotta warriors.

The Great Bronze Age of China: A symposium

George Kuwayama

This volume is the first published record of the historical America Art collection in the Los Angeles County Museum of Art. Written by curators Ilene Susan Fort and Michael Quick, it catalogues 188 oil paintings, 43 sculptures, and 104 water-color paintings. Detailed entries come after a brief history of the collection's formation. Short biographies of the artists and suggestions for further reading are provided for the general reader and as a background to the discussions of the works. Entries on the individual paintings and sculptures discuss central questions in their interpretation and provide biographical and historical context as well as iconographic and stylistic analysis. These are followed by listings of previous owners, exhibition histories, and references to art-related literature.

American art: A catalogue of the Los Angeles County Museum of Art collection

Los Angeles County Museum of Art

Collections, Catalogs & Exhibitions

Various Contributors, AMERICAN ART POTTERY, Published by the Cooper-Hewitt Museum, distributed by University of Washington Press, 1987. A comprehensive survey (which served as the catalogue for a traveling exhibition of the same name) of American art pottery companies, small pottery studios, independent decorators and artist-potters working from the mid-1870s to the 1930s, most of whom drew their design inspiration from the freedom, humanism and naturalistic style so typified by the Arts and Crafts Movement. The seventy-five (75) examples presented from the Goodman collection of the Cooper-Hewitt Museum, including those by Newcomb, Rookwood, Weller, Grueby, Chelsea, Van Bringle, Teco, Tiffany, George Ohr and others, trace the historical development of this American art form. A Bibliography is included at the back. Highly recommended reference for American art pottery enthusiasts and collectors. Large softcover 9" x 11" x .5", 144 pp. Illustrated throughout in captioned b/w and color plates. Text in English.

American Art Pottery

Reference

Cooper-Hewitt Museum

Catalogs & Directories

Courts and colonies: The William and Mary style in Holland, England, and America

Baarsen, Reinier, et al

Marie Laurencin, artist and muse

Heather McPherson

Douglas K.S. Hyland

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