Tracey Emin

Tracy Emin

Cornerhouse Publications

Art from Argentina

ELLIOTT, David

I Can Help

Arts & Photography

Cosgrove, Stuart

Jones, Rod

Reas, Paul

Photography & Video

London at Home

Bennett, Alan (Foreword)

Photographs from the Valley\'s Project - poetic colour photography by Peter Fraser. Text by Rupert Martin, afterword by Maureen O. Paley.

Two Blue Buckets

FRASER, Peter and Rupert Martin

Presence

Cooper, Clement

Flesh &amp; Blood dramatically reveals family life- intimate, joyful, and poignant - through the personal family pictures of many of the world's finest photographers. 
Selecting from wallet snapshots, private albums, and museum walls, the editors viewed a wealth of emotional and insightful images taken by more than 500 photographers. Because of the intimacy that is evoked by family events and family members, these are the images that photographers ( like everyone else) usually consider their most dear. 
This extraordinary collection represents a broad range of contemporary photography. Included are images by both the very famous, and the younger, less known photographers who will emerge in the next generation. Among the sixty-sic photographers whose work is included are Tina Barney, Bill Burke, Raymond Depardon, Elliott Erwitt, Ralph Gibson, Emmet Gowin, David Hockney, Annie Leibovitz, Sally Mann, Mary Ellen Mark, Sheila Metzner, Joel Meyerowitz, Eugene Richards, Stephen Shore, Clarissa T. Sligh, Larry Sultan, Carrie M. Weems, and William Wegman. 
The deeper definition of family that emerges from this unique and beautiful work is one of involvement and complexity. Flesh &amp; Blood expands the way we see our own families.

Flesh & Blood: Photographers' Images of Their Own Families

Andy Grundberg

Ann Beattie

Jem Southam's photographic journey along the river from source to sea. Poem by D.M. Thomas, essay by Frank Turk and Jan Ruhrmund, evoking the landscape, culture, and history of this extraordinary part of Cornwall.

The Red River

Travel

THOMAS, D.M.

Turk, Frank

Ruhrmund, Jan

Southam, Jem

Europe

In Violent Legacies the acclaimed photographer Richard Misrach has compiled three new "cantos" in his ongoing series of photographs exploring the desert in the American West.The desert has long been a metaphor in Misrach's art. In Violent Legacies these barren lands, so often romanticized, undergo an eerie transformation at the hands of man and become an unmistakable reflection of militarism, violence, and environmental destruction. Misrach's political commitment and activism-- filtered through an ironic counterposing of form and content, as well as his exquisite use of color and composition-- have never been as powerfully articulated as in these three new cantos.In "Project W-47 (The Secret)" Misrach reveals classically inspired vistas of the Utah deadlands, tainted forever by their past incarnation as Wendover Air Base-- the secret training and planning site for the Hiroshima and Nagasaki bombings. Aspects of what took place at Wendover still remain classified by the U.S. government."The Pit" is a Goyaesque series that focuses on the mysterious death of livestock in very close proximity to a former nuclear test site in the Nevada desert. These photographs are a chilling reminder of U.S. and global nuclear contamination."The Playboys" are Misrach's studies of Playboy magazines that were used for target practice by persons unknown on the fringes of the Nevada Nuclear Test Site. While cover girls appear to have been the principal targets, many aspects of American culture-- including icons like Andy Warhol, Ray Charles, and Madonna-- were inadvertently blasted.Susan Sontag uses these cantos as a springboard to an allegorical tale-- "The View from the Ark"-- a subtle, yet probing meditation on violence in contemporary society. A postscript interview with Richard Misrach provides background information about the sites comprising Violent Legacies."The West," says Misrach, "is such a loaded concept that any representation deviating from the cowboy myth automatically becomes confrontational. Today, a more fitting myth is that of Dr. Frankenstein. Since World War II, the American landscape has been converted into a n0 laboratory where scientists and the military experiment with the most elemental powers of the universe, inventing weapons of mass destruction, and leaving a legacy of violence in their wake."Violent Legacies sends a stark and compelling message about the land we inhabit and our embattled relationship to it. Though the sites depicted here are all in the American West, they symbolize conditions to be found across the globe and in our own backyards. Richard Misrach unveils a landscape of terrible beauty and great metaphorical power. He asks us to confront the violence in human nature, the skeletons in our closet, the radiant glow on the horizon.

Violent Legacies: Three Cantos

Business & Money

Misrach, Richard

SONTAG, SUSAN

Economics

Life in the liberated zone

david-lurie-rian-malan

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