Poetry. In DAILY SONNETS Laynie Browne charts new territory as she subtly investigates the daily influxes of the poetic moment. From longing for the family in the very midst of the family, to the play of the mind which mimics and shepherds the visible games of children, Browne offers here the mimesis of the possible, a moving reflection of action and intimacy, a letting go and a grasping of the poetic and the political, all in the firm hold of song.

Daily Sonnets

Literature & Fiction

Browne, Laynie

Poetry

Counterpath Press

Poetry. Essays. In THE CRY AT ZERO, Andrew Joron ranges through literature, science, and philosophy as he maps a poetics, and gripping poetic ontology, that responds to the disturbing politics of our time. Confronting postmodern skepticism, Joron begins from the premise that poets are "chained to the impossible," and that the poetic "cry" exceeds specific social crises. Joron teaches us that more than ever before there us a distinct and obvious place for the unsayable, the abysmal, in our poetic practice. Joron's prose works, interwoven here with a series of soaringly lyrical prose poems, are indispensable in our attempts to embrace a creative space that encompasses human experience.

The Cry at Zero

Joron, Andrew

History & Criticism

Fiction. An astounding debut novel, written with courage, innovation, wisdom, style. Oisin Curran leads us onto a topology of narrative surfaces that appear and disappear seamlessly: subway terrorists in an urban density, a bucolic meadow and stream, postapocalyptic devastation, a ninth century abbey, forty-fifth century conspiracies. The narrative here allows one to enter the creative guts of storytelling, to experience it as a living force. Curran is like Beckett, Woolf, Joyce, Barnes, Bernhard, Celine, Faulkner, in whose work powerful prose excavates the ground of narrative itself, and exposes the sources and necessity of storytelling.

Mopus

Curran, Oisín

Poetry. LYRIC POSTMODERNISMS gathers many well established poets whose work transcends the boundaries between traditional lyric and avant-garde experimentation. Some have been publishing since the 1960s, some have emerged more recently, but all have been influential on newer generations of American poets. Many of these poets are usually not thought of together, being considered as members of different poetic "camps," but they nonetheless participate in a common project of expanding the boundaries of what can be said and done in poetry. This anthology sheds new light on their work, creating a new constellation of contemporary American poetry. This collection provides an opportunity for readers to get to know the work of many writers who may not have received the attention their work and its impact on newer writers deserve. Unlike many anthologies that offer only snippets of writers' work, it contains substantial selections from each poet. Uniquely, it also includes aesthetic statements from each author, which can offer an entryway for readers unfamiliar with the work. Contributors: Nathaniel Mackey, Suzanne Paola, Bin Ramke, Donald Revell, Martha Ronk, Aaron Shurin, Carol Snow, Susan Stewart, Cole Swensen, Rosmarie Waldrop, Marjorie Welish, Elizabeth Willis, Bruce Beasley, Martine Bellen, Mei-mei Berssenbrugge, Gillian Conoley, Kathleen Fraser, Forrest Gander, C. S. Giscombe, Peter Gizzi, Brenda Hillman, Claudia Keelan, Timothy Liu.

Lyric Postmodernisms: An Anthology of Contemporary Innovative Poetries

Reginald Shepherd

Fiction. Translated from the German by Vincent Kling. A story collection by the acclaimed Austrian novelist of the early and mid twentieth century, DIVERTIMENTI AND VARIATIONS mediates traditional and experimental fictional technique to explore an authentic self and creates musically-based narrative forms. These narrative experiments were begun in 1923, not long after the publication of Joyce's Ulysses, with its fugue-like "Sirens" chapter. Traditional psychological realism combines with four-part "symphonic" experimental form--complete with development, intermezzi, and thematic repetition and variation--to demonstrate how technique is adequate to reveal and resolve conflict. Love interests, family tensions, dreams forcing the dreamers to face their struggles, physical injury, a young blind woman's gaining sight, insanity, unexamined lives--Doderer develops these themes by adeptly employing innovative narrative structures grounded in musical formalisms.

Divertimenti and Variations

Doderer, Heimito Von

Poetry. PLACED: KARESANSUI POEMS is a poetic sequence that juxtaposes words, phrases, quotes, and lyric excerpts in the manner of stones in a Japanese dry-landscape Zen garden: karesansui. "Subtexts" identify sources of quotations, ranging from Matsuo Bash-o to the Marx Brothers. Time is stilled here, each one- or two-line poem, for rather than about insight, is both brief and durable, inviting the reader to explore and reconsider a complex of associations.

Placed: Karesansui Poems

SNOW, CAROL

Poetry. Poems born in "a time of abrupt needs," this collection catalogs those individual and imperative fancies that, in the cosmos of Tomaz Salamun, eternity aims to replace: A genealogy of dressmakers and songbirds. A biography that locates the poetic "I" as, at once, a primordial being and a tamer of beasts, a monster and a guardian angel. With uncanny and sometimes harrowing grace, Salamun plumbs every reach of the imagination in search of a space where we can delight in and mourn the disintegration of the body. The nine translators who collaborated to bring out this new book by a "major Central European poet" (The New Yorker) include Thomas Kane, Peter Richards, Phillis Levin, Joshua Beckman, Ana Jelnikar, Christopher Merrill, Matthew Rohrer, Brian Henry, and Anselm Hollo.

There's the Hand and There's the Arid Chair

Šalamun, Tomaž

Fiction. When violence erupts on the streets of Paris in May 1968, a hapless international film crew finds itself stranded during the shooting of a preposterous low-budget blue movie about notorious eighteenth-century erotic poet John Wilmot, the Earl of Rochester. A deadpan and digressive behind-the-scenes catalog of the actors, filmmakers, bystanders, and subjects involved in this movie, ROSE ALLEY is also a fantastical and venomous love letter to French film and literature, obsessive collectors, pornography, language, revolution, misanthropy, the joys of cross-cultural misunderstanding, and other peculiar objects of affection. As Harry Mathews writes, "you have no excuse not to read this book."

Rose Alley

Davies, Jeremy

Contemporary

Drama. Literary Nonfiction. Literary Criticism. READING THE UNSEEN: (OFFSTAGE) HAMLET is about the presence and significance of offstage action in Hamlet, things we hear about in words but do not see performed physically onstage--things like King Hamlet's murder "while [he] was sleeping in [his] orchard," Ophelia's death in "the glassy stream," Hamlet's visit to Ophelia's "closet ... with his doublet all unbraced," Gertrude and Claudius having sex "in the rank sweat of an enseamed bed." In a series of brilliantly original "close readings," Ratcliffe examines how it is that passages such as these make physically absent things verbally "present," how they "show" us things we do not actually see, how they bring us face to face with the "Words, words, words" that are what Hamlet is, he argues, most of all about.

Reading the Unseen: (Offstage) Hamlet

Ratcliffe, Stephen

Dramas & Plays

Poetry. In her first collection, Barbara Claire Freeman links lyric subjectivity to an exploration of crucial moments in U.S. history. There are meditations on the Declaration of Independence, institution of slavery, Gold Rush, Lewis and Clark Expedition, Civil War, Great Depression, terrorist attacks of 9/11, as well as on our contemporary economic and cultural lives. These formally inventive poems braid the personal and the political. They offer no compromise, no synthesis, but they do offer hope as they invite critical reflection of "authorized history" and trace the efforts of historical subjects to make and remake their lives. INCIVILITIES is committed to the past and to the present, envisioning a poetry that might function both as a ritualistic act of imagining and as a talisman against forgetting.

Incivilities

Freeman, Barbara

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