'Hilary Wainwright, poet and intellectual, returns after the war to a blasted and impoverished France in order to trace a child lost five years before. The novel asks: is the child really his? And does he want him? These are questions you can take to be as metaphorical as you wish: the novel works perfectly well as straight narrative. It's extraordinarily gripping: it has the page-turning compulsion of a thriller while at the same time being written with perfect clarity and precision. 'Had it not got so nerve-wracking towards the end, I would have read it in one go. But Laski's understated assurance and grip is almost astonishing. She has got a certain kind of British intellectual down to a tee: part of the book's nail-biting tension comes from our fear that Hilary won't do something stupid. The rest of Little Boy Lost's power comes from the depiction of post-war France herself. This is haunting stuff.' 'When I picked up this 1949 reprint I offered it the tenderly indulgent regard I would any period piece,' wrote Nicholas Lezard in the Guardian. 'As it turned out, the book survives perfectly well on its own merits - although it nearly finished me. If you like a novel that expertly puts you through the wringer, this is the one.

Little Boy Lost (New Windmills)

LASKI, Marghanita

Cresset Press, Inc.

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Books by Cresset Press, Inc.

See the best price to sell, buy or rent books by the Cresset Press, Inc. publisher. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Little Boy Lost (New Windmills)