<p>Well illustrated. Covers tools for measuring, saws, chisels, planes, hammers, screwdrivers, tools for boring holes, power drills, the sabre saw, Lathes, the drill press, circular saws, tools for delicate work, and more. Index. 160p.</p>

How to Use Hand and Power Tools (Popular Science skill book)

Crafts, Hobbies & Home

George Emery Daniels

Home Improvement & Design

Distributed by Harper & Row

AA guide to hotels & restaurants in Great Britain and Ireland

Travel

Automobile Association (Great Britain)

Food, Lodging & Transportation

"The Malcontent" is considered one of the most original and complex plays of the Elizabethan theatre. The aim of this edition is to offer answers to the various questions raised by the play and relate it to the aesthetic cross-currents flowing in the 17th century.

The malcontent (Revels plays)

Literature & Fiction

Marston, John

Dramas & Plays

Art and Imagination: A Study in the Philosophy of Mind

This book presents a theory of aesthetic judgment and appreciation in the spirit of modern empiricism. There are three parts: the first deals with questions of philosophical logic, the second with questions in the philosophy of mind, and the third with questions in the philosophy of art. Thus the argument advances from a theory of aesthetic judgment (and in particular of "aesthetic description"), to a theory of aesthetic appreciation, and thence to an account of the nature and value of art.

Art and imagination: A study in the philosophy of mind

Politics & Social Sciences

Scruton, Roger

Philosophy

Art and imagination: A study in the philosophy of mind (University paperbacks ; 551)

The imagery of Euripides: A study in the dramatic use of pictorial language (University paperbacks)

Barlow, Shirley A

Farce has always been relegated to the lowest rung of the ladder of dramatic genres. Distinctions between farce and more literary comic forms remain clouded, even in the light of contemporary efforts to rehabilitate this type of comedy. Is farce really nothing more than slapstick-the "putting out of candles, kicking down of tables, falling over joynt-stools," as Thomas Shadwell characterized it in the seventeenth century? Or was his contemporary, Nahum Tate correct when he declared triumphantly that "there are no rules to be prescribed for that sort of wit, no patterns to copy; and 'tis altogether the creature of imagination"? Davis shows farce to be an essential component in both the comedic and tragic traditions. Farce sets out to explore the territory of what makes farce distinct as a comic genre. Its lowly origins date back to the classic Graeco-Roman theatre; but when formal drama was reborn by the process of elaboration of ritual within the mediaeval Church, the French term "farce" became synonymous with a recognizable style of comic performance. Taking a wide range of farces from the briefest and most basic of fair-ground mountebank performances to fully-fledged five-act structures from the late nineteenth century, the book reveals the patterns of comic plot and counter-plot that are common to all. The result is a novel classification of farce-plots, which serves to clarify the differences between farce and more literary comic forms and to show how quickly farce can shade into other styles of humor. The key is a careful balance between a revolt against order and propriety, and a kind of Realpolitik which ultimately restores the social conventions under attack. A complex array of devices in such things as framing, plot, characterization, timing and acting style maintain the delicate balance. Contemporary examples from the London stage bring the discussion up-to-date and reveal farce as a complex and potent comic form, with its own history, rules and traditions. Farce sheds light on the genre, its history, and usage in terms of dramatic critics. Davis examines the recurring themes in farcical comedies including rebellion, revenge, and coincidence. This classic work, updated with a new introduction and 50% new material, has been a staple of literary and humor studies libraries for years. It is part of the Transaction Series in Humor edited by Arthur Asa Berger.

Farce (The Critical idiom ; 39)

Davis, Jessica Milner

French thought since 1600 (University paperbacks ; UP546)

Potts, Denys Campion

First published in 1977, this book explores biography in the post-Renaissance period and investigates some of the problems implicit in this literary form. The introduction considers various aspects of biographical theory as expressed by practitioners and critics. The rest of the book is a detailed examination of specific works placed in chronological context ― reflecting the author’s assertion that a work of biography is inseparable from the intellectual and cultural precepts of its age. Amongst the works examined are: Plutarch’s Lives, Aubrey’s Brief Lives, Boswell’s Life of Johnson, and Johnson’s Life of Savage. This book will be of interest to students of literature and cultural history.

Biography (The Critical idiom ; no. 34)

Shelston, Alan

Ghana's first Republic 1960-1966: The pursuit of the political kingdom (Studies in African history ; 14)

Jones, Trevor

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